Letters can often be spontaneous expressions of their writer's search for meaning, redemption and identity. Such are the letters of Bruno Schulz, one of the most sensitive, and most tormented European-Jewish writers. In this collection of letters - published here for the first time in Hebrew, translated by Miriam Bornstein and edited by Jacob Golomb - Schulz expresses his most hidden thoughts in the most poignant way. These letters were a vital lifeline for him that connected his remote city of Drohowicz to the turbulent cultural and literary centers of Poland in the interwar period. Schulz's desperate need to gain public recognition resonates with them, along with a strong sense of loneliness and existential isolation. These letters can be read as works of art in their own right, and they have the potential to shed new light on Schulz's work, its mysteries and embarrassments. The book includes some of his spectacular paintings and a selection of the review notes he wrote and published. Schultz reveals himself as a sharp, attentive and sensitive critic. Oftentimes, his critical lists not only talk about the works, but reflect his own personality.

This book examines the essentiality of the component of enjoyment to a good life. John Kekes reflects upon historical episodes and literary works, and shows how literature is a better guide than the search for general theories and principles, which constitute a central part of contemporary deontological ethics, consequentialism, and concrete thought.

It is not an easy task to find in any creative field a person who is both an original and groundbreaking artist and a profound thinker-interpreter, who is well versed in the broad scope of the entire culture. Such is Michael Gurevitch – the playwright of "Happiness", "A Fleeting Shadow", "A Word of Love" and "The Dragon's Beloved" (out of more than eighteen plays) – who presented new, local and extremely challenging concepts about the context of a theatre play within the contemporary Israeli existence. Gurevitch designs a new local theatrical language in his plays and in the way he directs. He is an unforgettable director of classics such as "The King's Clothes" by Nissim Aloni, "Life is a Dream" by Calderón de la Barca, "A Midsummer Night's Dream" by Shakespeare, "Uncle Vanya" by Chekhov or "War on the House" by Aristophanes (adaptation by Ilan Hatsor). His theatrical insights are interwoven to the most contemporary Israeli issues without so much as a sensational wink. His theater is a "passing shadow" in the full sense of the word because it is based on one-time work with certain actors, at certain moments in their lives, and in the life of the country at a certain moment, and for that reason it is profoundly unique to theater alone, because it lives only when it is actually performed, hence it is poignant and unforgettable. Gurevitch was born (1951) and raised in Tel Aviv. He lived, breathed and studied local and international theater all his life, but his main strength is in the depths of the emotional, involving his childhood, his parents and his unique personality. In Two Children in The Field: Reflections on Theatre and Life Gurevitch manages to refine, from his rich experience, a series of lucid insights on the relation between theatrical conceptions and the contexts from which they stem.

The book explores the representations and depictions of old age in the rabbinic Jewish literature of late antiquity. Through close literary readings and cultural analysis, the book reveals the gaps and tensions between idealized images of old age on the one hand, and the psychologically, physiologically, and socially complicated realities of aging on the other hand. The authors argue that while rabbinic literature presents various statements on the qualities and activities that make for good old age, on the respect and reverence that the elderly should be awarded, and on harmonious intergenerational relationship, it also includes multiple anecdotes and narratives that portray aging in much more nuanced and poignant ways. These anecdotes and narratives relate, alongside fantasies about blissful or unnoticeable aging, a host of fears associated with old age: from the loss of physical capability and beauty to the loss of memory and mental acuity, and from marginalization in the community to being experienced as a burden by one’s own children. Each chapter of the book focuses on a different aspect of aging in the rabbinic world: bodily appearance and sexuality, family relations, intellectual and cognitive prowess, honor and shame, and social roles and identity.

Yaakov Shabtai is best known for his path-breaking novel Zichron Devarim (1977; translated into English as Past Continuous ), one of the most important works of prose in Hebrew if not in world literature due to its original structure. Shabtai discovered his gift for the theater in his twenties, and moved from Kibbutz Merchavia to Tel Aviv where he made his living authoring and translating plays and writing songs for entertainment evenings. In 1972 he published a collection of short stories entitled Uncle Peretz Takes Off . His novel-memoire Sof Davar (1984; Past Perfect ) was published posthumously. This biography interweaves a detailed description of Shabtai's life, his ideological evolution, and an analysis of his difficult path to literary achievement. His plays, though considered mediocre by some, emerge as essential for the crystallization of his novels.

The essay presents the lost archive of the Jewish author Zalman Shneour (Shklov 1887 – New York 1950). It was found in May 2018 at Calle Eraso 21 in Madrid – the city through which he had passed in the summer of 1941. Four carton boxes survived in the apartment of his late daughter, Renee Rebecca Shneour, who fled to New York together with her father but returned to live in Madrid in her adulthood. The essay offers a reading of Shneour's correspondences with three women - his mother in Shklov, his friend and lover in Berlin, and his daughter.

Written in Arabic in the first half of the ninth century, Twenty Chapters is the first medieval Jewish philosophical work, and had a major influence on the development of Jewish theological and philosophical thought. Dawūd al-Muqammaṣ, a Jewish convert to Christianity, who wrote this theological Summa after his return to Judaism, also authored the first Judeo-Arabic Bible commentaries, and some of the earliest Judeo-Arabic polemical works. The annotated Hebrew translation of this pioneering work, published here for the first time, presents al-Muqammaṣ in his intellectual and historical context and throws light on his Jewish, Muslim and Christian background.

Marx’s 1857 introduction to his Critique of Political Economy , which was not published in his lifetime, remains his only mature attempt to formulate the philosophical presuppositions of his economic research. Marx’s preface to the same work, published in 1859, contains a complementary philosophical discussion on the relations between economy and society. Their joint translation presents Hebrew readers with an accessible overview of the philosophical principles at the basis of Marx’s research.

Identity and Its Discontents is an intellectual, gothic journey, which explores and interprets for the readers the personal story and thought of fourteen "marginal Jews", Jewish intellectuals from a variety of disciplines who lived in Europe from the end of the nineteenth century to the middle of the twentieth century. Jacob Golomb does a good job of describing the twisted Jewish-European identity of these spiritual giants in the face of the fractured European humanist ideal. The book is structured as a fabric created from the intersecting stories of key thinkers who left a singular intellectual mark on the twentieth century and the shaping of Jewish consciousness in it - from Kafka to Freud, from Bruno Schulz to Gensin, from Ahad Ha'am to Berdichevsky, from Herzl and Nordau to Martin Buber and Zeev Jabotinsky, and from Stefan Zweig to Primo Levi. The original key that Golomb offers to understanding the mechanisms of the identity construction of the "fringe Jews" is the attitude of these thinkers to the thought of Friedrich Nietzsche, and the ways in which this illuminates the question of identity politics and the internal struggle in modern Judaism between nationalism and universal humanism. Identity in Discomfort is the fruit of the author's many years of important research work on Kierkegaard and Nietzsche and their acception in Hebrew literature and thought. Prof. Hagi Kenaan

The 70th issue of the journal marks the renewal of Iyyun , which was founded by Martin Buber, Shmuel Hugo Bergman, Julius Gutman and Sinai Ucko about seventy-seven years ago. In the current issue, the question of the relationship between the future and the present is central, and is discussed from different angles. At the methodological level, the purpose of the discussion is to bring the future together with possibilities of speech and thought that will connect it to the present and rescue it from the base of indifference and the obvious. In particular, the question will arise here, in different forms: how is it correct to conceptualize a distant future that is beyond our influence, without turning it into a doomsday scenario disconnected from the present? In this context, the question also arises about the place of hope, and how to understand its meaning and value. A subscription for 2024 can be purchesed through this link or use the online form .

A selection of annotated Hebrew translations of Dogen Zenji's essays, mostly from the Shobogenzo, followed by a thorough analysis of his life and thought.

A man wanted a new house, with more and more rooms, for all his belongings. But then he discovered that he needed nothing but a single room and lots of good and friendly neighbors. By the beloved author Haya Shenhav and the award-winning illustrator Yirmi Pinkus.