The Jewish Haskalah movement heralded a profound, unprecedented cultural-spiritual revolution in the Jewish world. Beginning in the German lands in the second half of the eighteenth century and subsequently spreading to central Europe, it called for reconstituting traditional Jewish society in line with maskilic values. This volume spotlights the early-nineteenth-century Galician Haskalah. Although a backwater annexed to the Austrian Empire from Poland but two generations earlier, Galicia’s impressive gallery of outstanding individuals and literary activity has granted the Galician Haskalah its place as one of the most productive, influential centers of the Haskalah movement. This collection of articles is based on lectures delivered at the "Revealers of Secrets—200 Years of Galician Haskalah" Conference. Held in Jerusalem in 2013, this fifth annual conference for the study of the Haskalah movement aimed to submit the Galician Haskalah to renewed scholarly examination. Organized in five sections, the volume’s twenty-three essays by outstanding scholars portray the variegated aspects of this movement, which ranged from attempts to preserve Jewish identity by nurturing modern Jewish culture in Hebrew to radical attempts to reform traditional Jewish society.

This study focuses on one medieval manuscript of the Palestinian Talmud, that served as a printer's copy for the first edition of the composition, printed in Venice (1523). A detailed philological examination of the preparation of the text for print, drives a comprehensive description of transition of Talmudic literature from manuscript culture to print culture.

In the current book two of the most prolific authors in the area of Medieval Judeo-Arabic and poetic Hebrew Medieval texts go back to its basic theses on the relations between Hebrew literature and its parallel Arabic and Judeo-Arabic texts. By re-establishing an up-to-date picture they are attacking the field of encounters from new and different angles.

Jacques Lacan’s teaching lasted about three decades. Like Freud before him, Lacan was profoundly interested in the arts, particularly in painting. Lacan not only turned to specific artworks to clarify psychoanalytic concepts but also addressed theoretical aspects of painting. Like scholars from other fields, such as philosophy or cultural studies, who have turned to Lacan’s thinking throughout his career, art scholars often make use of Lacan’s teaching while analyzing various notions in art. These arguments deal mostly with Lacan’s early teaching or his seminars from the sixties. Yet, his late teaching and its relation to the visual arts remains relatively unknown, even though Lacan’s most radical views are presented for the first time during his late teaching of the seventies, and these conceptualizations carry immense value for theoretical discourse on contemporary art. Lacan’s late teaching and its relation to art fashions the cornerstone of this book, it is the wrap thread that runs through it. The other thread, the woof, which this book weaves into the psychoanalytic discourse, is of a different kind and nature: the discourse of art which analyzes specific instances of the works of art of contemporary Israeli artists: Michal Na’aman, David Ginton, Joshua Borkovsky and Shahar Yahalom.

The starting point for any study of the Bible is the text of the Masora, as designed by the Masoretes. The ancient manuscripts of the Hebrew Bible contain thousands of Masora comments of two types: Masora Magna and Masora Prava. This book presents the way in which the Masoretic comments preserve the Masoretic Text of the Bible throughout generations and all over the world, providing comprehensive information in a short and efficient manner. The book describes the important manuscripts of the Hebrew Bible, and the methods of the Masora in determining the biblical spelling and designing the forms of the parshiot and the biblical Songs. The effectiveness of Masoretic mechanisms and their degree of success in preserving the text is examined. A special explanation is offered for the phenomenon of qere and ketiv. The book discusses the place of the Masoretic text in the history of the Bible, the differences between the Babylonian Masora and that of Tiberias, the special status of the Aleppo Codex and the mystery surrounding it. Special attention is given to the comparison between the Aleppo Codex and the Leningrad Codex (B 19a). In addition, the book discusses the relationship between the Masora and other tangential domains: the grammar of the Hebrew language, the interpretation of the Bible, and the Halakha. The appendix to the book contains a description of books and computer software that are tools for researching the Masora. The book is based on the author's research and the research of the great scholars of the Masora in recent generations. It is a necessary tool for anyone interested in the text of the Bible and its crystallization.

Hasidism is one of the most important-influential movements in Judaism during the modern era. This book shows that the scholarly style of hasidim abided by the rhetoric that was common within Jewish culture in Eastern Europe in the generations prior to hasidism and in the generation of hasidism itself among non-hasidic leaders.

The Shaolin Monastery charts, for the first time in any language, the history of the Shaolin Temple and the evolution of its world-renowned martial arts. In this meticulously researched and eminently readable study, Meir Shahar considers the economic, political, and religious factors that led Shaolin monks to disregard the Buddhist prohibition against violence and instead create fighting techniques that by the twenty-first century have spread throughout the world. He examines the monks’ relations with successive Chinese regimes, beginning with the assistance they lent to the seventh-century Emperor Li Shimin and culminating more than a millennium later with their complex relations with Qing rulers, who suspected them of rebellion. He reveals the intimate connection between monastic violence and the veneration of the violent divinities of Buddhism and analyzes the Shaolin association of martial discipline and the search for spiritual enlightenment.

This book collects rewritten articles and essays by the author related first and foremost, but not exclusively, to the catastrophe of the Holocaust as an epistemic crisis – qualified as a “rupture in civilization”, i.e. the destruction of concepts deeply rooted in a common anthropology of humankind, while focusing on methodological as well as conceptual questions. The composition of the volume runs roughly chronologically along several layers of interpretation – embracing questions of German constitutional law, the formation of Continental expansionist geopolitical thinking, the epistemology of the Holocaust, the assertion and transformation of paradigms of historical interpretation in the second half of the 20th century, especially the turn from social history to memory studies, as well as the turn from a Western- and Eurocentric approaches into the direction of colonial and global history.

This collection of articles deals with the connection between the concept of death and the philosophy of the Halakha. Many would argue that recoil from death and flight from it underlie every culture, including the Halakha: To understand a culture one must examine its attitude toward death. The articles in this volume and its special symposium on the denial of death follow this assumption by studying what the Halakha has to say on this subject. Three themes that link death and Halakha lie at the heart of the book: the issue of fear of death and the tools for coping with it; the connection between human experience and Halakhic conceptualizations and tools pertaining to the issue of death; and the influence of meta-Halakhic views on Halakhic rulings and thought on the issue of death. This diverse collection presents the voices of the leading scholars and intellectuals in the field; it touches on existential issues whose sources lie in deep Halakhic and philosophic study, from the Sages and Maimonides to the Holocaust and the technological age. The book, whose foundation is the philosophical discourse of the Halakha, constitutes a cornerstone for broad study that encourages additional scholarship. It presents the Halakhic world’s deep insights on the end of life, coping with these moments, and the Halakhic implications of the concept of death, including all its derivatives in the Halakha and the Aggada.

The book examines the ideological motivations behind the selection of representations for Israeli banknotes and coins. The research is based on the proceedings and correspondence of the Bank of Israel Banknotes and Coinage Planning Committee from its inception in 1955 to 2012. The study reveals the mechanisms in which the legal tender is exploited as an expression of banal nationalism, implementing national emblems in an unnoticed manner. Banal nationalism is one of three theoretical frameworks we adopted. The other two are the long history of the Jewish people in the territory which today is the State of Israel; and selective tradition as a means for designing a nation. The book comprises eight chapters: theoretical overview; analytical portrayal of the working methods of the Bank of Israel Banknotes and Coinage Planning Committee; a study of the first designed “Allegoric Figures Series” (1959); analysis of the selection of human figures; the construction of the state borders through an array of landscape images; the reflection of the shifting boundaries in the changing representations Jerusalem; the selection of archaeological emblems as a proof for national continuity; and the symbolic role of flora as identification with the land.

Bilha Shilo unfolds the complex plot of the extraordinary success of the restitution of the collections of YIVO (Yidisher Visnshaftlekher Institut) – the prestigious research institution of the Yiddish language and culture. A Drama in Acts traces the fragments of post Second World War YIVO, which meanwhile moved from Vilna to New York - in restituting its cultural property in the West, in the American occupied zone, and documents its bitter failure in the Soviet occupied territory in the East. The book explores, through the question of cultural property ownership, a range of historical issues: the development of modern Jewish culture in Eastern Europe, the advance of Yiddish as a modern literary language, the history of Jewish culture under communist regime, and its extermination under Nazi rule. Other issues addressed are the demise of Jewish culture in Eastern Europe following the division of Europe and the Cold War, and lastly - the conflict between Israel and the Diaspora over the inheritance of Jewish European culture. The book is published in the series "Hefez", which presents the latest research on Jewish cultural property and its demise, in German by the Dubnow Institute, Leipzig, and in Hebrew - in collaboration with The Hebrew University Magnes Press, Jerusalem.