This book focuses on space, borders and ethcis in contemporary Hebrew prose written in the shadow of the Occupation and the Intifadas and reads corpus of works written between 1987 and 2007. Israeli literary representations of the Occupation and the two Intifadas, raise critical ethical questions about militarism, humanism, the nature of the State of Israel as a democracy, national identity and its borders, the nature of Zionist education, and the acknowledgment of the Other. The book deals with the portrait of the Israeli soldier, depicts the settings of the Occupied Territories, but also describes life in cities such as Tel Aviv and Jerusalem. It examines realistic writing as well as fantastic-grotesque, in the works of A. B. Yehoshua, David Grossman, Ronit Matalon, Asher Kravitz, Michal Govrin, and Orly Castel-Bloom and many others.

Zionists without Borders tells the story of the Halutz movement in Poland and its role in helping the Labor movement rise to the leadership of the Zionist Movement in the interwar period. It describes the founding of a mass national and socialist movement, which changed the face of the Zionist map. The leaders of the Labor movement in Israel established strong ties with pioneers from Poland, thus making the Halutz a cross-border movement, connecting Jews by means of politics, nationalism and socialism.

During the last decades there have occurred significant upheavals in the political and military position of many religious and ethnic communities in the Middle East and North Africa. Communities which had been rejected and discriminated for decades rose to power or strengthened their political position in their countries by means of military struggles. Meanwhile, in Israel/Palestine, the ethnical-religious Jewish minority has become a ruling majority, while excluding the former Arab-Muslim-Sunni majority, following the wars of 1948 and 1976. This book examines these processes.

Commedia dell’arte, originating in Italy and proliferating on European stages from approximately 1650 to 1750, is one of the most significant and long-lasting phenomena in theatre history; its influence on all performing genres is notable throughout Western Drama to this very day. The new study From Carnival to Theatre: Structure and Chaos in the Commedia Dell'arte provides a comprehensive, deeply-researched study of the development of the genre, the establishment of the first professional troupes in Europe, their organization, their patrons and wide variety of popular and elite audiences. The study traces all aspects of the unique improvised performance: the show's space, dramatic patterns, dramatis personae, acting style, costume and stage design are re-interpreted by the attachment of the commedia dell’ arte to its double roots: the heritage of written literature, and manifestations of popular oral tradition in seasonal festivities. The book explores especially the interaction of the commedia dell'arte with the phenomena of carnival, in its very existence as an opposition to the social structure within the liminal time and space related to the celebration. Being an authorized event, containing metaphors of annihilating the existent order, in which subversion could be substituted by amusement, the carnivalesque combined time, place and creative means into a new theatrical form: the commedia dell'arte.

The book The State of Israel and Its Institutions in the Halachic Thought of Rabbi Shlomo Goren reviews the diverse subjects with which Rabbi Goren dealt as a halakhic ruler: the halakhic status of the State of Israel, the concept of sovereignty, military and war laws, immigration absorption, changes in prayer and blessings, and others. The book describes his original, and sometimes unusual, positions within the history of Israel, and his desire to take part in shaping this history.

Question of place: Architecture between the poetic and the ethical calls for a re-understanding of the foundations of the architectural act while exposing it to phenomenological thought. Through a return to the first, and failed, encounter in the late 1970s, between phenomenology depicting phenomena in the light of human experience and architectural discourse, Edna Langenthal offers a new reading of discourse, embracing the thought of philosopher Martin Heidegger and discussing the influence of architectural-architectural scholar Norteberg Which in her opinion missed Heidegger's contribution to her understanding. To emphasize the potential inherent in Heidegger's thought in understanding the question of place and the possibilities of dwelling in it, the author discusses the meaning of the poetic as a constitutive axis in understanding key concepts in contemporary architectural discourse. But the poetic dimension, for her, cannot exist without the ethical dimension. Through a study of the thought of Heidegger's student and critic, the philosopher Emanuel Levins, the structure that connects an affinity between the ethical and the home and the possibilities of settling in it.

The Second Commandment’s injunction against making graven images and likenesses resonates in all facets of Jewish visuality throughout the generations. Although Jews have always created and consumed art, the attitude to figural art –anthropomorphic and zoomorphic representations – has oscillated, like a pendulum, between strict prohibition and full permissibility. Figureless Art traces a lesser-known chapter in the history of Jewish art – a period governed by the swing to extreme stringency that left its mark on Late Antique synagogues in the Land of Israel. This anti-figural trend manifested in the avoidance of anthropomorphic and zoomorphic depictions and in the deliberate obliteration of anthropomorphic and zoomorphic figures on stone carvings and mosaic carpets that adorned the synagogues. What is the meaning of this strict trend? Did it emerge from within the Jewish world or was it stimulated, conversely, by external influences? Who was responsible for the effacement of the figures in the synagogues and when did these iconoclastic events occur? This book examines these phenomena through a broad historical, religious, and cultural perspective, based on visual and literary sources from Late Antique and early Muslim Palestine.

The book seeks to understand resistance as a meeting point among various political streams that operate in Lebanon and the development of resistance from military action into a project which is beyond culture in the narrow sense, into a hegemony that encompasses all sides of life. The book links the historical development of the Lebanese political system together with the many years of radical Shi'ite political thought in the entire Middle East region, with an emphasis on the influence of leftist and revolutionary secular thought on Shi'ite radical thought in general and that of Hezbollah in particular. The book reviews the various "hegemonic mechanisms" through which Hezbollah rules its hegemony over Lebanon. A hegemony that is not (only) a result of coercion by force, but also (mostly) the result of dominating the discourse of resistance on the Lebanese and regional arena in general.

Therapeutics and Salvation: Freud and Schelling on Freedom proposes a new conceptual perspective on the history of the philosophy of freedom. The book focuses on Sigmund Freud’s theory of freedom, and its fundamental, yet uncharted, connection with the groundbreaking philosophy of the unconscious of F.W.J Schelling. The analysis radically challenges conventional liberal and rationalistic conceptions of freedom in psychoanalysis. The main argument of the book is that Freud formulated his theory of human nature with Schelling’s basic philosophical architecture, in particular Schelling’s concept of freedom, but, at the same time, subverted Schelling’s search for a new theology at the end of the latter's philosophical career. The detailed comparison of Freud’s work with the philosophy of Schelling backtracks a momentous shift from Schelling’s late theo-philosophy, at the endpoint of German Idealism, to the secular system of Freud, in which human reality ousted godly revelation and therapeutics replaced divine salvation. By delineating the move from Schelling’s God-subject relations to Freud’s human-subject relations, the book offers a new perspective on the historical evolution of German Idealism into modern secular thought.

Ateret Zekenim is a work of historical research into the lives of several well-known medieval halakhists from France, Germany, and Spain. The primary focus of the book is biographical, and it attempts to resolve difficult questions that have puzzled the scholarly community for many years. Its author seeks to rely on the writings of his predecessors, but he first substantiates that these foundations were properly laid and that he is not adding to an edifice that is destined to collapse. Thus, for example, the author re-examines the story of Rabbi Asher b. Yeḥiel (Rosh)’s migration from Germany to Spain in the early 14th century, a migration that had a dramatic impact on the culture of Sephardi and Ashkenazi Jewry alike. Is the scholarly consensus – according to which Rosh meticulously planned his flight to distant Toledo, in an entirely different cultural realm, over the course of two decades – correct? After methodical examination of the sources, a very different story emerges. Rosh, and with him the Ashkenazi halakhic tradition, moved from Germany to Spain at the last moment, when there were no other options.

Please note: The audio sequences cannot be downloaded to any device and are accessed only via the Magnes website. In order to listen to the audio please log into the Magnes website, then click your name, MY AUDIO and LISTEN NOW. Upon purchasing this product you will be able to listen to 48 files matching the texts in the textbook Hebrew Matters . The files are arranged in the order of the appearance of the texts in the book, by chapter. Titles and page numbers appear under the name of each chapter.