Anti-Semitism emerged in the late nineteenth century as a political movement that swept the masses. It presented a worldview in which a cohesive tribe called "the Jews" conspired to rule the earth by controlling international capital markets, trade, and money lending, while at the same time working to destroy—through revolutionary plots—the very capitalist system it supposedly controlled. It is easy to draw a straight line from this paranoid thinking at the turn of the century to the murderous delusions of fascism in the twentieth century. But, argues Laura Engelstein, the line was not straight. Anti-Semitism as a political weapon had its opponents, even in Eastern Europe, where its consequences were particularly terrible. Jewish leaders who joined forces in various countries and in cooperation with non-Jewish public figures worked for the rights of Jews and in firm opposition to persecution and acts of violence against Jews. In Tsarist and Soviet Russia, as well as in Poland and Ukraine – regions notorious in the West as centers of hatred for Jews – there were also those who saw anti-Semitism as a harmful burden on society and their movement. In the introduction to the book, Engelstein describes the different ways in which Jews were treated through the ways in which one Jew, Maurice Greenfeld, the author's grandfather, dealt with the upheavals of World War I, the Russian Revolution, and the civil war that followed, including the expressions of hostility and sympathy he encountered throughout his life. In the following chapters, she reveals the – sometimes surprising – positions of Russian liberals such as Prince Sergei Urusov, Ukrainian leader Symon Petliura, and Polish émigré in Paris Andrzej Bobkowski. The chapters on the inevitable rise of anti-Semitism thus examine the complex reasons why leaders and intellectuals renounced pogroms and incitement against the Jewish population. Engelstein added a short introduction to the Hebrew edition of the book.

Since its creation, the Babylonian Talmud has stood at the center of the Jewish intellectual canon and the heart of Torah study. Despite its wide circulation and enduring significance, it remains an elusive work to define. It is a religious text, yet contains little theology; it is deeply legal, yet it is hardly concerned with practical rulings; it is framed as a commentary on the Mishnah, yet frequently departs into independent expansive discussions. What, then, is this composition? How was it constructed? How did it come to occupy such a central place in Jewish tradition? And how has it been interpreted over the centuries? The first part of The Talmud: A History of Learning is devoted to analyzing the Talmud itself—dissecting its constituent parts and exploring their formation, purpose, and historical context. The second part turns to the reception of the Talmud: the ways in which it has been read, studied, and reinterpreted from its redaction through the present day. The title of the book reflects this dual focus: it addresses both the internal processes of learning that gave rise to the Talmudic text, and the external history of its study and the discourses it has generated from late antiquity to the present.

Among the medieval liturgical manuscripts from Ashkenaz, the Nuremberg Mahzor takes a special place. Its size, its extraordinary selection of piyyutim and piyyut commentaries, and its lavish decoration that differs from the model used for many mahzorim in southern Germany make it a spectacular object. This aroused curiosity and interest, as reflected by those who are known to have viewed the manuscript, including Emperor Leopold I (1658–1705), who visited the Nuremberg Municipal Library in 1658, and several 17th and 18th century Christian scholars who wrote about the treasures of Nuremberg. In the 19th century, several Jewish scholars studied the manuscript in Nuremberg, among them Leopold Zunz from Berlin and Rabbi Isaak Meier Eppstein from Jerusalem, culminating in the detailed study and description by Nuremberg rabbi Bernhard Ziemlich (1884–1886). Salman Schocken had hoped to acquire the manuscript already in 1934 and succeeded in adding it to his collection in 1951. The fact that during its 56-year stay at the Schocken Library in Jerusalem the Mahzor was rarely exhibited and not easily accessible to scholars and the wider audience shrouded the manuscript in mystery.

A letter written during the destruction of the communities of Galicia in the spring of 1943 by Solomea Ochs, née Luft, found among the possessions of a Wehrmacht general and later featured in an exhibition in contemporary Berlin, transforms in the hands of historian Ram Ben-Shalom into a wide-ranging documentary novel. Solomea's letter, in her own handwriting, describes not only the horrors of the massacre and extermination but also touches on the depths of humiliation and devastation felt by the Jews kneeling before their killers. This is the voice of mighty force of nature that has been silenced; something stronger than poetry and lamentation, even if it will surely be remembered alongside the great Jewish laments of the Middle Ages and Bialik's "Upon the Slaughter." Ram Ben-Shalom discovered that this letter is none other than a letter from his aunt to her family before her murder, and that the letter was kept in the drawer of his father's desk at their home in Tel Aviv. From here, a complex search journey emerged, with surprising dimensions that accumulate into a picture of distinctly epic proportions. With craftsmanship, Ben-Shalom weaves a story that is at once a poetics of life, a cultural critique, and an unparalleled delicate analysis of the depths of the selfhood of Israeli Judaism.

Sabbatian Songs of Faith: Ritual, Community, and Interreligious Encounters in the Late Ottoman Empire unveils the hidden world of the Ma’aminim—followers of the 17th-century Jewish messianic figure, Sabbatai Tzvi. After Tzvi’s dramatic conversion to Islam in 1666, many of his followers returned to mainstream Judaism. However, a dedicated group followed in his footsteps, converted to Islam, and established a new path, blending Sabbatian, Jewish, and Islamic elements within a distinct Ottoman-Sephardi cultural framework. For centuries, the Ma’aminim maintained secrecy, forming distinct communities (known as the Dönme) and playing a multifaceted role in Jewish and Ottoman histories. This book sheds new light on their social life and esoteric traditions through a comprehensive, interdisciplinary analysis of previously mostly unexamined mystical manuscripts in Ladino, Hebrew, and Ottoman Turkish. It explores their sacred songs, radical theology, rituals, folklore, and musical practices as reflections of communal reality and developments. By placing the Ma’aminim within a broader historical and cross-cultural perspective, Sabbatian Songs of Faith offers fresh insights into religious transformation, intercommunal exchanges, and the interplay between faith, ritual, and popular culture in the late Ottoman world and beyond.

The Other War articulates the anatomy of World War II. For that purpose, it takes an unusual perspective: instead of following the conventional horizontal historical axis, from Nazi Germany eastwards and westwards, it directs the view from the global south to the north. Both axes, the continental and the colonial, were, of course, not disconnected; to expose their intersections, this book lays the focus on Jewish Palestine. The focus on Palestine, as part of a broad British defense parameter protecting the Indian subcontinent, reveals the entanglement of two conflicts: the European war, that escalated into a world war, and the Jewish-Arab-British war over Palestine. In their discreet competition, each of these conflicts remained, for its rival, a foreign war.

The book relates the story of the Jewish movement in the Soviet Union in the 1970s and 1980s as perceived by its participants. On the basis of interviews with almost 300 activists from over 60 cities, it portrays the movement's evolution in all its facets. It examines the activist's personality and background and the path he or she took prior to becoming active, including the presentation of documents to the authorities, that branded him or her as a social pariah and potential traitor. The book discusses the emergence of a refusenik community that enabled their struggle with the all-powerful regime to leave the country while maintaining a "normal" existence for an unpredictable duration. Two chapters view the variety of instruments to which the activists had recourse as they developed the tactics and strategy of that struggle, while three final chapters review specific topics that were an inseparable part of the movement's story. They cover the confrontation with the KGB – the persistent shadowing, interrogations, arrests, trials and camps; the return to Judaism in the search for roots and identity; and the movement's links with the Jewish and non-Jewish world outside.

Can literature be given a concrete home? The story of the establishment of the Gnazim Archive of Modern Hebrew Literature recounts the attempt to institutionalize this body of literature in the context of the founding of the State of Israel—while simultaneously challenging its demands. This book reveals the persistent tension between the “Republic of Letters” and the nation-state, as well as the painful cost of realizing the ideal and embodiment of the metaphor of “a home for literature” within the “national home.” The Stitches of Hebrewness traces the history of the Gnazim Archive both in its own right and as a mirror of the formation of the canon of modern Hebrew literature. Like any mirror, the archive reflects reality as it is—and in reverse: The canon is thus revealed in a new light, with its erasures, rewritings, and repressions. Perhaps more than anything, the book unfolds the story of a culture and society grappling with a moment of crisis between three overlapping yet conflicting temporal frameworks: Jewish time, Hebrew time, and Israeli time.

Korot publishes original articles related to medical history covering medicine in Jewish and Hebrew sources, the history of Jewish physicians, medicine in Palestine and Israel and medicine during the Nazi era. There are shorter historical notes on these topics, book reviews and comments on important developments in medical history. Articles are mainly in English but with a significant Hebrew section.

The emergence of the Yiddish and Hebrew press in the United States was one of the great cultural enterprises of the Jewish immigrants from the Russian and Austro-Hungarian empires in the last third of the nineteenth century, and its influence on the lives of individuals and communities was enormous. From the Cellar to the Top Floor traces the journey of the Hebrew Alphabet press across the Atlantic following the Jewish mass migration. Against the background of the American press, the book discusses the development of the Hebrew and Yiddish press from an economic, cultural and political point of view. It traces the ongoing negotiations between the Jewish immigrant society and the American majority society at the end of the nineteenth century. Based on personal correspondence, legal documents, archival evidence, and contemporary press materials ,the book offers the first comprehensive analysis in Hebrew of the formative decades in the emergence of one of the leading cultural institutions in modern Jewish society.

This book investigates Ezekiel's restoration program and the way he describes Israel's future restoration. In addition to new readings of the prophecies and an evaluation of the influence of biblical and Mesopotamian literature on the prophet's message, the book deals with the exiles' daily life, their ideologies, and the way they perceived the exile and its theological role in the history of the People of Israel.

The full edition of the secular poems of Yehudah Halevi is published here for the first time, based on the original collection of his poems edited by his contemporary Haya the Maghribean, who met the poet in Egypt. The poems follow Judaeo-Arabic incipits, which are discussed and translated into Hebrew by the modern editor. Variants, as well as a full modern Hebrew translation have been added.