Corner of a Foreign Field portrays the British colonial community in Mandatory Palestine and explores the lives of its members—men, women, and children. The book sheds new light on the British mandatory experience as a set of practices and habits, emotions and sensibilities, identities and relationships. It examines how British everyday lives were an inseparable part of the mechanisms of control and governance in Palestine, intertwining the public with the private, the political with the intimate. The book examines the consolidation of British citizens in Palestine into a colonial community, offering a fresh perspective on the British as a heterogeneous and hierarchical group marked by various internal tensions. The history of this community unfolds through a wide range of themes: bachelorhood and marriage, sexuality, family and education, body and health, domesticity, leisure and cultural institutions, celebrations and rituals—all of which are interwoven with political, ethnic, class, and gender power relations. By focusing on the composition of the British community and the fabric of its daily life, Corner of a Foreign Field is a pioneering study that brings the social and cultural history of the British from the margins to the center, integrating it into the broader history of British colonialism in Palestine.

A letter written during the destruction of the communities of Galicia in the spring of 1943 by Solomea Ochs, née Luft, found among the possessions of a Wehrmacht general and later featured in an exhibition in contemporary Berlin, transforms in the hands of historian Ram Ben-Shalom into a wide-ranging documentary novel. Solomea's letter, in her own handwriting, describes not only the horrors of the massacre and extermination but also touches on the depths of humiliation and devastation felt by the Jews kneeling before their killers. This is the voice of mighty force of nature that has been silenced; something stronger than poetry and lamentation, even if it will surely be remembered alongside the great Jewish laments of the Middle Ages and Bialik's "Upon the Slaughter." Ram Ben-Shalom discovered that this letter is none other than a letter from his aunt to her family before her murder, and that the letter was kept in the drawer of his father's desk at their home in Tel Aviv. From here, a complex search journey emerged, with surprising dimensions that accumulate into a picture of distinctly epic proportions. With craftsmanship, Ben-Shalom weaves a story that is at once a poetics of life, a cultural critique, and an unparalleled delicate analysis of the depths of the selfhood of Israeli Judaism.

The eighty-four years of Zalman Shazer, the third president of the State of Israel (1889-1974), encompass the great drama of Jewish life from the end of the nineteenth century to the second half of the twentieth century: the growth of the national and cultural movement in Eastern Europe and the Jewish settlement in the Land of Israel, and the establishment of the state and the struggle for its security and beauty. Along Shazer's journey he encountered famous figures such as Berel Katznelson, David Ben-Gurion, the Lubavitcher Rebbe, and his three great loves: Rachel Katznelson, Rachel the poet and Golda Meir. Who was this man? A Hasid who disguised himself as a secularist or a secularist who became a Chabad Hasid? A romantic who met a beautiful goose herder and did not forget her for the rest of his life or a husband who distanced himself from his wife and loved to stay away from home? A deep researcher of the Sabbatarian movement or a politician? Since the founding of the state until the end of his life, Shazar acted as a public figure in the State of Israel, and at the end of his public career he became its number one citizen, its third president. The biography In Two Worlds unfolds the story of his life and discusses the internal tensions and his struggles - between religion and tradition and secularism, between politics and research, between the Diaspora and the Land of Israel, and between the women he loved. Together, these created a unique and fascinating character.

Prayer in Israel is not only a personal and occasional expression of man's relationship with his God, but a complete way of life, organized around a set of daily prayers, on weekdays, on Shabbat and on holidays. But many questions hover around the genesis of this system: When was it designed? At what stages? What is the relationship between its different parts and between its different ways - blessing, reading and prayer? What is the difference between public prayer and individual prayer? Extensive literature has already been written on the history of the prayer, but since the main design of the prayer emerged from the Talmudic literature - Tanna'im and Amora'im - it is essential to place the study of the prayer on the basis of a detailed analysis of the Talmudic material, according to the ways of updated Talmudic science. From this a reliable picture of the prayer in Israel may be drawn from within the literature of the Sages. This essay seeks to present basic chapters from this task.

Sabbatian Songs of Faith: Ritual, Community, and Interreligious Encounters in the Late Ottoman Empire unveils the hidden world of the Ma’aminim—followers of the 17th-century Jewish messianic figure, Sabbatai Tzvi. After Tzvi’s dramatic conversion to Islam in 1666, many of his followers returned to mainstream Judaism. However, a dedicated group followed in his footsteps, converted to Islam, and established a new path, blending Sabbatian, Jewish, and Islamic elements within a distinct Ottoman-Sephardi cultural framework. For centuries, the Ma’aminim maintained secrecy, forming distinct communities (known as the Dönme) and playing a multifaceted role in Jewish and Ottoman histories. This book sheds new light on their social life and esoteric traditions through a comprehensive, interdisciplinary analysis of previously mostly unexamined mystical manuscripts in Ladino, Hebrew, and Ottoman Turkish. It explores their sacred songs, radical theology, rituals, folklore, and musical practices as reflections of communal reality and developments. By placing the Ma’aminim within a broader historical and cross-cultural perspective, Sabbatian Songs of Faith offers fresh insights into religious transformation, intercommunal exchanges, and the interplay between faith, ritual, and popular culture in the late Ottoman world and beyond.

MA‘ARAG: The Israel Annual of Psychoanalysis is a democratic, refereed annual publication, evaluated and edited by academicians, intellectuals in related fields, and clinicians. The journal, dedicated to research in psychoanalytic theory, practice and criticism, is the fruit of the initiative and cooperation of the Sigmund Freud Center for the Study and Research in Psychoanalysis of the Hebrew University, the Israeli Association for Self Psychology and the Study of Subjectivity, Israel Society for Analytical Psychology, Israel Psychoanalytic Society, Clinical Division of the Israel Psychological Association, Israel Institute for Group Analysis, Israel Institute of Jungian Psychology, The Sigmund Freud Chair of Psychoanalysis of the Department of Psychology, The Hebrew University, Tel-Aviv Institute for Contemporary Psychoanalysis, The Winnicott Center in Israel and the New Israeli Jungian Association. From this issue: Dana Amir | “ALL LANGUAGES OVERLAP OR SPILL INTO EACH OTHER”: ON REVENGE, PARDON AND FORGIVENESS Raanan Kulka | SELFOBJECT PSYCHOLOGY: ETHICS OF TRANSFORMATION Anat Tzur Mahalel | THE EDGE OF BREAKDOWN: SIGMUND FREUD AND WALTER BENJAMIN ON HISTORY AND REMEMBRANCE Naomi Govreen | MIRROR, MIRROR ON THE WALL: A LITERARY AND PSYCHOANALYTICAL INVESTIGATION OF THE FEMALE SUBJECTIVE EXPERIENCE IN MIDLIFE – SNOW WHITE’S MOTHER AS A CASE STUDY Anat Baram | WAKING UP FROM A DAYDREAM: REFLECTIONS ON CLINICAL WORK WITH PATHOLOGICAL DAYDREAMING Itzhak Benyamini | THE MOSES COMPLEX: FROM THE EMERGENCY CONDITION OF EUROPEAN JEWRY IN FREUD’S TIME TO THE INSCRIPTION OF THE REAL OF LACAN Orna Reuven | “BENEATH THE DESPAIR AND BEHIND THE LONELINESS WE ARE BOTH STILL HERE”: ANALYSIS OF A PERVERSION Chana Ullman | WITNESSING AND ITS IMPLICATIONS IN PERSONAL AND COLLECTIVE MEMORY

Sovereignty in Miniature examines the formative period of Israel’s relations with the United Nation through the lens of Jerusalem’s history. According to the UN resolution, Jerusalem was to become a demilitarized international city. Yet following the results of the war, the city was divided de facto between Israel and Jordan. An exception was the exclave of Mount Scopus, which remained demilitarized under UN control. Drawing on documents from four continents, this study investigates Israel’s actions vis-à-vis Jordan, the UN and other international actors to assert its claim to sovereignty over its share of the exclave. The book uses the vantage point of the absolute exceptional – a demilitarized zone under UN control – to expose the Israeli understanding of sovereignty. Telling a largely forgotten story, Sovereignty in Miniature demonstrates how, once Israel recognized the potential significance of the Jewish institutions on Mount Scopus – the Hebrew University, National Library and Hadassah Hospital – it leveraged their ownership to consolidate its grip on the exclave. For similar reasons, Israel attempted with varying degrees of success to claim direct or indirect control over sites beyond its immediate possession, including the British military cemetery, the German Augusta Victoria compound and the Palestinian village of Issawiya.

The economy of symbolic goods is at the heart of Pierre Bourdieu's sociology. In Le marché des biens symboliques , published in 1971, Bourdieu lays the foundation for his theory of the conditions of production and distribution of cultural products. This text is of crucial importance for understanding his later writings on artistic fields and cultural practices. Against the illusion that artworks are independent from social conditions, Bourdieu reminds us that these are the results of a production process that involves not only the individual artist or writer, but a whole system of intermediaries (galleries, publishers, etc.) and institutions of consecration (criticism, prizes, academies, etc.). However, in contrast to the Marxist approach, which reduces works to a "reflection" of class relations, Bourdieu argues that the fields of cultural production enjoy relative autonomy. In this text, Bourdieu constructs the concept of the field for the first time systematically, using Max Weber's concept of legitimacy and his sociology of religion: the symbolic value of cultural works is based on trust and the accumulation of symbolic capital. Bourdieu also combines the concept of the field here for the first time with other concepts that he was developing then - "reproduction," "symbolic violence," "habitus." Drawing on art historians and on examples from empirical research he was conducting, the text also proposes a socio-historical study of the conditions for the emergence of the fields of art and literature as relatively autonomous worlds.

In The Taste of Hidden Things Sara Sviri weaves a tapestry in which Sufi motifs and images are highlighted: the perfume of Attar's and Rumi's poetry, the boldness of Ibn al-Arabi's mystical speculation, the ecstatic experiences and dreams of old and modern seekers, and the richness of the Naqshbandi masters, past and present. A special place is given to al-Hakim at-Tirmidhi, a ninth century mystic from Central Asia. Many passages from his work, including his wife’s teaching dreams, are published here for the first time in Hebrew.

The Other War articulates the anatomy of World War II. For that purpose, it takes an unusual perspective: instead of following the conventional horizontal historical axis, from Nazi Germany eastwards and westwards, it directs the view from the global south to the north. Both axes, the continental and the colonial, were, of course, not disconnected; to expose their intersections, this book lays the focus on Jewish Palestine. The focus on Palestine, as part of a broad British defense parameter protecting the Indian subcontinent, reveals the entanglement of two conflicts: the European war, that escalated into a world war, and the Jewish-Arab-British war over Palestine. In their discreet competition, each of these conflicts remained, for its rival, a foreign war.

Iyyun was established in 1945 as a Hebrew philosophical periodical by Martin Buber, S. H. Bergman and Julius Guttmann and is published by the S. H. Bergman Center for Philosophical Studies of the Hebrew University of Jerusalem. Iyyun has been rebranded, and as part of this renewal a number of thematic issues are published, aiming to advance contemporary philosophical discourse, primarily in Hebrew, to indicate new paths of thought and lines of original research, and to build bridges between academia and the broader public.‍ Iyyun seeks to give expression to a wide spectrum of writers, and is committed to cultural and ideological pluralism, scholarly excellence, high quality writing, and vitality of thought. This in the belief that philosophical thought has a formative role in local culture, and could be influential in shaping the sociopolitical sphere. The articles in this volume: On the Possibility of Universal Love | Sharon Krishek The Creative Force of Desire in Classical Indian Thought | Nir Feinberg Modality and the Limits of Sense in Spinoza’s Metaphysics | Yogev Zusman A Kantian Approach to Aesthetic Methodology: 'Manner' instead of 'Method' | Moran Godess-Riccitelli Finding One’s Way in Language in Wittgenstein’s Later Thought | Oren Roz Film and the Flow of Life: Toward the Non-Human | Orna Raviv Naïveté and Liberation in the Philosophy of Education: A Conversation with Zeev Degani | Ori Rotlevy Review Probing the Discontents of Identity On Jacob Golomb’s Identity and Its Discontents | Warren Zev Harvey Notes on Contributors

Einstein’s revolution traces back to his key papers of 1905 in which he questioned the classical understanding of our concepts of space, time, matter, gravitation, and radiation, shaking the foundations of classical physics. These papers challenged the idea of light as a wave, gave striking proof for the existence of atoms, led to a new understanding of space and time, which came to be known as the “special theory of relativity,” and identified mass as a form of energy. Ten years later, Einstein completed his relativity revolution with his masterpiece, the general theory of relativity, which became the source of modern cosmology. Albert Einstein : Creator of a Worldview deals with these developments, with the ideas which led to them and with their consequences. It also describes briefly Einstein’s activity outside the world of physics and his reaction to major issues on the agenda of mankind in his time.