Folk-culture is typically associated with continuity; how can one engage folk-culture in situations of destruction and extermination - the reality Zionist folklorists confronted facing the Shoah? With the first bits of information regarding the destruction in Europe, many of them assembled in Tel Aviv to form the Yeda Am folklore society; in tandem, the Institute for Jewish Folklore was formed in Jerusalem. The two competing organizations dealt with fragmentary lives in the Diaspora in different ways, in their quest to find new meanings from them. This book examines Zionist folkloristics at this dire hour from a perspective that views fractured reality as a fundamental principle in studying cultures in general, by combining approaches from folklore studies and science and technology studies. This book undermines the distinction between individualist scholarly knowledge and collective folklore by examining everyday scholarly habits: Archival practices, the use of letterheads, jubilee celebrations of scholars as well as practices of editing and laying out scholarly publications. The tension between national culture and ethnic cultures is revealed in new ways, as is the relationship between avant-garde and folklore studies.

Bearing Witness to the Witness examines the different methods of testimony given by trauma victims and the ways in which these can enrich or undermine the ability of the reader to witness them. Years of listening to both direct and indirect testimonies on trauma have lead Dana Amir to identify four modes of witnessing trauma: The “metaphoric mode”, the “metonymic mode,” the “excessive mode”, and the “Muselmann mode.” The author thus demonstrates the importance of testimony in understanding the nature of trauma, and therefore how to respond to trauma more generally in a clinical psychoanalytic setting. In order to follow these four modes of interaction with the traumatic memory, the various chapters of the book present a close reading of three genres of traumatic witnessing: Literary accounts by Holocaust survivors, memoirs (situated between autobiographic recollection and fiction) and ‘raw’ testimonies given by Holocaust survivors. Since every traumatic testimonial narrative contains a combination of all four modes with various shifts between them, it is of crucial importance to identify the singular combination of modes that characterize each traumatic narrative, focusing on the specific areas within which a shift occurs from one mode to another. Such a focus is extremely important, as illustrated and analysed throughout this book, to the rehabilitation of the psychic metabolic system which conditions the digestion of traumatic materials, allowing a metaphoric working through of traumatic zones that were so far only accessible to repetition and evacuation.

MA'ARAG: The Israel Annual of Psychoanalysis is a democratic forum for psychoanalytic research, practice, and criticism published through the initiative and cooperation of the Sigmund Freud Center for Study and Research in Psychoanalysis of the Hebrew University, Israeli Association for Self Psychology and the Study of Subjectivity, Israel Society for Analytical Psychology, Israel Psychoanalytic Society, Israel Institute for Group Analysis, Tel-Aviv Institute for Contemporary Psychoanalysis, and the Israel Association for Psychoanalytic Psychotherapy. This issue contains the following essays: Hila Elyakam and Devora Rosner-Wachs | THE ROLE OF THE BODY EN ROUTE TO BUILDING THE BIONIAN CONTAINER: INTEGRATING SOMATIC EXPERIENCE AND PSYCHODYNAMIC PYCHOTHERAPY Dana Amir | STUDIUM AND PUNCTUM IN PSYCHOANALYTIC WRITING Dana Amir | THE ‘NEWSPEAK’ OF THE PERPETRATOR: REFLECTIONS ON THE PHENOMENON OF SCREEN CONFESSIONS Dorit Ashur | FREUD AS “MIDWIFE TO THE SOUL”: THE RESTORATION OF MATERNAL SEMIOTIC PROFUSION IN H.D.’S ANALYSIS WITH FREUD Micha Weiss | ETHICAL PRESENCE IN THE PSYCHOANALYTIC ENCOUNTER: APOLOGY AS A POSSIBILITY Naomi Teller | TWO POEMS: TO CONTAIN DESIRE Moshe Landau | ON TRANSFORMATION FROM CHAOS AND BECOMING TO RHYTHM AND MENTALIZATION, AND THE RHYTHM IN THE TRANSFORMATION PROCESS FROM ‘O’ TO ‘K’ Rivka Matzner | PSYCHOANALYTIC CONSIDERATIONS ON THE MEETING POINT BETWEEN THE LURIANIC CONCEPT OF “LIGHTS AND VESSELS” AND BION’S CONCEPT OF “CONTAINER-CONTAINED” Ruth Netzer | ‘LISTEN TO HER’: POEMS ON THE ANALYST-PATIENT RELATIONSHIP Gila Ofer, Batya Shoshani and Michael Shoshani | WHEN ONE PLUS ONE EQUALS ONE: THE VICISSITUDES OF CHOSING BETWEEN TRUTH AND BLINDNESS IN THE OEDIPAL MYTH, AND THE FILM “INCENDIES” Gal Kachman | SILENT GRAVES AND TRANSIENT LIFE: ON SUBJECTIVITY AND MELANCHOLY IN THE WRITINGS OF ABRAHAM AND TOROK Victor Rubinov | THE CAPACITY FOR SUBJECTIVITY Merav Roth | TEARING UP THE LETTER AND THE URGE TO GET RID OF THE OBJECT Alejandra Sternschein | MY LANGUAGE, MY SPEECH, AND MY EXPRESSION: REFLECTIONS ON MULTIPLE LANGUAGES IN THE PSYCHIC SPACE OF THE ANALYTIC PROCESS Ofer Shinar Levanon | BETWEEN THE PSYCHOANALYTIC AND THE ARTISTIC ENCOUNTER: REFLECTIONS ON THE SHARED WORK OF THE COMPOSER YONI RECHTER AND THE POETS AVRAHAM HALFI, DAHLIA RAVIKOVITCH AND ELI MOHAR

This collection, already translated to many languages around the world, now appears in Hebrew for the first time. The Art and Science of Dance/Movement Therapy has proven to be a useful collection that explains the basic concepts of dance/movement therapy, written by practicing clinicians from several countries and perspectives. It develops these concepts into an understanding of practices, which are illustrated through case studies. The topics cover a range of human needs including children and oncology, problems such as eating disorders, brain trauma, psychiatric problems, dementia and more. Integral to the practice are systems of observation, understanding of cultural differences and research, which are also discussed. The breadth and depth will be of interest to those already practicing as well as to those new to the field or in related disciplines including education.

Baruch Kimmerling (1939-2007) was one of Israel's outstanding critical sociologists. In this volume, Israeli and Palestinian scholars of several disciplines and generations offer a series of studies on Israel and Palestine, past and present, in dialogue with the research agenda Kimmerling has advanced. Essays discuss Zionism and militarism, frontier and colonization, social protest and the limits of democracy, the sociology of fear and the politics of home -- and Kimmerling's own trajectory.

The self is one of the most important concepts in Western culture and in philosophical, sociological, and psychoanalytical literature. This title sheds light on the elusive nature of the concept, addressing it from an interdisciplinary perspective that examines the contribution of various social structures to the human self.

The ‘Jewish mother’ figure is a hallmark of Jewish culture, one which appears in the works of rabbis, artists, poets, and activists across time and place. While depictions of mothers and motherhood abound in Jewish writings, they vary significantly according to social context. These representations therefore offer important insights into the Jewish cultural imagination, and the ways in which writers resort to the figure of the Jewish mother to comprehend and construct their world. The contributors to this volume highlight the complex network of symbols and images associated with Jewish mothers and motherhood as well as the vast array of social, historical, and cultural patterns that characterizations of mothers reflect. Each essay treats the topic from a specific perspective, spanning from mother--daughter relationships in the Talmud to depictions of mothers in twentieth-century American Jewish children’s literature. Collectively, they present a provocative examination of the ways mothers shape and problematize Jewish identity. This volume seeks to give the figure of the mother a new and enhanced place at the heart of Judaism: not only as a central figure in family life, but also as a key agent in the transmission of Jewish religion and culture.

The heroes of this book are the rabbis of small and medium-sized communities in Eastern Europe. Who were these rabbis? What were their training processes? Did they get their job because of their scholastic or rhetorical skills, because of their family ties, or because they had the capital to buy this position? Did they win "permanence" or was the threat of dismissal constantly hovering over their heads? How were their terms of employment and wages determined, and what was their economic situation? Were they perceived as spiritual leaders? What was their relationship with the community's power centers? How did they navigate between their duties as halakhic authorities and their desire to engage in learning and teaching? The book attempts to answer these questions based on an examination of the world of over a thousand rabbis. Click here for the English edition, published by De Gruyter in collaboration with Magnes Press

This book examines a particular aspect of the hatred of women in nineteenth and twentieth century Russian literature. A man is involved in a romantic relationship with a woman. He feels he is superior to the woman and almost divine, deserving the woman's admiration or even worship. But instead of demonstrating her esteem and respect toward him, she treats him as if he were inferior to her. He feels humiliated and despised by the woman. He feels castrated by her, because she behaves like a man and assigns him the role of a woman. He wishes to restore his own self-respect and avenge himself on her for the bad feelings she gives him. He wants to murder her, and if it is not in his power to hurt her, he harms himself. He becomes an alcoholic, mentally ill or commits suicide. The book discusses the works of Fyodor Dostoyevsky, Lev Tolstoy, Anton Chekhov, Michail Zoschenko, Yuri Trifonov, Nikolai Leskov, Ivan Turgenev, Alexandr Kuprin, Michail Bulgakov, Boris Vasilyev, Vasily Grossman, Valentin Rasputin, Sergei Dovlatov, Yiri Nagibin, Yuri Polyakov, Galina Tcherbakova, Dina Rubina, Lyudmila Ulitzkaya, Lyudmila Petrushevskaya and Irina Grekova.

The author of this book argues that Israeli traumas exist in the language, poetics, and politics of Israeli literature. Presenting a comprehensive and methodical study of this phenomenon, this book raises piercing questions concerning the politics behind literature and its moral authority, focusing specifically on the responsibility of the author. Hever tracks the literary processing methods of Israeli traumas in light of the extermination of European Jews, the 1948 war, the Palestinian Nakba, and the 1973 war in the works of S. Yizhar, Leah Goldberg, Avoth Yeshurun, Nathan Alterman, Aharon Appelfeld, Dan Pagis, Erez Biton, Yitzhak Laor, Shimon Ballas, Haim Be’er, and Rivka Ben-Hayim. The book offers a rigorous discussion of the unique manners in which literature deals with representations of traumas. This research presents the traces of Israeli post-trauma represented in the literary text, and tackles the question of responsibility among fictional characters.