Sarah Schenirer is one of the unsung heroes of twentieth-century Orthodox Judaism. The Bais Yaakov schools she founded in interwar Poland had an unparalleled impact on a traditional Jewish society threatened by assimilation and modernity, educating a generation of girls to take an active part in their community. The movement grew at an astonishing pace, expanding to include high schools, teacher seminaries, summer programmes, vocational schools, and youth movements, in Poland and beyond; it continues to flourish throughout the Jewish diaspora. Naomi Seidman explores the movement through the tensions that characterized it, capturing its complexity as a revolution in the name of tradition. She presents the context which led to its founding, examining the impact of socialism, feminism, Zionism, and Polish electoral politics on the process, and recounts its history, from its foundation in interwar Kraków to its near-destruction in the Holocaust, and its role in the reconstruction of Orthodoxy in subsequent decades. A vivid portrait of Schenirer shines through. The book includes selections from her writings published in English for the first time. Her pioneering, determined character remains the subject of debate in a culture that still regards innovation, female initiative, and women’s Torah study with suspicion.

Sarah Schenirer is one of the unsung heroes of twentieth-century Orthodox Judaism. The Bais Yaakov schools she founded in interwar Poland had an unparalleled impact on a traditional Jewish society threatened by assimilation and modernity, educating a generation of girls to take an active part in their community. The movement grew at an astonishing pace, expanding to include high schools, teacher seminaries, summer programmes, vocational schools, and youth movements, in Poland and beyond; it continues to flourish throughout the Jewish diaspora. Naomi Seidman explores the movement through the tensions that characterized it, capturing its complexity as a revolution in the name of tradition. She presents the context which led to its founding, examining the impact of socialism, feminism, Zionism, and Polish electoral politics on the process, and recounts its history, from its foundation in interwar Kraków to its near-destruction in the Holocaust, and its role in the reconstruction of Orthodoxy in subsequent decades. A vivid portrait of Schenirer shines through. The book includes selections from her writings published in English for the first time. Her pioneering, determined character remains the subject of debate in a culture that still regards innovation, female initiative, and women’s Torah study with suspicion.

In both these essays, "On the Indians" and "On The Laws of War", published here for the first time in Hebrew, Francisco de Vitoria lays down the foundations of international law as it is known today. De Vitoria develops for the first time concepts which will become the core of contemporary international law and international conventions, and in particular, participation in an unjust war, the ruler's personal responsibility for the decision about going to war, and the direct and indirect responsibility of subjects taking part in the hostilities. Both essays are firmly embedded in the debates of early modern Europe about the Law of Nature and the Law of Nations, and their impact on claims of European rulers to imperium and dominium (Imperial slugs and control) on overseas territories. In his wide-ranging Introduction to this book, Prof. Amos M egged places the two essays within the context and spectrum of the scholarly debates that were conducted at the major European universities during the early modern period, and provides the readers with a unique interpretation of the most distinctive themes in the essays, namely, the issue of human rights and international law, and presents personal insights on these aspects.

Un véritable courant de vie parcourt ces pages que Perspectives consacre au cinéaste Marcel Ophuls. La vie, le vivant dominent. Il n’est pas étonnant qu’une des contributions de ce numéro s’intitule “Liberté, vitalité, spectacle” (Sophie Brunet). Dès lors, la division du volume s’est faite d’elle-même: 1-Un homme vivant; 2-Une oeuvre vivante. Au départ, le portrait d’un homme se dessine. Dans une “interview imaginaire.” On savoure son franc-parler, non que l’on adhère à toutes ses idées – en particulier en ce qui concerne Israël – mais on admire l’aisance et la liberté totale qui anime ses propos. Le comportement professionnel du cinéaste, son comportement tout court, trouvent leur place dans cette première partie. Parfois même, l’homme est saisi dans le feu de l’action. Les grands problèmes qui occupent le coeur et la pensée d’un homme de notre temps se retrouvent dans la seconde partie du volume. Là encore, au plus près de la vie . Le cinéaste interpelle les spectateurs lorsqu’il traite de la Shoah, de l’Occuption, ou de la Résistance, de la place que ces sujets tiennent dans la mémoire d’un Français ou d’un Allemand. On s’interroge avec le cinéaste : se doit-il d’être objectif? Mais “dès le début de sa carrière, remarque Pierre Beylot, un style documentaire original fondé sur la parole de témoignage et le montage des sources dont il assume de plus en plus ostensiblement le caractère subjectif” marque son oeuvre. C’est dire aussi que souvent le regard s’attarde sur le traitement esthétique des sujets abordés. Ecoutons François Niney:“Cette remise en question de nos manières de voir et de nos dilemmes, à la fois politiques et personnels, par le jeu et le poids des mots, différencie radicalement le documentaire selon Marcel, du panel d’opinions tel que l’expose en permanence l’étal médiatique”. L’important est que son public réfléchisse. Il s’agit, selon Valérie Carré, de “mettre en mouvement la réflexion du spectateur”. Qu’attendre de l’avenir? Encore une oeuvre surprenante? Vincent Lowy, à l’écoute, note: “Boulimique de projets virtuels, l’infatigable MO junior annonce déjà les quatre titres d’ […] improbables best-sellers…” [futurs romans policiers }. Il convient enfin de souligner le rôle déterminant qu’a joué Stéphane Kerber dans l’élaboration de ce numéro de Perspectives. Nos vifs remerciements vont à lui. Laissons-lui maintenant la parole.

Napoleon’s invasion of the Middle East and Palestine marks the beginning of the modern era in the region. The aim of this book is to trace the developments that led to the making of a new and separate geographical-political entity in the Middle East known as Eretz Israel, and to the establishment of the State of Israel within its boundaries. Thus, the time frame of this study spans from Napoleon’s invasion of Eretz Israel/Palestine in 1799 to 1948-1949, the years in which Israel was established. 'Eretz Israel' as the formal term for a separate geographical territory in the modern era first appeared in the early translations into Hebrew of the Balfour Declaration of November 2, 1917, while in the original document the country was referred to as 'Palestine'. During the period of Ottoman rule the territory that would in time be called Eretz Israel/Palestine was not a separate political unit. For hundreds of years it was known as Terra Sancta, the Holy Land, or Palestine, a historical name stemming from that of the Roman province of Palaestina. Among Jews, the most widespread name during the first eight decades of the nineteenth century was 'Eretz Hakodesh' (the Holy Land). Use of 'Eretz Israel' increased only after the beginning of Zionist Aliyot. Had the Zionist movement not arisen, it is doubtful whether the development to which this study is devoted would have occurred at all. The motivating force behind that process is without doubt the Jewish Zionist element. That explains why Jews are the major protagonists in this book. Based on many written sources, it focuses on the major developments and events during a 150-year period that culminated in the establishment of Israel. Click here for the English edition, published by De Gruyter in collaboration with Magnes Press

This historical study, based on numerous Sumerian cuneiform sources and on contemporary research presents, for the first time in Hebrew, a comprehensive and profound exploration of a crucial period in the history of the Ancient East (circa 1600-2000 BCE), known as the Old Babylonian Period.

Smocza is the biography of a street in Warsaw that was completely destroyed in World War II. The book reveals the story of a Jewish microcosm between two world wars. It is based on historical and literary sources that piece together a multicultural mixture of a society in transition, where orthodox Jews, Bundists, Zionists, shoemakers, tailors, poets, actors, prostitutes, and others lived side by side.

The book Praise of Fools , which was printed twice - in 1880 and 1910 - is an unusual satire/parody in Hebrew satiric literature. It is intended not only for certain circles or people in the Jewish context, but also has a universal character: it makes fun of and derides a long list of philosophers, writers, intellectuals and scholars a nd others , presenting them as useless, plagiarists and fools. All this i s done in order to supposedly praise ignorance and stupidity and to propose finding within them security and peace. The book accorded to Rubin the title "the Jewish Erasmus," however, the introduction places the book within the extensive European "fool literature".

Folk-culture is typically associated with continuity; how can one engage folk-culture in situations of destruction and extermination - the reality Zionist folklorists confronted facing the Shoah? With the first bits of information regarding the destruction in Europe, many of them assembled in Tel Aviv to form the Yeda Am folklore society; in tandem, the Institute for Jewish Folklore was formed in Jerusalem. The two competing organizations dealt with fragmentary lives in the Diaspora in different ways, in their quest to find new meanings from them. This book examines Zionist folkloristics at this dire hour from a perspective that views fractured reality as a fundamental principle in studying cultures in general, by combining approaches from folklore studies and science and technology studies. This book undermines the distinction between individualist scholarly knowledge and collective folklore by examining everyday scholarly habits: Archival practices, the use of letterheads, jubilee celebrations of scholars as well as practices of editing and laying out scholarly publications. The tension between national culture and ethnic cultures is revealed in new ways, as is the relationship between avant-garde and folklore studies.

In a brief historic moment in the nineteenth century, printing presses, publishing ventures, a periodical press, circulation networks, and a mass readership came into being all at once in the Middle East, where none had previously existed. The shift had ramifications in every sphere of the community's life. Among other outcomes, it facilitated the cultural and literary movement known as the Arab nahḍa ('awakening'). Ayalon's study offers a critical inquiry into the formative phase of that grand change in Arab societies, from 1800-1914. It explores the advent of printing and publishing, the formation of mass readership, and the creation of distribution channels, the vital and often overlooked nexus linking the former two processes. The book considers questions of cultural and religious tradition, social norms and relations, and concepts of education, thus shedding new – and often surprising – light on crucial facets of the emerging print culture in the Middle East.