Continuing his contribution to medieval Jewish intellectual history, Haym Soloveitchik focuses here on the radical pietist movement of Ḥasidei Ashkenaz and its main literary work, Sefer Ḥasidim , and on the writings and personality of the Provençal commentator Ravad of Posquières. In both areas Soloveitchik challenges mainstream views to provide a new understanding of medieval Jewish thought. Some of the essays are revised and updated versions of work previously published and some are entirely new, but in all of them Soloveitchik challenges reigning views to provide a new understanding of medieval Jewish thought. The section on Sefer Ḥasidim brings together over half a century of Soloveitchik’s writings on German Pietism, many of which originally appeared in obscure publications, and adds two new essays. The first of these is a methodological study of how to read this challenging work and an exposition of what constitutes a valid historical inference, while the second reviews the validity of the sociological and anthropological inferences presented in contemporary historiography. In discussing Ravad’s oeuvre, Soloveitchik questions the widespread notion that Ravad’s chief accomplishment was his commentary on Maimonides’ Mishneh torah; his Talmud commentary, he claims, was of far greater importance and was his true masterpiece. He also adds a new study that focuses on the acrimony between Ravad, as the low-born genius of Posquières, and R. Zerahyah ha-Levi of Lunel, who belonged to the Jewish aristocracy of Languedoc, and considers the implications of that relationship.

Through a detailed analysis of ghost tales in the Ashkenazi pietistic work Sefer ḥasidim , Susan Weissman documents a major transformation in Jewish attitudes and practices regarding the dead and the afterlife that took place between the rabbinic period and medieval times. She reveals that a huge influx of Germano-Christian beliefs, customs, and fears relating to the dead and the afterlife seeped into medieval Ashkenazi society among both elite and popular groups. In matters of sin, penance, and posthumous punishment, the infiltration of Christian notions was so strong as to effect a radical departure in Pietist thinking from rabbinic thought and to spur outright contradiction of talmudic principles regarding the realm of the hereafter. Although it is primarily a study of the culture of a medieval Jewish enclave, this book demonstrates how seminal beliefs of medieval Christendom and monastic ideals could take root in a society with contrary religious values—even in the realm of doctrinal belief.

Sephardi identity has meant different things at different times, but has always entailed a connection with Spain, from which the Jews were expelled in 1492. While Sephardi Jews have lived in numerous cities and towns throughout history, certain cities had a greater impact in the shaping of their culture. This book focuses on those that may be considered most important, from Cordoba in the tenth century to Toledo, Venice, Safed, Istanbul, Salonica, and Amsterdam at the dawn of the seventeenth century. Each served as a venue in which a particular dimension of Sephardi Jewry either took shape or was expressed in especially intense form. Significantly, these cities were mostly heterogeneous in their population and culture—half of them under Christian rule and half under Muslim rule—and this too shaped the Sephardi world-view and attitude. While Sephardim cultivated a distinctive identity, they felt at home in the cultures of their adopted lands. Drawing upon a variety of both primary and secondary sources, Jane Gerber demonstrates that Sephardi history and culture have always been multifaceted. Her interdisciplinary approach captures the many contexts in which the life of the Jews from Iberia unfolded, without either romanticizing the past or diluting its reality.

Truth informs much of the self-understanding of religious believers. Accordingly, understanding what we mean by ‘truth’ is a key challenge to interreligious collaboration. The contributors to this volume, all leading scholars, consider what is meant by truth in classical and contemporary Jewish thought, and explore how making the notion of truth more nuanced can enable interfaith dialogue. Their essays take a range of approaches: some focus on philosophy proper, others on the intersection with the history of ideas, while others engage with the history of Jewish mysticism and thought. Together they open up the notion of truth in Jewish religious discourse and suggest ways in which upholding a notion of one’s religion as true may be reconciled with an appreciation of other faiths. By combining philosophical and theological thinking with concrete case studies, and discussion of precedents and textual resources within Judaism, the volume proposes new interpretations of the concept of truth, going beyond traditional exclusivist uses of the term. A key aim is to help Jews seeking dialogue with other religions to do so while remaining true to their own faith tradition: in pursuit of this, the volume concludes with suggestions of how the ideas presented can be applied in practice. CONTRIBUTORS: Cass Fisher, Jerome Yehuda Gellman, Alon Goshen-Gottstein, Avraham Yizhak (Arthur) Green, Stanislaw Krajewski, Tamar Ross

Truth informs much of the self-understanding of religious believers. Accordingly, understanding what we mean by ‘truth’ is a key challenge to interreligious collaboration. The contributors to this volume, all leading scholars, consider what is meant by truth in classical and contemporary Jewish thought, and explore how making the notion of truth more nuanced can enable interfaith dialogue. Their essays take a range of approaches: some focus on philosophy proper, others on the intersection with the history of ideas, while others engage with the history of Jewish mysticism and thought. Together they open up the notion of truth in Jewish religious discourse and suggest ways in which upholding a notion of one’s religion as true may be reconciled with an appreciation of other faiths. By combining philosophical and theological thinking with concrete case studies, and discussion of precedents and textual resources within Judaism, the volume proposes new interpretations of the concept of truth, going beyond traditional exclusivist uses of the term. A key aim is to help Jews seeking dialogue with other religions to do so while remaining true to their own faith tradition: in pursuit of this, the volume concludes with suggestions of how the ideas presented can be applied in practice. CONTRIBUTORS: Cass Fisher, Jerome Yehuda Gellman, Alon Goshen-Gottstein, Avraham Yizhak (Arthur) Green, Stanislaw Krajewski, Tamar Ross

The enigmatic kabbalist Samuel Falk, known as the Ba’al Shem of London, has piqued the curiosity of scholars for generations. Eighteenth-century London was fascinated by Jews, and as a miracle-worker and adventurer, well connected and well read, Falk had much to offer. Interest in the man was further aroused by rumours of his dealings with European aristocrats and other famous characters, as well as with scholars, Freemasons, and Shabbateans, but evidence was scanty. Michal Oron has now brought together all the known source material on the man, and her detailed annotations of his diary and that of his assistant give us rich insights into his activities over several years. We learn of his meetings and his travels; his finances; his disputes, his dreams, and his remedies; and lists of his books. We see London’s social life and commerce, its landed gentry and its prisons, and what people ate, wore, and possessed. The burgeoning Jewish community of London and its religious practices, as well as its communal divisiveness, is depicted especially colourfully. The scholarly introductions by Oron and by Todd Endelman and the informative appendices help contextualize the diaries and offer an intriguing glimpse of Jewish involvement in little-known aspects of London life at the threshold of the modern era.

With its five thematic sections covering genres from cantorial to classical to klezmer, this pioneering multi-disciplinary volume presents rich coverage of the work of musicians of Jewish origin in the Polish lands. It opens with the musical consequences of developments in Jewish religious practice: the spread of hasidism in the eighteenth century meant that popular melodies replaced traditional cantorial music, while the greater acculturation of Jews in the nineteenth century brought with it synagogue choirs. Jewish involvement in popular culture included performances for the wider public, Yiddish songs and the Yiddish theatre, and contributions of many different sorts---technical and commercial as well as creative---in the interwar years. Chapters on the classical music scene cover Jewish musical institutions, organizations, and education; individual composers and musicians; and a consideration of music and Jewish national identity. One section is devoted to the Holocaust as reflected in Jewish music, and the final section deals with the afterlife of Jewish musical creativity in Poland, particularly the resurgence of interest in klezmer music. The essays in this collection do not attempt to to define what may well be undefinable---what ‘Jewish music’ is. Rather, they provide an original and much-needed exploration of the activities and creativity of ‘musicians of the Jewish faith’.

The Habad school of hasidism is distinguished today from other hasidic groups by its famous emphasis on outreach, on messianism, and on empowering women. Hasidism Beyond Modernity provides a critical, thematic study of the movement from its beginnings, showing how its unusual qualities evolved. Topics investigated include the theoretical underpinning of the outreach ethos; the turn towards women in the twentieth century; new attitudes to non-Jews; the role of the individual in the hasidic collective; spiritual contemplation in the context of modernity; the quest for inclusivism in the face of prevailing schismatic processes; messianism in both spiritual and political forms; and the direction of the movement after the passing of its seventh rebbe, Rabbi Menachem Mendel Schneerson, in 1994. Attention is given to many contrasts: pre-modern, modern, and postmodern conceptions of Judaism; the clash between maintaining an enclave and outreach models of Jewish society; particularist and universalist trends; and the subtle interplay of mystical faith and rationality. Some of the chapters are new; others, published in an earlier form, have been updated to take account of recent scholarship. This book presents an in-depth study of an intriguing movement which takes traditional hasidism beyond modernity.

Chaim Waxman, the pre-eminent sociologist of contemporary Orthodoxy, is one of the keenest observers of American Jewish society. Having written on various aspects of this subject over the past forty years, he now revisits his earlier work in the light of recent developments. His familiarity with the entire spectrum of the Orthodox world combined with his deep knowledge of halakhah and his rigorous command of statistical and demographic data enables him to articulate distinctive perspectives on the issues that he addresses. His focus is not only on the various directions in which Orthodox practice is moving but also on how this affects the community as a whole. Waxman’s range is wide. After reviewing the socio-economic changes in American Orthodox communities and examining the reasons for them, he goes on to consider the political patterns of contemporary American Orthodox Jews. Demographic changes are also explored, particularly those relating to family life. Moving to the communal level, he discusses the increasing Americanization of Orthodox Jews, taking special note of how developments in Orthodoxy in Israel are having an increasing impact on American norms as contact between the two communities grows. In illustration of how Orthodoxy is adapting to modernity, he then presents a detailed discussion of halakhic developments, particularly regarding women’s greater participation in ritual practices and other areas of communal life. He shows that the direction of change is not uniform: there is both greater stringency and greater leniency, and he discusses the many reason for this both in the Jewish community and in the wider society. Relations between the various sectors of American Orthodoxy over the past several decades are also considered. The result is a comprehensive analysis from an acknowledged expert that will be of interest to everyone concerned with developments within American Orthodoxy and with the sociology of religion more generally.

Written at different times and for different audiences - some for scholars of rabbinic literature, some for laymen or for scholars not necessarily Jewish - the essays gathered together in this volume nevertheless have an inner coherence. They reflect the author's lifetime interest in the history of halakhah - not as intellectual history per se, but rather a concern to identify measurable deflection in the unfolding of halakhic ideas that could point to an undetected force at work. What was it that stimulated change, and why? What happened when strong forces impinged upon halakhic observance, and both the scholarly elite and the community as a whole had to grapple with upholding observance while adapting to a new set of circumstances? Haym Soloveitchik's elegant presentation shows skilfully that the line between adaptation and deviance is a fine one, and that where a society draws that line is revelatory of both its values and its self-perception. Many of the articles presented here are well known in the field but have been updated for this publication (the major essay on pawnbroking has been expanded to half again its original size); some have been previously published only in Hebrew, and two are completely new. An Introduction highlights the key themes of the collection and explains the underlying methodology. Having these essays in a single volume will enable scholars and students to consult all the material on each theme together, while also tracing the development of ideas. The opening section of the volume is a brief description and characterization of the dramatis personae who figure in all these essays: Rashi and the Tosafists. It covers the halakhic commentaries and their authors; the creativity of Ashkenaz; and the halakhic isolation of the Ashkenazic community. The second section focuses on usury and money-lending, including the practice of pawn-broking, while the third section deals with the ban on Gentile wine and how that connected to the development of money-lending. The final section presents general conclusions in the form of four studies of the communal self-image of Ashkenaz and its attitude to deviation and change.

In this second volume of his essays on the history of halakhah, Haym Soloveitchik grapples with much-disputed topics in medieval Jewish history and takes issue with a number of reigning views. His insistence that proper understanding requires substantive, in-depth analysis of the sources leads him to a searching analysis of oft-cited halakhic texts of Ashkenaz, frequently with conclusions that differ from the current consensus. Medieval Jewish historians cannot, he argues, avoid engaging in detailed textual criticism, and texts must always be interpreted in the context of the legal culture of their time. Historians who shirk these tasks risk reinforcing a version that supports their own preconceptions, and retrojecting later notions on to an earlier age. These basic methodological points underlie every topic discussed. In Part I, devoted to the cultural origins of Ashkenaz and its lasting impact, Professor Soloveitchik questions the scholarly consensus that the roots of Ashkenaz lie deep in Palestinian soil. He challenges the widespread notion that it was immemorial custom (minhag kadmon) that primarily governed Early Ashkenaz, the culture that emerged in the Rhineland in the late tenth century and which was ended by the ravages of the First Crusade (1096). He similarly rejects the theory that it was only towards the middle of the eleventh century that the Babylonian Talmud came to be regarded as fully authoritative. On the basis of an in-depth analysis of the literature of the time, he shows that the scholars of Early Ashkenaz displayed an astonishing command of the complex corpus of the Babylonian Talmud and viewed it at all times as the touchstone of the permissible and the forbidden. The section concludes with his own radical proposal as to the source of Ashkenazi culture and the stamp it left upon the Jews of northern Europe for close to a millennium. The second part of the volume treats the issue of martyrdom as perceived and practised by Jews under Islam and Christianity. In one of the longer essays, Soloveitchik claims that Maimonides’ problematic Iggeret ha-Shemad is a work of rhetoric, not halakhah—a conclusion that has generated much criticism from other scholars, to whom he replies one by one. This is followed by a comprehensive study of kiddush ha-shem in Ashkenaz, which draws him into an analysis of whether aggadic sources were used by the Tosafists in halakhic arguments, as some historians claim; whether there was any halakhic validation of the widespread phenomenon of voluntary martyrdom; and, indeed, whether halakhic considerations played any part in such tragic life-and-death issues. The book concludes with two essays on Mishneh torah which argue that that famed code must also be viewed as a work of art which sustains, as masterpieces do, multiple conflicting interpretations.

Richly illustrated and meticulously documented, this is the first comprehensive survey of synagogue textiles to be available in English. Bracha Yaniv, a leading expert in the field of Jewish ceremonial textiles, records their evolution from ancient times to the present. The volume contains a systematic consideration of the mantle, the wrapper, the Torah scroll binder, and the Torah ark curtain and valance, and considers the cultural factors that inspired the evolution of these different items and their motifs. Fabrics, techniques, and modes of production are described in detail; the inscriptions marking the circumstances of donation are similarly subjected to close analysis. Fully annotated plates demonstrate the richness of the styles and traditions in use in different parts of the Jewish diaspora, drawing attention to regional customs. Throughout, emphasis is placed on presenting and explaining all relevant aspects of the Jewish cultural heritage. The concluding section contains transcriptions, translations, and annotations of some 180 inscriptions recording the circumstances in which items were donated, providing a valuable survey of customs of dedication. Together with the comprehensive bibliography, inventory lists, and other relevant documentation, this volume will be an invaluable reference work for the scholarly community, museum curators, and others interested in the Jewish cultural heritage.