Rashi w as the first Biblical Commentator in Northern France/Ashkenaz to compose a comprehensive commentary to the Book of Proverbs , and this commentary has survived in 55 manuscripts scattered in libraries throughout the world. For the first time we present a critical edition of this commentary to Proverbs. This critical edition is based on MS New York JTS Lutzki 778 . Variant readings from six other accurate manuscripts, the two earliest printed editions, and three later printed editions appear in the apparatus of variants . The edition also contains a “super-commentary” in which difficult words & sections in need of clarification are explained. The editor searched for Rashi’s sources - both those explicitly stated and those not . Preceding the critical edition is an introduction which analyzes important topics such as: interpolations to the commentary , Rashi’s exegetical approach, language & syntax and the Jewish-Christian debate.

A qedushta is a series of piyyutim for the ‘Amida prayer, which is expanded in honor of the recitation of the Qedusha, and includes many complex components. Its origins are in the Land of Israel, in the fourth or fifth century. We first see it as a constructed composition with set, complex, rules in the work of the poet Yannai, who lived in the mid-sixth century, the teacher of Rabbi El‛azar berabbi Qillir (who is known popularly as “the Qallir”). The qedushta, as it appears in the hundreds of compositions by Yannai and his followers, conceals many secrets: mysterious strings of biblical verses accompany its first components; a fixed biblical verse concludes the third component, followed by the strange words “El Na”; then comes a fourth component, whose structure is free, and always concludes, for some reason, with the word “Qadosh”; the fifth component in Yannai’s compositions is the ‘asiriya, a poem constructed of a truncated alphabetical acrostic from only aleph to yud, followed by a prayer beginning “El Na Le‘olam Tu‘aratz” – and it is unclear why this prayer appears here; then there is a group of poems called rahitim, which are written, for some reason, in unique, stereotypical structures. These are only a fraction of the various strange features of the qedushta’ot of Yannai and the other poets. The discussions in the book are dedicated to suggesting solutions to all these questions, and to others, and involve uncovering fragments of qedushta’ot that preceded Yannai; by examining these texts, they excavate the literary remains to construct a model of the gradual development of the qedushta over time, from its origins until it reached its complex structure in the days of Yannai and Rabbi El‛azar berabbi Qillir. The book is intended first and foremost for scholars, but it will also enable people interested in piyyut and its history from outside the world of academia to gain exposure to a great corpus of early piyyutim, among which are several stunningly beautiful gems, which are being published here for the first time.

Many Voices in the Prose of Shulamith Hareven by Yael Balaban is the first book-size monograph dedicated to Hareven’s oeuvre. It offers for the first time a deep understanding of Hareven’s fiction, including her early short stories, City of Many Days, and Thirst – the Desert Trilogy . Hareven’s unique voice has been missed by contemporary critics, as both her ideas and her poetics were ahead of her time: She wrote about sexual abuse long before the subject ever entered public discourse; wrote about the “second generation” of Holocaust survivors before the term was established; and created Mizrahi and Arab characters very different from the stereotypic characters in contemporary Hebrew literature. It is time to re-read Shulamith Hareven’s work and discover beautiful stories suffused with moral and social sensitivity and a profound commitment to language and literature .

The purpose of this volume, like its predecessor, is to uncover fragments of important Hebrew works hidden in the “European Genizah”. Thousands of pages of Hebrew manuscripts have been discovered in this “Genizah”, which is scattered in hundreds of libraries and archives throughout Europe and even beyond. In the late medieval and early modern eras, these pages were used to bind books and as folders of archival documents. The nine works published herein are from a variety of genres: Biblical exegesis, Talmud commentary, halakhic literature, and liturgical interpretation. They appear in this volume in chronological order, from earliest to latest. The most significant of the works is also the work whose discovery required more effort than all of the others; it appears in the first chapter of the book. This work was written in ninth or tenth-century Palestine. It reveals valuable information on the history of halakhah in Palestine of that era, and also teaches a great deal about how Palestinian Traditions made their way to the European continent.

16 October 1943 is one of the most intense, troubling and spectacular works ever written on a single event in the Holocaust of Europe's Jews. This text embodies a stylistic combination of almost real-time journalism, powerful poetic and emotional literature and a profound philosophical essay on the Nazi's behavioral patterns. Giacomo Debenedetti, a distinguished Jewish-Italian author, journalist, and literary critic and theorist describes in 16 October 1943 the terrors of the raid of the Ghetto of Rome. The story (for it is first and foremost a story) unfolds, with piercing, terrifying language, the deportation of one Jewish community within the Nazi extermination mechanism.

Journeys of the Soul: Concepts and Imageries of Paradise in Medieval Kabbalah covers the most decisive period in the history of Jewish speculation about the Garden of Eden. At the heart of the book is a thorough analysis of the compositions written by medieval kabbalists and other esotericists dedicated to that ultimate locus of retribution. Alongside their concrete and abstract portraits of the Garden, these works discuss its relationship to the Godhead and the role it plays in personal eschatology, anthropology, and psychology. The book examines trends within the interpretive history of the biblical Paradise in medieval Jewish thought more generally, and in medieval kabbalistic literature in particular. The notion of gradations or distinct sites within the Garden of Eden is explored in light of its possible influences, and the appearance of the Garden of Eden within kabbalistic psychology is considered in light of thirteenth-century theosophical doctrines. A lengthy treatment is devoted to those works which delineate the architectonic structure of the supernal Garden and depict the visual appearance of the earthly temples (hekhalot) of the lower Garden, while mapping them onto the structurally complex interrelationships within the Godhead. Within this context, the book treats a number of textual conundrums concerning the very development of the kabbalistic canon, including the appearance of the Zohar. Throughout the book, the author also investigates scientific paradigms, legendary traditions, and theological polemics in the religious literature of the period concerning the appearance and structure of the Garden of Eden. Similar exegeses, shared traditions, and a common conceptual foundation of the eschatological Paradise are identified in the kabbalistic literature, alongside echos of the Jewish apocrypha, Rabbinic literature, and Hekhalot texts. Dr. Avishai Bar Asher has been awarded the Matanel Prize for the best book in Jewish Thought published during the years 2018-2019.

The philosophy of Levinas has developed over nearly sixty years. Its evolution can be subdivided into three main stages: Following the pre-war writings, the period 1945-1961 lead to the book Totalité et Infini, in which the ethical thought of Levinas takes a first accomplished form. During the last stage, whose central opus is Autrement qu’être (Otherwise than Being), his thought both radicalized and opened up to multiple horizons. Indeed, Levinas is not merely an academic philosopher ignorant of other movements of thought that mark his century. This book aims to show how the stages of Levinas’s strictly philosophical thought is expressed with regard to politics, Judaism, and Christianity.

Richly illustrated and meticulously documented, this is the first comprehensive survey of synagogue textiles to be available in English. Bracha Yaniv, a leading expert in the field of Jewish ceremonial textiles, records their evolution from ancient times to the present. The volume contains a systematic consideration of the mantle, the wrapper, the Torah scroll binder, and the Torah ark curtain and valance, and considers the cultural factors that inspired the evolution of these different items and their motifs. Fabrics, techniques, and modes of production are described in detail; the inscriptions marking the circumstances of donation are similarly subjected to close analysis. Fully annotated plates demonstrate the richness of the styles and traditions in use in different parts of the Jewish diaspora, drawing attention to regional customs. Throughout, emphasis is placed on presenting and explaining all relevant aspects of the Jewish cultural heritage. The concluding section contains transcriptions, translations, and annotations of some 180 inscriptions recording the circumstances in which items were donated, providing a valuable survey of customs of dedication. Together with the comprehensive bibliography, inventory lists, and other relevant documentation, this volume will be an invaluable reference work for the scholarly community, museum curators, and others interested in the Jewish cultural heritage.

The question of the manner in which the Tannaitic and Amoraic literature was passed on, orally or in writing, is of great importance in determining the basic cultural and historical facts in the world of the Sages, in understanding the development of the Oral Law and in the formation of its literature. In Jacob Sussman's revolutionary study, this complex subject was re-examined based on a thorough and profound study of various Talmudic sources, while comparing them with external, time-based evidence, published for the first time in Talmud Studies in 2004. It is published again in this book, along with detailed indices for source texts and various topics discussed therein.

In the postmodern, relativist world-view with its refutation of a single, objective, and ultimate truth, it has become difficult if not impossible to argue in favour of one’s own beliefs as preferable to those of others. Miriam Feldmann Kaye’s pioneering study is one of the first English-language books to address Jewish theology from a postmodern perspective, probing the question of how Jewish theology has the potential to survive the postmodern onslaught that some see as heralding the collapse of religion. Basing her arguments on both philosophical and theological scholarship, Feldmann Kaye shows how postmodernism might actually be a resource for rejuvenating religion. Her response to the conception of theology and postmodernism as competing systems of thought is based on a close critical study of Rav Shagar (Shimon Gershon Rosenberg) and Tamar Ross. Rather than advocating postmodern ideas, she analyses their writings through the lens of the most radical of continental postmodern philosophers and cultural critics in order to offer a compelling theology compatible with that world-view. Whether the reader considers postmodernism to be inherently problematic or merely inconsequential, this study demonstrates why reconsidering these preconceptions is one of the most pressing issues in contemporary Jewish thought.