Sarah Schenirer is one of the unsung heroes of twentieth-century Orthodox Judaism. The Bais Yaakov schools she founded in interwar Poland had an unparalleled impact on a traditional Jewish society threatened by assimilation and modernity, educating a generation of girls to take an active part in their community. The movement grew at an astonishing pace, expanding to include high schools, teacher seminaries, summer programmes, vocational schools, and youth movements, in Poland and beyond; it continues to flourish throughout the Jewish diaspora. Naomi Seidman explores the movement through the tensions that characterized it, capturing its complexity as a revolution in the name of tradition. She presents the context which led to its founding, examining the impact of socialism, feminism, Zionism, and Polish electoral politics on the process, and recounts its history, from its foundation in interwar Kraków to its near-destruction in the Holocaust, and its role in the reconstruction of Orthodoxy in subsequent decades. A vivid portrait of Schenirer shines through. The book includes selections from her writings published in English for the first time. Her pioneering, determined character remains the subject of debate in a culture that still regards innovation, female initiative, and women’s Torah study with suspicion.

Un véritable courant de vie parcourt ces pages que Perspectives consacre au cinéaste Marcel Ophuls. La vie, le vivant dominent. Il n’est pas étonnant qu’une des contributions de ce numéro s’intitule “Liberté, vitalité, spectacle” (Sophie Brunet). Dès lors, la division du volume s’est faite d’elle-même: 1-Un homme vivant; 2-Une oeuvre vivante. Au départ, le portrait d’un homme se dessine. Dans une “interview imaginaire.” On savoure son franc-parler, non que l’on adhère à toutes ses idées – en particulier en ce qui concerne Israël – mais on admire l’aisance et la liberté totale qui anime ses propos. Le comportement professionnel du cinéaste, son comportement tout court, trouvent leur place dans cette première partie. Parfois même, l’homme est saisi dans le feu de l’action. Les grands problèmes qui occupent le coeur et la pensée d’un homme de notre temps se retrouvent dans la seconde partie du volume. Là encore, au plus près de la vie . Le cinéaste interpelle les spectateurs lorsqu’il traite de la Shoah, de l’Occuption, ou de la Résistance, de la place que ces sujets tiennent dans la mémoire d’un Français ou d’un Allemand. On s’interroge avec le cinéaste : se doit-il d’être objectif? Mais “dès le début de sa carrière, remarque Pierre Beylot, un style documentaire original fondé sur la parole de témoignage et le montage des sources dont il assume de plus en plus ostensiblement le caractère subjectif” marque son oeuvre. C’est dire aussi que souvent le regard s’attarde sur le traitement esthétique des sujets abordés. Ecoutons François Niney:“Cette remise en question de nos manières de voir et de nos dilemmes, à la fois politiques et personnels, par le jeu et le poids des mots, différencie radicalement le documentaire selon Marcel, du panel d’opinions tel que l’expose en permanence l’étal médiatique”. L’important est que son public réfléchisse. Il s’agit, selon Valérie Carré, de “mettre en mouvement la réflexion du spectateur”. Qu’attendre de l’avenir? Encore une oeuvre surprenante? Vincent Lowy, à l’écoute, note: “Boulimique de projets virtuels, l’infatigable MO junior annonce déjà les quatre titres d’ […] improbables best-sellers…” [futurs romans policiers }. Il convient enfin de souligner le rôle déterminant qu’a joué Stéphane Kerber dans l’élaboration de ce numéro de Perspectives. Nos vifs remerciements vont à lui. Laissons-lui maintenant la parole.

The charm of Agnon’s work lies in an inebriating combination of the funny and the serious, in his famous irony that knocks down every unquestionable certainty and even its very self. Agnon’s humor eludes rhetoric borderlines, does not tolerate confines of a genre and disobeys simple interpretative solutions. In his new book, Roman Katsman suggests a new literary-anthropological method to break down Agnon’s complicated ‘laughter code’—a method based upon the cultural and semiotic interpretation of symbols. His reading of a wide selection of Agnon’s works, including his four major novels, reveals an entire world of his laughter symbols—a world of violence and sacredness, tragic bewilderment and eruption of new possibilities. In this world, arks fly, princes disappear, serpents eat their own tails, angels and demons dance, illusion turns into reality, and other foolish and cruel miracles occur. The research looks for a solution to the riddle: should Agnon's stories be considered serious or ironic, religious or secular, scornful or emphatic, archaic or modernist; or perhaps the reader is intended to swell with pathos or burst into laughter—and how come Agnon always has the last laugh?

At the beginning of the twentieth century, the Jewish communities of Poland and Hungary were the largest in the world and arguably the most culturally vibrant, yet they have rarely been studied comparatively. Despite the obvious similarities, historians have mainly preferred to highlight the differences and emphasize instead the central European character of Hungarian Jewry. Collectively, these essays offer a different perspective. The volume has five sections. The first compares Jewish acculturation and integration in the two countries, analysing the symbiosis of magnates and Jews in each country’s elites and the complexity of integration in multi-ethnic environments. The second considers the similarities and differences in Jewish religious life, discussing the impact of Polish hasidism in Hungary and the nature of ‘progressive’ Judaism in Poland and the Neolog movement in Hungary. Jewish popular culture is the theme of the third section, with accounts of the Jewish involvement in Polish and Hungarian cabaret and film. The fourth examines the deterioration of the situation in both countries in the interwar years, while the final section compares the implementation of the Holocaust and the way it is remembered. The volume concludes with a long interview with the doyen of historians of Hungary, István Deák.

Jewish Studies is published annually by the World Union of Jewish Studies (WUJS) and provides an outlet for the publication of articles, studies, documents and various other contents in Jewish studies. The journal publishes articles in Hebrew and in English, which undergo a review process. It focuses on studies of a methodological-programmatic nature and reviews various areas of Jewish studies. The journal was first published in 1971 under the title 'Newsletter of the World Union of Jewish Studies'. Since 1996 it is published in its current form as Jewish Studies - Journal of the World Union of Jewish Studies. In addition to articles, the journal features a section for recent WUJS news and publications, as well as reviews of new books published in the various fields of Jewish studies. Articles in this volume: ENGLISH SECTION World Union News ABSTRACTS HEBREW SECTION Essays Resulting from the Session “The Research Enterprise of the Late Prof. Ephraim Elimelech Urbach on the One Hundredth Anniversary of his Birth” at the Sixteenth World Congress of Jewish Studies (2013) Moshe David Herr E. E. Urbach: Opening Remarks Avraham Grossman E. E. Urbach’s Studies of Jewish Medieval Literature and Culture Jacob Elbaum E.E. Urbach: Scholar of Aggadah, Midrash and Rabbinic Thought Menahem Kister The Concepts and Beliefs of the Sages: Jewish and Christian Texts and Corpora—Constructions and Contexts: Reflections upon Urbach’s Oeuvre Moshe David Herr E. E. Urbach’s Work on the History of Halakhah, Jewish History, and Jewish Studies in General Moshe David Herr E. E. Urbach: Concluding Remarks Rivka Raviv On the Formation of The Image of Daniel in the Babylonian Talmud Tamar Kadari “Nights Have Come”: Rabbinic Exegesis on the Destruction and Subjugation by Foreign Kingdoms Eli Gurfinkel “Rabbi David Messer Leon and his Scathing Attack Upon Rabbi Isaac Abarbanel Ofer Elior Religion and Science among the Karaites of Istanbul, according to Keter kehunnah by Joseph Beghi Book Review Ruth Lamdan Review of: Abraham David, A Jewish Mediterranean Society in the Late Middle Ages, Jerusalem and New York, 2016 Abraham David Review of: Shmuel Glick, Seride Teshuvot of the Ottoman Empire Sages from the Cairo Genizah in the E. N. Adler Collection of the JTS Library, Vols.1-2, New York, Jerusalem and Ramat Gan, 2016 New Books and Periodicals in Jewish Studies Manuscripts and Annotated Critical Editions Journals Anthologies, Jubilee and Memorial Book Monographs

Kobez Al Yad , an annual of the Mekize Nirdamim Society, is a forum for the publication from manuscript sources of ancient texts in Jewish studies that are shorter than book-length. Contents Avishai Bar Asher Isaac b. Shelomo Ibn Sahula Commentary on Psalms Leore Sachs-Shmueli The Beginning of Sefer Toldot Adam by Joseph of Hamadhan Eric Lawee and Doron Forte The Book of Strictures on Rashi's Torah Commentary Ascribed to Rabad Ofer Elior R.Shalom 'Anabi's Commentary on the Laws of the Foundations of the Torah Yohanan Kapah R. Joseph Hayyun's Commentary on Amos

This issue contains the following essays : Menahem Kahana - The Good in the Sight of Heaven and Right in the Sight of Man Yair Furstenberg - From Tradition to Controversy: New Modes of Transmission in the Teachings of Early Rabbis Gideon Bohak - A New Genizah Fragment of Toledoth Yeshu in Aramaic Yehoshua Granat - To Alexandria, with the sound of bell and pomegranate: Yehuda Halevi’s Arrival in Alexandria in Light of a Newly Identified Poem by Aaron Ibn Al-ʿAmmānī Shulamit Elizur - Between Poetic and Statutory Formulations: A Note on the History of the Ha-Maʿariv ʿAravim Benediction Menahem Kister - ‘The Lord of Hosts is His Name in Ha-Maʿariv ʿAravim Benediction: Metamorphoses and Erosion of Benediction Formulae Joshua Blau - Review of: W. Randall Garr and Steven Ellis Fassberg (eds.), A Handbook of Biblical Hebrew , I: Periods, Corpora, and Reading Traditions (xii + 228 pp.); II: Selected Texts (vi + 136 pp.), Winona Lake, IN 2016

How Jews use media to connect with one another has profound consequences for Jewish identity, community, and culture. This volume explores how the use of media can both create communities and divide them because of how different media shape actions and project anxieties, conflicts, and emotions. Taken together, the essays presented here consider how Jewish use of media at home and in the street, as well as in the synagogue and in school, affects the individual’s sense of ethnic and religious affiliation. They include closely observed case studies, in various national contexts, of the role of popular film, television, records, the Internet, and smartphones, as well as the role of print media, now and historically. They raise fascinating questions about how Jews and Jewish institutions harness, tolerate, or resist media to create their sense of social belonging as Jews within the wider society.

The characters of the Yanuka (the Zoharic Wunderkind) and the Sava (the wise old man), appear in various Zoharic stories, revealing themselves to the sages of the Zohar (Rabbi Shimon Bar Yohai and his disciples). These two figures are among the most meaningful and complex mythical figures in Zoharic literature. The main argument in this work is that the Sava and Yanuka characters are portrayed as the embodiment of God and his Son (and the Messiah). This book is the first attempt to grasp the full extent and depth of these mythical figures and the close ties that exist between them. At the same time, the book reveals an important chapter in the history of Jewish myth and contributes to the understanding of the messianic consciousness that characterizes the stories of the Sava and Yanuka in the Zohar and exposes their hidden and polemical ties with Christianity. The book is currently available as an ebook. A print edition will be available soon.

Abū Ḥāmid al-Ghazālī’s Mishkat al-Anwar (The Niche of Lights) is justly included in the Hall of Fame of world mysticism as an immortal masterpiece for generations to come. Its subject matter is an arcane mystical interpretation of the Light Verse, sura An-Nur (Qur’an, verse 35), whose text has become a central symbol for the mainstream of Sufi mysticism. The book centres on the light and the mystery of light within a Sufi’s world. Its central importance caused The Niche of Lights to be translated to Hebrew twice in the Middle Ages, and for many generations it provided a source of inspiration in the realm of Judaism for philosophers and Kabbalists alike. This essay has now been re-translated to contemporary Hebrew. This classic inspirational text, a guide for the perplexed of the internal journey to the mystery of Divine Light, is an important, central chapter in the history of human spirituality; and occupies centre stage in the endeavour to establish prophesy, divine inspiration and a new Israeli spirituality.

The book Praise of Fools , which was printed twice - in 1880 and 1910 - is an unusual satire/parody in Hebrew satiric literature. It is intended not only for certain circles or people in the Jewish context, but also has a universal character: it makes fun of and derides a long list of philosophers, writers, intellectuals and scholars a nd others , presenting them as useless, plagiarists and fools. All this i s done in order to supposedly praise ignorance and stupidity and to propose finding within them security and peace. The book accorded to Rubin the title "the Jewish Erasmus," however, the introduction places the book within the extensive European "fool literature".

Birkat Ha-Avoda of Tefillat Ha-Amidah has a long history spanning the Second Temple period to the early Middle Ages. This title follows the different formats of the prayer through the ages, examining a variety of sources: Writings from the Second Temple period, rabbinic texts, Christian texts, early Piyutim, medieval sources, and dozens of Siddurim and excerpts from Siddurim. The comparative study of these sources generates a detailed description of the development of Birkat Ha-Avoda, which sheds light on the history of the regular prayers and Jewish customs.