Chronicles is a historiographical work narrating the history of Israel. The first part focuses on the period until the end of King David's reign. The anonymous author, presumably one of the Jerusalem Kohanim of the Second Temple period, who wrote the work during the late Persian period or early Hellenistic period. He structured his book by employing the earlier Bible books and re-writing them, in addition to materials that preceded him, and others he conceived; all according to his theological perspective.

Chronicles is a historiographical work narrating the history of Israel. The second part continues with Solomon through the Edict of Cyrus. The anonymous author, presumably one of the Jerusalem Kohanim of the Second Temple period, who wrote the work during the late Persian period or early Hellenistic period. He structured his book by employing the earlier Bible books and re-writing them, in addition to materials that preceded him, and others he conceived; all according to his theological perspective.

This volume from the series of Mikra Leyisrael contains the commentary of the books Ezra and Nehemia , which provide important information on the return from Babylonia and Persia to Judea after Cyrus' decree and the rebuilt of Jerusalem.

This extraordinary commentary by an anonymous late twelfth-century northern French exegete interprets the Song of Songs solely according to its plain meaning as a story of two young lovers and their developing relationship. The exegete pays attention to every detail of the text, offering many enlightening insights into its meaning, all the while expanding upon the 'way of lovers' – the ways that young people in love go about their lovemaking. The French background of the exegete is made clear by many references to knights, coats of arms, weapons, chivalry, and of course, wine drinking, as well as numerous glosses in Old French. The edition is accompanied by an extensive introduction which analyzes the various exegetical, literary, and linguistic features of the text.

This commentary was first published in 1855 in the Aharon Yelink Edition of the 32 Hamburg manuscripts and was welcomed happily by the Jewish Sages of that generation, however it was quickly forgotten and its relation to RASHBAM was distrusted. The damaged edition, in which it was published, did not benefit it either, and it hardly left any impression on the Biblical research of the new age. The current essay is a revised scientific edition of the commentary, based on all the known wording testimonies known today: 3 complete manuscripts, 2 segments of other manuscripts and another written testimony of another manuscript which we do not hold. This edition is preceded by a comprehensive preface which deals with a wide range of subjects: identifying the commentary's author, its affinity to other essays by Rashbam, the sources of the commentary, the literary aspects of the commentary, allegoric commentary of Song of Songs and his message according to his time and era, verbal issues in the commentary and an introduction to this edition. Rashbam's commentary on Song of Songs is an important text which contributes to a variety of fields: the exegesis of the biblical text; the knowledge of Rashbam's figure and actions as one of the greatest bible commentators of all time; an understanding of the history of Jewish commentaries on the bible, especially literal-oriented (pshat) commentaries; and knowledge of the history of French and Ashkenaz Jewry of the 12th and 13th centuries.

The commentary on Qohelet is one of the few surviving remains of the commentary work written by Rabbi Shmuel Ben Meir (Rashbam), Rashi’s grandson and one of the leading French thinkers and commentators of the Middle Ages. This new edition seeks to reveal Rashbam’s unique contribution not only to the understanding of Qohelet, but also to the study of the bible. The authors attempt to re kindle among readers a new interest in the world of medieval biblical commentary and its significance in this day and age.