In the current book two of the most prolific authors in the area of Medieval Judeo-Arabic and poetic Hebrew Medieval texts go back to its basic theses on the relations between Hebrew literature and its parallel Arabic and Judeo-Arabic texts. By re-establishing an up-to-date picture they are attacking the field of encounters from new and different angles.

Samuel ben Hosha‘na was a prolific author of liturgical poetry and a member of the political and religious leadership of the Jewish community of the Land of Israel in the late tenth and early eleventh century CE, yet over the centuries his poetry and his very existence were forgotten by history. He was rediscovered by twentieth-century scholars from manuscripts in the Cairo Geniza. This volume presents all the information known about Samuel's life, and a selection of his poetry, as well as Megillath Miẓrayim, his prose account of a harrowing event that he experienced in Cairo in 1012. The texts are presented in Hebrew, with an English translation on facing pages, and English commentary explaining the poet's allusions.

The book is concerned with the main trends in Jewish Liturgy during Late Antiquity and its connections and inter relations with Aramaic Targum, Midrash, mysticism, popular beliefs, structure and rhyme patterns as performed amid Late Antique Synagogues in Palestine, as well as the later spread of these fertile products to Southern Italy and then to the rest of Europe. The book discusses the different layers of poets and performers as presented in ancient manuscripts which were preserved in the Cairo Geniza collections and later in European Mahzorim, and the fascinating struggle of survival of the different liturgical cycles.

Yehuda Halevi: Poetry and Pilgrimage follows the life story of the greatest Hebrew poet of medieval times from his first publication in Christian Toledo to his heroic journey toward Zion from Muslim Spain. The description is based, for the first time, on the entire collection of his poetry- the Diwan , which was edited and reedited between East and West at every important crossroad of his life. This in turn is done through comparison to autobiographical letters and contemporary correspondence discovered and collected over the past 50 years in the Cairo Geniza collections. Documentary material and Literary works, which were shun behind the iron wall in The Russian National Library in St. Petersburg, are woven for the first time into one, enabling us to examine closely the intricate relationship between old Jewish traditions and the ideological heritage associated with Halevi's innovative writings in prose and in poetry. Confronting Halevi's "Zion, will thou not ask"? opens the study which is mainly concerned with the story of Halevi's odyssey from Christian to Muslim Spain and eventually to Egypt, including the epic quest to the beloved yet fatal Zion. Professor Joseph Yahalom Studies and teaches Hebrew poetry at the Hebrew Literature Department of The Hebrew University in Jerusalem.

Judah Halevi is the most prominent Hebrew poet of the Middle Ages. This book tells his life story, from the early publications of his poems in Toledo and until his tragic death, which occurred during his heroic journey to the Land of Israel. For the first time, the presentation of Halevi’s story is based on his entire oeuvre - his poem collections and dewans - written during different landmarks in the poet’s life in the east and west. In addition, this study compares and confronts his autographic letters with letters written by his contemporaries, unraveled upon the historic discovery of the Cairo Geniza.

This collection of papers in Hebrew and Semitic linguistics is the English pendant to the Hebrew volume. The nucleus of this collection is formed by researches into the history of Biblical Hebrew. They deal with details, yet the introduction, entitled "On the History and Structure of Hebrew", especially written for this publication, fits them into the general frame. It is to be hoped that this collection will convey to scholars, something more than the mere sum of the various publications, and that the indices will enable the reader to find his wish more easily. Sample pages A digital version of this book is available here

Professor Joseph Diamond's book on the ancient compositions for Yom Kippur is important and fascinating. Diamond has peaced together texts from seven different manuscripts, which were included in the Cairo Geniza project archive. Extensive and detailed interpretation were added.

These papers, in main deal with Medieval Judaeo-Arabic, the linguistic tool of Jewish culture in Arab lands, one of the apogees of Jewish culture in general. It reflects a variety of Middle Arabic, in which Classical Arabic Neo-Arabic and pseudo-correct features alternate. This ancient Neo-Arabic constitutes the missing link between Classical Arabic and the modern Arabic dialects. Some of the early Judaeo-Arabic documents are spelt in a hebraicized spelling, rather than in standard Judaeo-Arabic orthography.