It is not an easy task to find in any creative field a person who is both an original and groundbreaking artist and a profound thinker-interpreter, who is well versed in the broad scope of the entire culture. Such is Michael Gurevitch – the playwright of "Happiness", "A Fleeting Shadow", "A Word of Love" and "The Dragon's Beloved" (out of more than eighteen plays) – who presented new, local and extremely challenging concepts about the context of a theatre play within the contemporary Israeli existence. Gurevitch designs a new local theatrical language in his plays and in the way he directs. He is an unforgettable director of classics such as "The King's Clothes" by Nissim Aloni, "Life is a Dream" by Calderón de la Barca, "A Midsummer Night's Dream" by Shakespeare, "Uncle Vanya" by Chekhov or "War on the House" by Aristophanes (adaptation by Ilan Hatsor). His theatrical insights are interwoven to the most contemporary Israeli issues without so much as a sensational wink. His theater is a "passing shadow" in the full sense of the word because it is based on one-time work with certain actors, at certain moments in their lives, and in the life of the country at a certain moment, and for that reason it is profoundly unique to theater alone, because it lives only when it is actually performed, hence it is poignant and unforgettable. Gurevitch was born (1951) and raised in Tel Aviv. He lived, breathed and studied local and international theater all his life, but his main strength is in the depths of the emotional, involving his childhood, his parents and his unique personality. In Two Children in The Field: Reflections on Theatre and Life Gurevitch manages to refine, from his rich experience, a series of lucid insights on the relation between theatrical conceptions and the contexts from which they stem.

In the preface to his book Emek Hamelech Rabbi Naftali Bacharach lists his ten books, noting that the first is Emek Hamelech , and the second is Gan ha-Melekh , his commentary on the Zohar printed here for the first time. Bacharach's style in Emek Hamelech is similar to his style in Gan Hamelech , however, while Emek Hamelech was written according to the order of Emanation, Gan Hamelech was written as a commentary to the Zohar. In general, the Kabbalistic writing of Bacharach is characterized by the fact that it is full of messianic tension, and unlike most descriptions of the Emanation in Lurianic Kabbalah that we are familiar with, Bacharach also describes the first stages of the Emanation in Messianic terms.

Kobez Al Yad , an annual of the Mekize Nirdamim Society, is a forum for the publication from manuscript sources of ancient texts in Jewish studies that are shorter than book-length. The articles in this issue: Yeruḥam Aviad Goldman | The Secret of The levirate Marriage and Ḥalitzah : A Kabbalistic Text Attributed to Rabbi Yosef Gikatilla Naʿama Ben-Shaḥar and Tzaḥi Weiss | Ten Holy Sefirot, and their Inverse : A Commentary on the Ten Sefirot alongside the Left Emanation Eliezer Baumgarten and Uri Safrai | Some Traces from R. Isaac of Acre’s early draft of Otzar Ḥaim Eli Gurfinkel | Commentary on Lamentations (1:1–6) by Rabbi David ben Yehuda Messer Leon Yohanan Kapaḥ | Rabbi Joseph Ḥayyun’s Commentary on the Book of Malachi

The book explores the representations and depictions of old age in the rabbinic Jewish literature of late antiquity. Through close literary readings and cultural analysis, the book reveals the gaps and tensions between idealized images of old age on the one hand, and the psychologically, physiologically, and socially complicated realities of aging on the other hand. The authors argue that while rabbinic literature presents various statements on the qualities and activities that make for good old age, on the respect and reverence that the elderly should be awarded, and on harmonious intergenerational relationship, it also includes multiple anecdotes and narratives that portray aging in much more nuanced and poignant ways. These anecdotes and narratives relate, alongside fantasies about blissful or unnoticeable aging, a host of fears associated with old age: from the loss of physical capability and beauty to the loss of memory and mental acuity, and from marginalization in the community to being experienced as a burden by one’s own children. Each chapter of the book focuses on a different aspect of aging in the rabbinic world: bodily appearance and sexuality, family relations, intellectual and cognitive prowess, honor and shame, and social roles and identity.

In this issue: Avishai Bar-Asher | The Earliest Extant Version of Sefer Yesirah Tamar Kadari | Thousands unto Solomon: The Relationship Between Midrash Kohelet Rabbah and Midrash Shir Hashirim Rabbah Elyashiv Cherlow and Adiel Breuer | Remnants of ‘Maʿasim Livne Ereẓ Yira’el’ Written on a Scroll

This book untangles a web of ideas about politics, religion, exile, and community that emerged at a key moment in Jewish history and left a lasting mark on Jewish ideas. In the shadow of their former member Baruch Spinoza’s notoriety, and amid the aftermath of the Sabbatian messianic movement, the Spanish and Portuguese Jews of seventeenth-century Amsterdam underwent a conceptual shift that led them to treat their self-governed diaspora community as a commonwealth. Preoccupied by the question of why and how Jews should rule themselves in the absence of a biblical or messianic sovereign state or king, they forged a creative synthesis of insights from early modern Christian politics and Jewish law and traditions to assess and argue over their formidable communal government. In so doing they shaped a proud new theopolitical self-understanding of their community as analogous to a Christian state. Through readings of rarely studied sermons, commentaries, polemics, administrative records, and architecture, Anne Albert shows that a concentrated period of public Jewish political discourse among the community’s leaders and thinkers led to the formation of a strong image of itself as a totalizing, state-like entity—an image that eventually came to define its portrayal by twentieth-century historians. Her study presents a new perspective on a Jewish population that has long fascinated readers, as well as new evidence of Jewish reactions to Spinoza and Sabbatianism, and analyses the first Jewish reckoning with modern western political concepts.

In this issue: Sharon Weisser | ‘Is it Good to be Healthy?’ Philo as a Participant in the Ancient Debates about the Kinds of Goods Colten Cheuk-Yin Yam | Philo’s Knowledge of Medicine in his Later Roman Writings Mira Balberg and Haim Weiss | ‘What Shall I Leave for Old Age’: The Old and the Young in the Rabbinic Study House Avigail Manekin-Bamberger | Healing and Protection in Rabbinic Liturgy and in the Jewish Aramaic Incantation Bowls Warren Zev Harvey | Ibn Daud, Ibn Matut, and the Secret of the Garment Assaf Tamari | ‘Like … the Proficient Physician’: On the Tradition of the Physicians of the Soul, and Lurianic Kabbalah’s Uniqueness within it Jonathan Garb | The Somatic Medical Model in Or ha-Torah by R. Itzhak Eizik Haver

In this issue: Shira Shmidman | The Textual Witnesses of Tosefta Yevamot: New Finding in Light of the Cairo Genizah Fragments Gideon Bohak | I Beg You: Appeals to Angels in the Talmudic and Gaonic Periods Avishai Bar-Asher | The Bahir as It Once was: Transmission History as a Tool for Reconstructing and Reassesing the Text, Format, and Ideas of the Original Composition

Yaakov Shabtai is best known for his path-breaking novel Zichron Devarim (1977; translated into English as Past Continuous ), one of the most important works of prose in Hebrew if not in world literature due to its original structure. Shabtai discovered his gift for the theater in his twenties, and moved from Kibbutz Merchavia to Tel Aviv where he made his living authoring and translating plays and writing songs for entertainment evenings. In 1972 he published a collection of short stories entitled Uncle Peretz Takes Off . His novel-memoire Sof Davar (1984; Past Perfect ) was published posthumously. This biography interweaves a detailed description of Shabtai's life, his ideological evolution, and an analysis of his difficult path to literary achievement. His plays, though considered mediocre by some, emerge as essential for the crystallization of his novels.

The essay presents the lost archive of the Jewish author Zalman Shneour (Shklov 1887 – New York 1950). It was found in May 2018 at Calle Eraso 21 in Madrid – the city through which he had passed in the summer of 1941. Four carton boxes survived in the apartment of his late daughter, Renee Rebecca Shneour, who fled to New York together with her father but returned to live in Madrid in her adulthood. The essay offers a reading of Shneour's correspondences with three women - his mother in Shklov, his friend and lover in Berlin, and his daughter.

Written in Arabic in the first half of the ninth century, Twenty Chapters is the first medieval Jewish philosophical work, and had a major influence on the development of Jewish theological and philosophical thought. Dawūd al-Muqammaṣ, a Jewish convert to Christianity, who wrote this theological Summa after his return to Judaism, also authored the first Judeo-Arabic Bible commentaries, and some of the earliest Judeo-Arabic polemical works. The annotated Hebrew translation of this pioneering work, published here for the first time, presents al-Muqammaṣ in his intellectual and historical context and throws light on his Jewish, Muslim and Christian background.

Marx’s 1857 introduction to his Critique of Political Economy , which was not published in his lifetime, remains his only mature attempt to formulate the philosophical presuppositions of his economic research. Marx’s preface to the same work, published in 1859, contains a complementary philosophical discussion on the relations between economy and society. Their joint translation presents Hebrew readers with an accessible overview of the philosophical principles at the basis of Marx’s research.