In the past, prayers in the synagogue were adorned with many liturgical poems, piyyuṭim, in all the various Jewish communities, both on the major festivals and on many Sabbaths over the course of the year. Manuscripts preserve thousands of piyyuṭim, only some of which are familiar today, and some of which have never been published until our generation. This book collects more than two hundred piyyuṭim, which the Jews of Ashkenaz (German-speaking lands) and Northern France used to recite on wedding Sabbaths and Sabbaths on which circumcisions occurred. Dozens of poets wrote piyyuṭim for these festive occasions. Most of the piyyuṭim were written by German or French poets (between the eleventh and fourteenth centuries), but some of them were written by poets in the Land of Israel, Italy, or Spain. Some of the compositions were written in honor of lifecycle celebrations occurring in the families of the poets themselves. Aside from the major popular genres of Ashkenazic piyyuṭ (yoẓer, ofan, and zulat, in the blessings surrounding the morning Shema), the corpus in this volume also contains representatives of many unusual genres of piyyuṭ; this prominently demonstrates that on Sabbaths of family celebrations, the poets of Ashkenaz and Northern France wanted to include piyyuṭim in many different positions in the liturgy, more varied than usual. Especially prominent is the large unit of piyyuṭim that were recited surrounding the bridegroom’s ‘aliyya to the Torah: reshut (“invitation”) poems for the bridegroom and his groomsmen to go up for their ‘aliyyot, songs in honor of the bridegroom after his ‘aliyya, poems surrounding the reading of Ve’avraham Zaqen (a passage from the Torah that is read in honor of the bridegroom — today only in Sephardic synagogues, but in the past also in Ashkenazic), and Mi Shebberakh poets blessing the bridegroom after his ‘aliyya. Some of the poems are in Aramaic. The book includes also piyyuṭim that were recited (not specifically on the Sabbath) at the actual wedding and circumcision rituals, and piyyuṭim designated for the Grace After Meals of the festive meals in honor of the wedding and circumcision. The Ashkenazic poets were extremely learned, and they included large amounts of material from the lore (aggada) of the Talmud and Midrash. The late Prof. Jonah Fraenkel was the one that gathered the piyyuṭim for the Sabbaths of the year recited in the Ashkenazic and Northern French communities, as a continuation of his series of Ashkenazic maḥzorim for the Three Festivals and those for the High Holidays edited by Dr. Daniel Goldschmidt. This volume of Piyyuṭim for Wedding and Circumcision Sabbaths is the first in a series whose purpose is to publish all piyyuṭim for all Sabbaths that were recited in the lands of Ashkenaz and Northern France. Dr. Gabriel Wasseman, a scholar of piyyuṭ, completed Fraenkel’s work on this volume, indicating textual variants from many dozens of manuscripts, and writing a detailed commentary on the piyyuṭim. He also wrote a long introduction to the volume, which, among other things, offers a birds’-eye view of all the piyyuṭim, organized into their specific genres, and traces the development of the customs of reciting these piyyuṭim in the various communities over the course of centuries. Avraham Fraenkel added chapters to the introduction, which present a description of the customs of weddings and of circumcisions in Ashkenaz and Northern France, on the basis of books of minhagim (“customs”) and prayerbooks from the Ashkenazic and Northern French communities.

Kobez Al Yad , an annual of the Mekize Nirdamim Society, is a forum for the publication from manuscript sources of ancient texts in Jewish studies that are shorter than book-length. The articles in this issue: Shulamit Elizur | Rahitim and Siluk for Yom Kippur about the revelation of God to Elijah at Horeb Dan Greenberger and Y. Zvi Stampfer | ' On the Obligation of Prayer ' by Rav Saadia Gaon Eli Gurfinkel | The Reason for the Shew-Bread Table and the Candelbara ( Menora ) from Rabbi Samuel Ibn Tibon Yossef Elizur | Rabbi Joseph Hayyun's Commentary on the Book of Zephania Yohanan Kapah | Rabbi Joseph Hayyun's Commentary on the Book of Haggai Yaron Nisenholz | The Proclamations of the Great Rabbinical Court of Prague in the 18 th Century

A letter written during the destruction of the communities of Galicia in the spring of 1943 by Solomea Ochs, née Luft, found among the possessions of a Wehrmacht general and later featured in an exhibition in contemporary Berlin, transforms in the hands of historian Ram Ben-Shalom into a wide-ranging documentary novel. Solomea's letter, in her own handwriting, describes not only the horrors of the massacre and extermination but also touches on the depths of humiliation and devastation felt by the Jews kneeling before their killers. This is the voice of mighty force of nature that has been silenced; something stronger than poetry and lamentation, even if it will surely be remembered alongside the great Jewish laments of the Middle Ages and Bialik's "Upon the Slaughter." Ram Ben-Shalom discovered that this letter is none other than a letter from his aunt to her family before her murder, and that the letter was kept in the drawer of his father's desk at their home in Tel Aviv. From here, a complex search journey emerged, with surprising dimensions that accumulate into a picture of distinctly epic proportions. With craftsmanship, Ben-Shalom weaves a story that is at once a poetics of life, a cultural critique, and an unparalleled delicate analysis of the depths of the selfhood of Israeli Judaism.

The Hebrew University campuses are not just buildings and lawns. They are a huge museum, where walls are paintings, sculptures are stories, and every work of art invites the viewer to a conversation. Art at the Hebrew University is present not only physically, but also in spirit. Art at HUJI presents eighty-three artworks selected from the thousands of pieces on display at the Hebrew University – on the lawns and in enclosed spaces – ranging from well-known works by Henry Moore and Yigal Tumarkin to hidden gems by Marina Abramović and Sigalit Landau. The book is an invitation to embark on a journey through time and discover the stories behind each piece, the artists who created them, and the way in which art has influenced the university. Art at HUJI weaves a dialogue between the works of art displayed at the university and its academic faculty, students, and employees. Inspired by Plato's dialogues, these individuals were invited to choose one work that spoke to them and write about it. Each work featured in this book is accompanied by these reflections, alongside commentary written by the editor of the book and curator of the university, Dr. Michal Mor.

The eighty-four years of Zalman Shazer, the third president of the State of Israel (1889-1974), encompass the great drama of Jewish life from the end of the nineteenth century to the second half of the twentieth century: the growth of the national and cultural movement in Eastern Europe and the Jewish settlement in the Land of Israel, and the establishment of the state and the struggle for its security and beauty. Along Shazer's journey he encountered famous figures such as Berel Katznelson, David Ben-Gurion, the Lubavitcher Rebbe, and his three great loves: Rachel Katznelson, Rachel the poet and Golda Meir. Who was this man? A Hasid who disguised himself as a secularist or a secularist who became a Chabad Hasid? A romantic who met a beautiful goose herder and did not forget her for the rest of his life or a husband who distanced himself from his wife and loved to stay away from home? A deep researcher of the Sabbatarian movement or a politician? Since the founding of the state until the end of his life, Shazar acted as a public figure in the State of Israel, and at the end of his public career he became its number one citizen, its third president. The biography In Two Worlds unfolds the story of his life and discusses the internal tensions and his struggles - between religion and tradition and secularism, between politics and research, between the Diaspora and the Land of Israel, and between the women he loved. Together, these created a unique and fascinating character.

Prayer in Israel is not only a personal and occasional expression of man's relationship with his God, but a complete way of life, organized around a set of daily prayers, on weekdays, on Shabbat and on holidays. But many questions hover around the genesis of this system: When was it designed? At what stages? What is the relationship between its different parts and between its different ways - blessing, reading and prayer? What is the difference between public prayer and individual prayer? Extensive literature has already been written on the history of the prayer, but since the main design of the prayer emerged from the Talmudic literature - Tanna'im and Amora'im - it is essential to place the study of the prayer on the basis of a detailed analysis of the Talmudic material, according to the ways of updated Talmudic science. From this a reliable picture of the prayer in Israel may be drawn from within the literature of the Sages. This essay seeks to present basic chapters from this task.

Sabbatian Songs of Faith: Ritual, Community, and Interreligious Encounters in the Late Ottoman Empire unveils the hidden world of the Ma’aminim—followers of the 17th-century Jewish messianic figure, Sabbatai Tzvi. After Tzvi’s dramatic conversion to Islam in 1666, many of his followers returned to mainstream Judaism. However, a dedicated group followed in his footsteps, converted to Islam, and established a new path, blending Sabbatian, Jewish, and Islamic elements within a distinct Ottoman-Sephardi cultural framework. For centuries, the Ma’aminim maintained secrecy, forming distinct communities (known as the Dönme) and playing a multifaceted role in Jewish and Ottoman histories. This book sheds new light on their social life and esoteric traditions through a comprehensive, interdisciplinary analysis of previously mostly unexamined mystical manuscripts in Ladino, Hebrew, and Ottoman Turkish. It explores their sacred songs, radical theology, rituals, folklore, and musical practices as reflections of communal reality and developments. By placing the Ma’aminim within a broader historical and cross-cultural perspective, Sabbatian Songs of Faith offers fresh insights into religious transformation, intercommunal exchanges, and the interplay between faith, ritual, and popular culture in the late Ottoman world and beyond.

Is Israel really a “villa in the jungle”? Ehud Barak and Benjamin Netanyahu, who have each used this expression, expressed a condescending popular perception among Israel’s leadership — and the public more broadly — that did not see Israel as politically, economically, or culturally part of the Middle East. This volume of essays addresses Israel’s place in the Middle East from a variety of strategic, political, educational, and academic perspectives. The book shows that, contrary to common Israeli perceptions of a besieged state destined to live alone, Israel has played varied roles in the Middle East, both overt and covert, during both war and peace. The Hamas attack on October 7, 2023, and the ensuing war, place the question of Israel’s regional standing to a critical test.

Sovereignty in Miniature examines the formative period of Israel’s relations with the United Nation through the lens of Jerusalem’s history. According to the UN resolution, Jerusalem was to become a demilitarized international city. Yet following the results of the war, the city was divided de facto between Israel and Jordan. An exception was the exclave of Mount Scopus, which remained demilitarized under UN control. Drawing on documents from four continents, this study investigates Israel’s actions vis-à-vis Jordan, the UN and other international actors to assert its claim to sovereignty over its share of the exclave. The book uses the vantage point of the absolute exceptional – a demilitarized zone under UN control – to expose the Israeli understanding of sovereignty. Telling a largely forgotten story, Sovereignty in Miniature demonstrates how, once Israel recognized the potential significance of the Jewish institutions on Mount Scopus – the Hebrew University, National Library and Hadassah Hospital – it leveraged their ownership to consolidate its grip on the exclave. For similar reasons, Israel attempted with varying degrees of success to claim direct or indirect control over sites beyond its immediate possession, including the British military cemetery, the German Augusta Victoria compound and the Palestinian village of Issawiya.

Polin , established in 1986 by the Institute for Polish-Jewish Studies, has acquired a well-deserved reputation for publishing authoritative material on all aspects of Polish Jewry. Contributions are drawn from many disciplines—history, politics, religious studies, literature, linguistics, sociology, art, and architecture—and from a wide variety of viewpoints. Polin is published by the Littman Library of Jewish Civilization. It is sponsored by the Institute of Polish–Jewish Studies, which is an associated institute of the Oxford Centre for Hebrew and Jewish Studies and of the Department of Hebrew and Jewish Studies, University College London, and by the American Association for Polish–Jewish Studies, which is linked with the Department of Near Eastern and Judaic Studies, Brandeis University.

Rav Kook’s theological positions have moulded the attitudes and beliefs of generations of religious Zionists. Newly published writings reveal his innovative approaches to such key topics as non-Jewish religions, morality, heresy, and animal sacrifice. Lucidly presented here, these ideas will foment much discussion and shape new ideological directions among Rav Kook’s followers. Rav Kook (1865–1935), the first chief rabbi of pre-state Israel, was a revered thinker whose ideas were in the vanguard of religious Zionist ideology. His theological positions have continued to mould the attitudes and beliefs of successive generations. Newly published writings, however, reveal ideas that have not yet entered mainstream consciousness. Marc Shapiro has grappled with the complexity of the language of these difficult Hebrew texts and identified themes he sees as of critical importance for modern Jewish Orthodoxy. His study will be welcomed as an attempt to make these teachings more broadly accessible despite the complexity of Kook’s exposition. A key development in Kook’s thinking is that he points to the religious significance of non-Jewish religions, and even raises the possibility that non-Jews may also have experienced their own religious revelations. This is a major departure from the traditional rabbinic approach. Another innovative concept is "valorization of the masses," a view that recognizes that basic morality has been preserved in a purer form among the uneducated pious masses than among learned scholars. He similarly reconsiders the nature of heresy and dogma and develops the idea of the "unintentional heretic," a category that could be said to include many in the modern world who are no longer tied to traditional religious understandings. Perhaps most controversially for Orthodox Jewish circles, he also presents an innovative understanding of the animal sacrifice of Temple ritual that allows for its abolition in messianic times. Taken together, these ideas will reverberate, foment much discussion, and shape new ideological directions in the world of religious Zionism.

This book is the first in Israel to be dedicated to the work of Bauhaus photographer Moshé Vorobeichic-Raviv (Moï Ver, 1904–1995) and accompanies an exhibition at the Tel Aviv Museum of Art. Moï Ver, who studied in Wilna, Germany, and Paris with some of the most prominent artists of his time, engaged with contemporary avant-garde and modernist movements. His work is linked to New Photography, also known as New Vision, which ignited European imaginations and paved the way for revolutionary modes of creation and thought. For two and a half decades (1925–1954), Moï Ver oscillated between documentation and the creation of reality, deconstructing and reassembling the subjects he documented. While a documenting photographer captures moments, a creator of reality constructs experimental visual statements and original modes of perception. Moï Ver moved between documenting the traditional Jewish community in Wilna, life in modern Paris, the traditional Jew in Poland, and Zionist photography. In the past decade, the Moï Ver Archive has enabled further research on this innovative photographer, situating his work in relation to other European immigrants who heralded modernism. This book presents new research findings on his work with Zionist organizations and showcases works and photographs from all his periods, many of which are published for the first time.