The starting point for any study of the Bible is the text of the Masora, as designed by the Masoretes. The ancient manuscripts of the Hebrew Bible contain thousands of Masora comments of two types: Masora Magna and Masora Prava. This book presents the way in which the Masoretic comments preserve the Masoretic Text of the Bible throughout generations and all over the world, providing comprehensive information in a short and efficient manner. The book describes the important manuscripts of the Hebrew Bible, and the methods of the Masora in determining the biblical spelling and designing the forms of the parshiot and the biblical Songs. The effectiveness of Masoretic mechanisms and their degree of success in preserving the text is examined. A special explanation is offered for the phenomenon of qere and ketiv . The book discusses the place of the Masoretic text in the history of the Bible, the differences between the Babylonian Masora and that of Tiberias, the special status of the Aleppo Codex and the mystery surrounding it. Special attention is given to the comparison between the Aleppo Codex and the Leningrad Codex (B 19a). In addition, the book discusses the relationship between the Masora and other tangential domains: the grammar of the Hebrew language, the interpretation of the Bible, and the Halakha. The appendix to the book contains a description of books and computer software that are tools for researching the Masora. The book is based on the author's research and the research of the great scholars of the Masora in recent generations. It is a necessary tool for anyone interested in the text of the Bible and its crystallization.

A qedushta is a series of piyyutim for the ‘Amida prayer, which is expanded in honor of the recitation of the Qedusha, and includes many complex components. Its origins are in the Land of Israel, in the fourth or fifth century. We first see it as a constructed composition with set, complex, rules in the work of the poet Yannai, who lived in the mid-sixth century, the teacher of Rabbi El‛azar berabbi Qillir (who is known popularly as “the Qallir”). The qedushta, as it appears in the hundreds of compositions by Yannai and his followers, conceals many secrets: mysterious strings of biblical verses accompany its first components; a fixed biblical verse concludes the third component, followed by the strange words “El Na”; then comes a fourth component, whose structure is free, and always concludes, for some reason, with the word “Qadosh”; the fifth component in Yannai’s compositions is the ‘asiriya, a poem constructed of a truncated alphabetical acrostic from only aleph to yud, followed by a prayer beginning “El Na Le‘olam Tu‘aratz” – and it is unclear why this prayer appears here; then there is a group of poems called rahitim, which are written, for some reason, in unique, stereotypical structures. These are only a fraction of the various strange features of the qedushta’ot of Yannai and the other poets. The discussions in the book are dedicated to suggesting solutions to all these questions, and to others, and involve uncovering fragments of qedushta’ot that preceded Yannai; by examining these texts, they excavate the literary remains to construct a model of the gradual development of the qedushta over time, from its origins until it reached its complex structure in the days of Yannai and Rabbi El‛azar berabbi Qillir. The book is intended first and foremost for scholars, but it will also enable people interested in piyyut and its history from outside the world of academia to gain exposure to a great corpus of early piyyutim, among which are several stunningly beautiful gems, which are being published here for the first time.

The author of this book argues that Israeli traumas exist in the language, poetics, and politics of Israeli literature. Presenting a comprehensive and methodical study of this phenomenon, this book raises piercing questions concerning the politics behind literature and its moral authority, focusing specifically on the responsibility of the author. Hever tracks the literary processing methods of Israeli traumas in light of the extermination of European Jews, the 1948 war, the Palestinian Nakba, and the 1973 war in the works of S. Yizhar, Leah Goldberg, Avoth Yeshurun, Nathan Alterman, Aharon Appelfeld, Dan Pagis, Erez Biton, Yitzhak Laor, Shimon Ballas, Haim Be’er, and Rivka Ben-Hayim. The book offers a rigorous discussion of the unique manners in which literature deals with representations of traumas. This research presents the traces of Israeli post-trauma represented in the literary text, and tackles the question of responsibility among fictional characters.

This book presents three hundred pieces added by Rabbi Moshe ben Nachman (Nachmanides) to his commentary on the Torah when he made aliyah to Israel at the end of his life. The added segments were identified according to update lists sent by Nachmanides himself and others to the Diaspora, as well as on the basis of extensive comparative examination of all the hand-written transcripts of Nachmanides’ interpretation of the Torah found today in the world (about fifty in number). There is a comprehensive introduction at the beginning of the book, that discusses the phenomenon of the additions and analyzes the findings of the hand-written transcripts and surveys the reasons and for these additional pieces. The bulk of the book is comprised of interpretive discussions detailed in every piece, whose purpose is to clarify Nachmanides’ motives when making additions to what he first wrote. In the book itself – and the website that accompanies it – detailed information is presented about the additions and the evidence of them in the list of additions and the hand-written transcripts. The awareness of the commentary’s formation by those who studied the commentary, both at large and specifically for each particular piece, adds a new dimension to the commentary, and is a significant contribution to understanding the way of Nachmanides, to solving problems in his sayings and clarifying his intent. To this end, the book is a very important tool for scholars of Nachmanides, Torah learners and lovers. The book won the Yad Ben-Zvi prize, 2017

Table of Contents: Elchanan Reiner - Joshua is Rashbi, Hatzor is Meron: On the Typology of a Galilean Foundation Myth James Nathan Ford and Alon Ten-Ami - An Incantation Bowl for Rav Mešaršia son of Qaqay Shulamit Elizur - Esa Meshali (I Shall Present my Lesson) Matti Huss - The Beginning of Joseph Ibn Shimeon’s Ne ' um Toviyahu ben Zidqiyahu Yosef Ofer - Why Did Nahmanides Misread the Inscription on the Sheqel Coin? Hannan Hever - The Trauma of the Lady of the Palace Bezalel Bar-Kochva - The Essaioi: A Fiction or Historical Reality? Rachel Elior - Essenes or ‘ha-Kohanim bnei Zaddok and Their Allies’ . A Response to Bezalel Bar Kokhva, ‘The Essaioi: A Fiction or Historical Reality?’

Table of Contents

The corpus of Jewish mystical writings has developed over thousands of years in different parts of the world. Its creators sought to discover hidden realms that would shed light on existing reality. The literature they created, one of the central sources of inspiration of religious thought, comprises hundreds of volumes. This masterly investigation of the Jewish mystical phenomenon, from antiquity to the twentieth century, contextualizes it in the spiritual and historical circumstances in which it evolved. Mysticism, which transcends the boundaries of time and space and refers to a reality not grasped by means of ordinary human cognition, is one of the central sources of inspiration of religious thought. It is an attempt to decode the mystery of divine existence by penetrating to the depths of consciousness through language, memory, myth, and symbolism. Delving deep into the psyche, mystics strive to redeem perceived reality from its immediate meaning. Mystical texts constitute a history of this religious creativity, of man’s attempt to reveal the divine structure underlying the chaos of reality and thereby endow life with hope and purpose. By offering an alternative perspective on the world that gives expression to yearnings for freedom and change, mysticism engenders new modes of authority and leadership; as such it plays a decisive role in moulding religious and social history. For all these reasons, the mystical corpus deserves study and discussion in the framework of cultural criticism and research. This study is a lyrical exposition of the Jewish mystical phenomenon. It is based on a close reading of the hundreds of volumes written by Jewish mystics and incorporates mystical testimonies drawn from the different countries and cultural environments in which Jews have lived. Rachel Elior’s purpose is to present, as accurately as possible, the meanings of the mystical works as they were perceived by their creators and readers. At the same time, she contextualizes them within the boundaries of the religion, culture, language, and spiritual and historical circumstances in which the destiny of the Jewish people has evolved.. The author succeeds in drawing the reader into a mystical world. With great intensity, she conveys the richness of the mystical experience in discovering the infinity of meaning embedded in the sacred text; teasing out the recurring themes, she explains the multivalent symbols. Using copious extracts from Jewish mystical sources, she illustrates the varieties of the mystical experience from antiquity to the twentieth century. She succeeds in eloquently conveying how mystics try to decipher reality by penetrating beyond its apparent boundaries: how they experience spiritual powers symbolically, imaginatively, or visually; how hidden truths are revealed in visions or dreams, in an epiphany or as ‘lightning’; how they are ‘engraved’ in the mind or illuminate in the soul. Most of the texts she draws on are written in very obscure language, but the skilful translations communicate the mystical experiences vividly and make it easy for the reader to understand how Elior uses them to explain the relationship between the revealed world and the hidden world and between the mystical world and the traditional religious world, with all the social and religious tensions this has caused.

Tarbiz is the only Hebrew academic journal that is devoted to the entire range of Jewish studies. Appearing quarterly, this journal is the principal forum for the expression of the most important developments in Jewish studies in our generation, and its contributors include the leading scholars in the various fields of Jewish studies in Israel and the world, as well as young scholars who are beginning to make their mark. Tarbiz was first published in 1930 at the Institute of Jewish Studies at the Hebrew University of Jerusalem, under the editorial pen of Prof. Jacob Nachum Epstein z"l.

Tarbiz is the only Hebrew academic journal that is devoted to the entire range of Jewish studies. Appearing quarterly, this journal is the principal forum for the expression of the most important developments in Jewish studies in our generation, and its contributors include the leading scholars in the various fields of Jewish studies in Israel and the world, as well as young scholars who are beginning to make their mark. Tarbiz was first published in 1930 at the Institute of Jewish Studies at the Hebrew University of Jerusalem, under the editorial pen of Prof. Jacob Nachum Epstein z"l.

This very accessible introduction to hasidism as a movement opens a new window on its mystical underpinnings. It discusses the origins and dissemination of hasidism and the literature that facilitated this; the theological basis of hasidism and the mystical significance of the tsadik; the major figures of hasidism; and the complex links to kabbalah and Shabbateanism. The discussion of the intellectual and social implications highlights the eighteenth century as a key period in modern Jewish history. Professor Elior was awarded the 2006 Gershom Scholem Prize for the Study of Kabbalah and Jewish Mysticism by the Israel Academy of Sciences and Humanities.

For over fourteen hundred years, since post-Talmudic times, a list of fast days has been in circulation; it mandates at least one, but occasionally two, three, and even four fasts per month. These fasts commemorate disasters that occurred during biblical and Second Temple times; events connected with the Temple’s destruction; and the deaths of well-known individuals. The list penetrated into central halachic works; in some circles these events are commemorated to this day, albeit not by fasting. This list is known as Megillat Taʿanit Batra, “the later scroll of fasts,” to distinguish it from Megillat Taʿanit, which originated in the Second Temple period. This book traces the historical development of the list. The author has culled previously unknown versions of this list from manuscripts, early piyyutim , and other surprising sources. All these versions of the list are discussed in detail; a synoptic analysis of each fast, as presented in the various sources, attempts to solve some of the riddles presented by the texts. Towards the end of the book, a detailed chapter deals with the complex occurrences of the list in halachic literature. The final chapter sets out the internal structure of the list; attempts to arrive at its original form; and maps its metamorphoses through time.