Winner of the National Jewish Book Award's Lifetime Achievement Award Winner of the Natan Fund’s 2024 Natan Prize The Triumph of Life is Rabbi Irving Greenberg’s magnum opus—a narrative of the relationship between God and humanity as expressed in the Jewish journey through modernity, the Holocaust, the creation of Israel, and the birth of Judaism’s next era. Greenberg describes Judaism’s utopian vision of a world created by a God who loves life, who invites humans to live on the side of life, and who enables the forces of life to triumph over death. The Bible proclaims our mission of tikkun olam , repairing the world, such that every human image of God is sustained in the fullness of our dignity. To achieve this ideal, Judaism offers the method of covenant—a realistic, personal, incremental partnership between God and humanity across generations in which human beings grow ever more responsible for world repair. Greenberg calls on us to redirect humanity’s unprecedented power in modernity to overcome poverty, oppression, inequality, sickness, and war. The work of covenant requires an ethic of power—one that advances life collaboratively and at a human pace—so that the Jewish people and all humanity can bring the world toward the triumph of life.

The treatise Scechina is a manifesto of Renaissance Christian-Kabbalistic messianism. The author, Cardinal Egidio da Viterbo (1469-1532), was a preeminent Christian Kabbalist, both in terms of his position within the ecclesiastical hierarchy and in what concerns the depth and breadth of his acquaintance with Hebrew sources. The treatise was composed in exquisite Renaissance Latin and is hereby rendered for the first time into a modern language. The text articulates the voice of the Jewish Shekinah herself, expounding in first person and with profound insight the doctrine of Kabbalah, fervently calling for the completion of the final stage of universal redemption. This redemption commences with the discovery of distant lands and foreign cultures, and its protagonist is Emperor Charles V, whose motto - plus ultra [further beyond] - refers to surpassing the Strait of Gibraltar and medieval knowledge (the Emperor and Pope Clement VII are among the book's addressees). While this redemption is Christian in nature, it emphasizes integration and synthesis with Greek and Roman wisdom, and particularly Judaism. Despite sharp condemnations of Jews for their non-acceptance of Jesus, Egidio's Shekinah lavishes love upon them, especially the Kabbalists, whom she refers to as "my Arameans" and considers as latent Christians. This even extends to support for Solomon Molkho, the Jewish messiah who apostatized from Christianity. Such an attitude towards Judaism did not survive in the Catholic Church in the generation following Egidio, the era of the Counter-Reformation. The translation is richly annotated by the translators, providing extensive commentary and explication. Furthermore, the volume is prefaced by comprehensive introductory chapters authored by Judith Weiss, elucidating the life, intellectual contributions, and literary corpus of Egidio da Viterbo.

The emergence of the Yiddish and Hebrew press in the United States was one of the great cultural enterprises of the Jewish immigrants from the Russian and Austro-Hungarian empires in the last third of the nineteenth century, and its influence on the lives of individuals and communities was enormous. From the Cellar to the Top Floor traces the journey of the Hebrew Alphabet press across the Atlantic following the Jewish mass migration. Against the background of the American press, the book discusses the development of the Hebrew and Yiddish press from an economic, cultural and political point of view. It traces the ongoing negotiations between the Jewish immigrant society and the American majority society at the end of the nineteenth century. Based on personal correspondence, legal documents, archival evidence, and contemporary press materials ,the book offers the first comprehensive analysis in Hebrew of the formative decades in the emergence of one of the leading cultural institutions in modern Jewish society.

This book investigates Ezekiel's restoration program and the way he describes Israel's future restoration. In addition to new readings of the prophecies and an evaluation of the influence of biblical and Mesopotamian literature on the prophet's message, the book deals with the exiles' daily life, their ideologies, and the way they perceived the exile and its theological role in the history of the People of Israel.

Yiddish in Israel: A History challenges the commonly held view that Yiddish was suppressed or even banned by Israeli authorities for ideological reasons, offering instead a radical new interpretation of the interaction between Yiddish and Israeli Hebrew cultures. Author Rachel Rojanski tells the compelling and yet unknown story of how Yiddish, the most widely used Jewish language in the pre-Holocaust world, fared in Zionist Israel, the land of Hebrew. Following Yiddish in Israel from the proclamation of the State until today, Rojanski reveals that although Israeli leadership made promoting Hebrew a high priority, it did not have a definite policy on Yiddish. The language's varying fortune through the years was shaped by social and political developments, and the cultural atmosphere in Israel. Public perception of the language and its culture, the rise of identity politics, and political and financial interests all played a part. Using a wide range of archival sources, newspapers, and Yiddish literature, Rojanski follows the Israeli Yiddish scene through the history of the Yiddish press, Yiddish theater, early Israeli Yiddish literature, and high Yiddish culture. With compassion, she explores the tensions during Israel's early years between Yiddish writers and activists and Israel's leaders, most of whom were themselves Eastern European Jews balancing their love of Yiddish with their desire to promote Hebrew. Finally Rojanski follows Yiddish into the 21st century, telling the story of the revived interest in Yiddish among Israeli-born children of Holocaust survivors as they return to the language of their parents.

Midrash Eicha Zuta is a midrash Aggadah with a unique structure, which originates from the fact that it was created by conjoining two different midrashim : the first an exegesis that includes drashot of the first three verses of the Book of Lamentations, and the second an exegesis that includes drashot on verses from Nevi'im and Ketuvim.

A New Orient is an in-depth historical study on the history of Zionist and Israeli Oriental Studies, particularly the study of Arabic, Islam, and Middle Eastern history, as a field of knowledge rooted in 19th and early 20th century German universities. Most of its founders in Israel were German-Jewish scholars who emerged from the Central European Orientalist tradition, and introduced this field of knowledge to the Hebrew University of Jerusalem – and subsequently to the entire Israeli academic system. Through the analysis of rich archival documentation, the book outlines the complex process of migrating Orientalist knowledge. It focuses on what happened to the research and the researchers themselves when their encounter with the Orient shifted from a textual-philological one, following the traditions of German academia, to an actual encounter, fraught with contradictions and tensions, against the backdrop of the intensifying Arab-Jewish conflict. The book sheds new light on the development of academic research as a whole in Mandate Palestine and the early years of Israel, serving as a rich case study for analyzing the complex relationship between 'pure' scientific work and political, social, and cultural issues. It also offers a new perspective on the roots of the Arab-Jewish conflict and the role scientific knowledge played in shaping it. The book won the Mordechai Ish Shalom Prize for a debut book in the history of the Land of Israel in 2025, and the book received commendation from the Shazar (2024) and Am Veolam (2025) award committees.

Don Quixote de la Mancha was published in 1605, with its second part following a decade later, in 1615. Over four centuries have elapsed, yet this masterpiece of Spanish literature remains one of the most translated and widely celebrated works across various artistic mediums. It has left an indelible mark in literature, visual arts, cinema, theater, music, and dance, captivating not only writers and poets but also philosophers, jurists, politicians, and countless others. What lies behind the enduring success and relevance of this novel? In this book, we endeavor to offer insights into this question, contending that Don Quixote is, above all, a product of its time and milieu: of the Golden Age during the 16th and 17th centuries. We also argue that it stands as a revolutionary work in its narrative and structural innovations. Yet, beyond its literary innovations, Don Quixote features a rich tapestry of characters, who represent the marginalized—peasants, women, Muslims, and more—granting them voice and prominence. It imbues readers with the "madness" of adventure, ideals, and unconditional love. Ultimately, it imparts invaluable lessons, encouraging us not to shy away from doubt or ambiguity but to embrace them as integral aspects of the human experience.

The Twelve Prophets volume of the the Hebrew University Bible Project presents a diplomatic editio maior of the text of the Hebrew Bible, based upon the Aleppo Codex, with variants from other textual testaments recorded in a system of apparatuses. The readings collated in the edition are culled from a broad variety of sources, including the ancient translations (Greek Septuagint and revisions, Latin Vulgate, Syriac Peshitta, Aramaic Targum Jonathan), Dead Sea Scrolls, biblical quotations in rabbinic literature, Genizah fragments, a broad array of medieval Hebrew manuscripts representing the Masoretic text, up to Jacob Ben-Hayyim’s Second Biblia Rabbinica of 1524-25. This extensive documentation reflects the attested transmission history of the biblical text, covering a period of almost two millennia.

The full edition of the secular poems of Yehudah Halevi is published here for the first time, based on the original collection of his poems edited by his contemporary Haya the Maghribean, who met the poet in Egypt. The poems follow Judaeo-Arabic incipits, which are discussed and translated into Hebrew by the modern editor. Variants, as well as a full modern Hebrew translation have been added.