Maimonides ends each book of his legal code the Mishneh torah with a moral or philosophical reflection, in which he lifts his eyes, as it were, from purely halakhic concerns and surveys broader horizons. Menachem Kellner and David Gillis analyse these concluding paragraphs, examining their verbal and thematic echoes, their adaptation of rabbinic sources, and the way in which they coordinate with the Mishneh torah ’s underlying structures, in order to understand how they might influence our interpretation of the code as a whole—and indeed our view of Maimonides himself and his philosophy. Taking this unusual cross-section of the work, Kellner and Gillis conclude that the Mishneh torah presents not only a system of law, but also a system of universal values. They show how Maimonides fashions Jewish law and ritual as a programme for attaining ethical and intellectual ends that are accessible to all human beings, who are created equally in the image of God. Many reject the presentation of Maimonides as a universalist. The Mishneh torah especially is widely seen as a particularist sanctuary. This study shows how profoundly that view must be revised.

Every work on Jewish thought and law since the twelfth century bears the imprint of Maimonides. A. N. Whitehead’s famous dictum that the entire European philosophical tradition ‘consists of a series of footnotes to Plato’ could equally characterize Maimonides’ place in the Jewish tradition. The critical studies in this volume explore how Orthodox rabbis of different orientations—Shlomo Aviner, Naftali Zvi Yehudah Berlin (Netziv), Kalonymus Kalman Shapira, Joseph Kafih, Abraham Isaac Kook, Aaron Kotler, Joseph Soloveitchik, and Elhanan Wasserman—have read and provided footnotes to Maimonides in the long twentieth century. How well did they really understand Maimonides? And where do their arguments fit in the mainstream debates about him and his works? Each of the seven core chapters examines a particular approach. Some rabbis have tried to liberate themselves from the influence of his ideas. Others have sought to build on those ideas or expand them in ways which Maimonides himself did not pursue, and which he may well not have agreed with. Still others advance patently non-Maimonidean positions, while attributing them to none other than Maimonides. Above all, the essays published here demonstrate that his legacy remains vibrantly alive today.

David Gillis’s highly original study of Maimonides’ Mishneh torah demonstrates that its form reflects a belief that observance of the divine commandments of the Torah brings the individual and society into line with the cosmic order. He shows that the Mishneh torah is intended to be an object of contemplation as well as a prescription for action, with the study of it in itself bringing the reader closer to knowledge of God. In this highly original study, David Gillis demonstrates that the Mishneh torah, Maimonides’ code of Jewish law, has the structure of a microcosm. Through this symbolic form, Maimonides presents the law as designed to perfect the individual and society by shaping them in the image of the divinely created cosmic order. The commandments of the law thereby bring human beings closer to fulfilling their ultimate purpose, knowledge of God. This symbolism turns the Mishneh torah into an object of contemplation that itself communicates such knowledge. In short, it is a work of art. Gillis unpacks the metaphysical and cosmological underpinnings of Maimonides’ scheme of organization with consummate skill, allowing the reader to understand the Mishneh torah’s artistic dimension and to appreciate its power. Moreover, as he makes clear, uncovering this dimension casts new light on one of the great cruxes of Maimonides studies: the relationship of the Mishneh torah to his philosophical treatise The Guide of the Perplexed. A fundamental unity is revealed between Maimonides the codifier and Maimonides the philosopher that has not been fully appreciated hitherto. Maimonides’ artistry in composition is repeatedly shown to serve his aims in persuading us of the coherence and wisdom of the halakhic system. Gillis’s fine exegesis sets in high relief the humane and transcendental purposes and methods of halakhah as Maimonides conceived of it, in an argument that is sure-footed and convincing.

David Gillis’s highly original study of Maimonides’ Mishneh torah demonstrates that its form reflects a belief that observance of the divine commandments of the Torah brings the individual and society into line with the cosmic order. He shows that the Mishneh torah is intended to be an object of contemplation as well as a prescription for action, with the study of it in itself bringing the reader closer to knowledge of God. In this highly original study, David Gillis demonstrates that the Mishneh torah, Maimonides’ code of Jewish law, has the structure of a microcosm. Through this symbolic form, Maimonides presents the law as designed to perfect the individual and society by shaping them in the image of the divinely created cosmic order. The commandments of the law thereby bring human beings closer to fulfilling their ultimate purpose, knowledge of God. This symbolism turns the Mishneh torah into an object of contemplation that itself communicates such knowledge. In short, it is a work of art. Gillis unpacks the metaphysical and cosmological underpinnings of Maimonides’ scheme of organization with consummate skill, allowing the reader to understand the Mishneh torah’s artistic dimension and to appreciate its power. Moreover, as he makes clear, uncovering this dimension casts new light on one of the great cruxes of Maimonides studies: the relationship of the Mishneh torah to his philosophical treatise The Guide of the Perplexed. A fundamental unity is revealed between Maimonides the codifier and Maimonides the philosopher that has not been fully appreciated hitherto. Maimonides’ artistry in composition is repeatedly shown to serve his aims in persuading us of the coherence and wisdom of the halakhic system. Gillis’s fine exegesis sets in high relief the humane and transcendental purposes and methods of halakhah as Maimonides conceived of it, in an argument that is sure-footed and convincing.

Maimonides' vision of Judaism was deeply elitist, but at the same time profoundly universalistic. He was highly critical of the regnant Jewish culture of his day, which he perceived as so heavily influenced by ancient Jewish mysticism as to be debased. While focusing on that critique, Kellner skilfully and accessibly demonstrates how Maimonides used philosophy in order to purify a corrupted and paganized religion and to present distinctions fundamental to Judaism as institutional, sociological, and historical, rather than ontological. In Maimonides' hands, metaphysical distinctions are translated into moral challenges. Foreword by Moshe Idel. Available in Hardback version as well.

The crucial question for today's Jewish world, Menachem Kellner argues, is not whether Jews will have Jewish grandchildren, but how many different sorts of mutually exclusive Judaisms those grandchildren will face. Kellner's short, brisk, and accessible book examines how the split that threatens the Jewish future can be avoided. His lucid analysis of what religious faith means in classical Judaism leads logically to a new way of construing the relationship of Orthodoxy to non-Orthodox Jews and institutions.

Dogma in Medieval Jewish Thought is an essay in the history of ideas which traces the development of creed formation in Judaism from its inception with Moses Maimonides (1138-1204) to the beginning of the sixteenth century when systematic attention to the problem disappeared from the agenda of Jewish intellectuals. The dogmatic systems of Maimonides, Duran, Crescas, Albo, Bibago, Abravanel, and a dozen lesser- known figures are described, analysed and compared.