Carnival and Canon examines the emergence and development of the Purim parody, a distinctive genre of Jewish literature that flourished from the Middle Ages onward. Created for the annual celebration of Purim, these humorous works transformed the language and forms of canonical Jewish texts, including the Talmud, the Hebrew Bible, liturgy, and prayer, into playful parodies centered on the festive customs of eating, drinking, and revelry. Situated at the intersection of the sacred and the secular, elite literary culture and popular humor, the genre offers a unique perspective on the cultural life of medieval and early modern European Jewry. The book focuses on the three most influential Purim parodies: Masekhet Purim by Kalonymus ben Kalonymus (1324–1328), and Megillat Setarim together with Sefer Ḥabakbuk by Rabbi Levi ben Gershom (Gersonides, 1332). First printed together in 1513, these works circulated widely in manuscript and print and inspired generations of later Purim parodies. Combining literary analysis with cultural history, the book explores the Jewish and non-Jewish intellectual contexts in which these texts were written, their role in Purim celebrations, and their reception over several centuries. It presents the first comprehensive historical study of a genre that illuminates the dynamic relationship between ritual, humor, and literary tradition.

The Living Symbol explores one of the Zohar’s most distinctive literary and theological features: the symbolic connection between its stories and its teachings about the divine realm. A young woman holding a lamp in a remote inn, travelers crossing dark mountain ranges, a doe crying out in distress, an old man emerging from the desert, all become symbols of processes unfolding within the hidden life of God. The lamp signifies divine love, the doe the suffering Shekhinah, the mountains divine judgment, and the desert the realm of metaphysical evil. Focusing on a wide range of Zoharic narratives, this book examines how everyday realities are transformed into symbols of the divine and how earthly stories intertwine with mystical interpretation. Through close readings of the Zohar’s tales, it reveals the intricate ways in which narrative and theosophy are woven together, linking the human world and the divine, the visible and the hidden. At the heart of the study stands the kabbalistic symbol. The book argues that the symbolic relationship between story and exposition reflects fundamental Zoharic conceptions of reality and offers a fresh perspective on one of the Zohar’s most important literary and religious innovations.

Sefer Eshkol Ha-Kofer ("The Book of the Cluster of Henna Blossoms"), written by the Karaite Sage Judah ben Elia Hadassi the Mourner in Constantinople in the mid-twelfth century, is unique in the annals of Hebrew literature, in terms of both content and style. The book is a monumental composition which includes more than 350,000 words, consisting of approximately 400 rhymed acrostics. Eshkol H a-Kofer is devoted principally to legal discussions, organized according to the order of the Ten Commandments, and it analyzes all facets of Karaite religious life, usually presenting strict interpretations of the law. Included as well are numerous arguments against Rabbinic Judaism, theological, scientific and grammatical discussions, biblical exegesis, and much more. The book is a veritable treasure trove whose contents have been investigated by scholars of both Karaite and Rabbinic Judaism for much valuable information. It is a major source of knowledge of Karaism, but its importance for Rabbinic literature is also considerable. The only previous edition, completed 190 years ago, was quite deficient, censoring many passages and omitting almost all the Judaeo-Greek words and phrases that Hadassi used. A new edition, based on the best manuscripts, has long been a scholarly desideratum, and the present edition is intended to fill that need.

These volumes contain most of Prof. Yaakov Zussman's essays. The essays include complex and extensive discussions in all areas of Talmudic literature from its beginnings to its scholars in recent centuries. Their collection in one book, accompanied by detailed indexes, presents to the reader the entirety of Prof. Zussman's research work, and at the same time makes it possible to locate and include discussions in distant places that were previously hidden from view.

Emotions and emotional life have come to assume an important place in the study of religion and the humanities, but little attention has yet been given to considering the kabbalistic and hasidic traditions. This volume aims to fill that gap. Ranging historically from the thirteenth century to contemporary times, it touches on a broad selection of Jewish mystical movements. The theoretical and methodological approaches adopted are similarly diverse, drawn from fields including history, psychology and psychoanalysis, literary and cultural studies, and the history of religion. The range of emotions covered includes shame, guilt, sadness, anger, awe and fear, joy, compassion, and love. How have different teachers and communities conceived of and articulated emotional life? To what extent do emotions play a role in attaining spiritual and moral perfection, and what practices have been encouraged in the pursuit of these ideals? What is the relationship between notions of ethics, interpersonal relations, and emotions? When we speak of ‘emotional life’ we think not only of ideas about emotions, but also the complex, dynamic role that emotional experience plays in the actual lives of individuals and communities. A substantial introduction to the volume addresses these broad questions in the context of religious literature and culture.

Trusting the Process offers a fresh approach for anyone working or dealing with older individuals by employing new and exciting custom methodologies in psychodrama, particularly for clients with Alzheimer's disease or other forms of dementia. This book offers a general explanation of the use of psychodrama by giving an overview of the therapeutic use of drama in all its forms, clearly explaining the concepts and methods and describing the rationale of every intervention while also following a group over six years with precious documentation of the group process. It addresses the main concerns of those who suffer from dementia - adjusting to a new and changing level of functioning, fostering a sense of belonging, preserving their innate dignity and redefining relationships and roles. This practical guide will help therapists, social-workers, family and other care-givers, teachers and medical professionals working with older clients seeking comfort from the loneliness of old-age and dementia.

In this volume: Eshbal Ratzon | The Qumran Calendar: a Historical Reconstruction Emmanuel Mastey | The Terms קלקלה ‘qlqlh’ and קלון ‘qlwn’ and the Meaning of Mishnah Horayot 3:7 Menahem Kahana z”l | The Status of Rabbi Ishmael and Rabbi Akiva in Their Schools Yonatan Sagiv z”l | Revisiting Midrash and Halakha in the Sifra Elnatan Chen | R. Jonah Ibn Janāḥ as Philologist and Text-Critic Moshe Idel | Gleaning from the Field of Kabbalah in Tarbiz Edward Fram | Groundwater Mikves: An Example of the Influence of Legal Ideas from the Sephardic World on Polish Rabbinic Culture at the End of the Sixteenth Century Tom Parnass | ‘The Soulless Body of the Torah’: The Sabbatean Quest for the ‘True Religion’ in the Eighteenth Century in Context

The Politics is a foundational work of Greek philosophy and a cornerstone of Western political thought. It is an investigation into the nature of the polis (the city-state), which Aristotle defines as a partnership of a certain kind among similar people for the sake of the best attainable life. In this inquiry, Aristotle seeks to determine how a virtuous and flourishing city is constructed and sustained. In Books VII–VIII - presented here for the first time in Hebrew - Aristotle depicts a vivid portrait of the ideal Greek city, and formulates a guide for the establishment of a flourishing city.

Jews and Crime in Medieval Europe is a topic laced by prejudice on one hand and apologetics on the other. Beginning in the Middle Ages, Jews were often portrayed as criminals driven by greed. While these accusations were, for the most part, unfounded, in other cases criminal accusations against Jews were not altogether baseless. Drawing on a variety of legal, liturgical, literary, and archival sources, Ephraim Shoham-Steiner examines the reasons for the involvement in crime, the social profile of Jews who performed crimes, and the ways and mechanisms employed by the legal and communal body to deal with Jewish criminals and with crimes committed by Jews. A society's attitude toward individuals identified as criminals - by others or themselves - can serve as a window into that society's mores and provide insight into how transgressors understood themselves and society's attitudes toward them.

Within the Babylonian Talmud are dozens of stories depicting sharp confrontations between the Amoraim, the Talmudic sages. These narratives portray the charged relationships among the sages, the emergence of conflict, and the profound emotional harm that results from it. Why do conflicts among the creators of Talmudic literature occupy such a central literary place? This book examines these stories as a distinct literary corpus. The analysis shows that the conflicts consistently center on one domain: injury to personal honor. They are also marked by a characteristic plot structure, in which conflict develops unintentionally and escalates uncontrollably, leading to a rupture between the characters. Using tools from narrative theory and comparative poetics, the book explores how these stories operate. They draw the reader into a web of misunderstandings and communicative failures, making simple moral judgment difficult. Instead, they direct attention to the inner and interpersonal worlds of the characters, and to the literary construction of the Talmudic study house as a space of mutual dependence and identity formation.

At the heart of this book’s ten chapters stands the rich, multifaceted figure of the mother. Are the Jewish mother and the Israeli mother one and the same, or does each have her own distinct identity? What are the enduring and evolving hallmarks of this maternal figure, and how are they reflected in songs in Hebrew and Yiddish? This is a guided journey through the fascinating, dizzying transformations of beloved and half-forgotten songs and melodies. The book's close readings bring these songs to life, offering a window into the worlds of their creators and shedding light on the events and processes that have shaped the Jewish people and Israeli society across the generations. Brimming with information, insights, and delightful curiosities, and accompanied by dozens of illustrations, this book is the fruit of meticulous research, written in clear, fluid, and utterly engaging prose. It is a book every mother will want to read, and that every son and daughter will want to give her as a gift of love.

The Jewish communities of Speyer, Mainz, and Worms (known collectively as ShUM), the ancient center of Torah scholarship in Ashkenaz, produced many generations of scholars who wrote glorious chapters in the history of Jewish culture. Particularly prominent was the distinguished circle of sages active there at the turn of the twelfth and thirteenth centuries, including Rabbi Yehudah ben Kalonymos of Speyer, Rabbi Yehudah ben Kalonymos of Mainz, Rabbi Shmuel the Pious and his son Rabbi Yehudah the Pious, Rabbi Simcha of Speyers and Rabbi Eleazar of Worms. Even though the names of the sages of ShUM appear countless times throughout rabbinic literature, only a very small portion of their work in the fields of Talmud and halakhah has come down to us. For centuries, the only works available in print were Sefer ha-Rokeach by R. Eleazar of Worms and Sefer Raban. Even the great surge in the critical publication of texts from the nineteenth century onwards has only slightly increased that number. The present volume seeks to fill this gap to some extent. It presents the full text of Rabbi Eleazar of Worms’s Sermon for Passover , and the introduction describes two additional halakhic works by him that have been discovered in manuscript. The Sermon provides the earliest evidence for several well-known Ashkenazic customs—among them the dripping of sixteen drops of wine during the Passover Seder, the prohibition of eating legumes (kitniyot) on Passover, and the eating of dairy foods on Shavuot. A first edition of the Sermon was published twenty years ago; it is now republished with additions and corrections.