The Carved Wooden Torah Arks found in eastern Europe from the seventeenth to nineteenth centuries were magnificent structures, unparalleled in their beauty and mystical significance. The work of Jewish artisans, they dominated the synagogues of numerous towns both large and small throughout the former Polish-Lithuanian Commonwealth, inspiring worshipers with their monumental scale and intricate motifs. Virtually none of these superb pieces survived the devastation of the two world wars. Bracha Yaniv’s pioneering work therefore breathes new life into a lost genre, making it accessible to scholars and students of Jewish art, Jewish heritage, and religious art more generally. Making use of hundreds of pre-war photographs housed in local archives, she develops a vivid portrait of the history and artistic development of these arks, the scope and depth of her meticulous research successfully compensating for the absence of physical remains. In this way she has succeeded in producing a richly illustrated and comprehensive overview of a classic Jewish religious art form. Professor Yaniv’s analysis of the historical context in which these arks emerged includes a broad survey of the traditions that characterized the local workshops of Lithuania, Belarus, and Ukraine. She also provides a detailed analysis of the motifs carved into the Torah arks and explains their mystical significance, among them representations of Temple imagery and messianic themes—and even daring visual metaphors for God. Fourteen arks are discussed in particular detail, with full supporting documentation; appendices relating to the inscriptions on the arks and to the artisans’ names will further facilitate future research. This seminal work throws new light on long-forgotten traditions of Jewish craftsmanship and religious understanding.

Dr. Mozes presents a reflection of his own personal 25-year journey through the fields of clinical practice, clinical epidemiology, and history and philosophy of medicine. His journey passes through 20 stations. Most of the chapters deal with problems that are at the focus of contemporary public debate, such as cholesterol and heart disease, screening for early detection of breast cancer, hormone replacement therapy to treat menopause symptoms, hypertension, diabetes, asthma, vaccination, obesity and bariatric surgery, depression and dementia. At the same time Mozes tries to open a skylight on the personal experiences, motives and desires that drove him to delve into the various topics, and select his particular point of view. "Benjamin Mozes easily refutes many prejudices, touching upon the connections between fears, motivations, beliefs and anxieties, while being attentive to the state of the contemporary man - lending a wise and compassionate ear to patients." (from a review by Ariel Hirschfeld).

The book includes articles, documentation and a catalog of the Ethnographic Department of the Museum of the Contemporary. It is the fruit of a long-term project carried out at the Mamuta Art and Research Center and curated by the Sala-Manca Group. It contains articles by Yoram Bilu, Rachel Elior, Freddie Rokem and Diego Rotman on the Dybbuk; by Galit Hasan-Rokem and Daphna Ben-Shaul on Sukkot, and on the Eternal Sukkah project; by Shalom Sabar on electric Shabbat candles, and by Lea Mauas and Diego Rotman on different art projects. The book also includes documentation of artworks and a project by Itamar Mendes-Flohr, Yeshaiahu Rabinowtz, Ktura Manor, Hannan Abu Huseein, Reuven Zehavi, Sala-Manca, Samuel Rotman, Shira Borer, Nir Yahalom, Chen Cohen, Pessi Komar, Adi Kaplan, and Shahar Carmel, among others.

Entremses are short, comic theatrical performances which usually appeared between acts in a longer comedy in 16th and 17th century Spain. Miguel de Cervantes was a gifted and creative Entremses playwright, who placed social moral conflicts in the centre of his works.

Dr. Amitai Mendelsohn investigates the various appearances of the figure of Jesus in Israeli art as a significant, multifaceted and ever-present phenomenon. Through works by prominent artists from different generations, it discusses in depth the evolving attitudes of Jewish, Zionist pre-state, and Israeli art towards Jesus, from the second half of the nineteenth century until today: from artists laboring "In the shadow of the Cross" to artists who saw Jesus as a symbol of the rebirth of the Jewish people in the land of Israel, and artists whose engagement with Jesus is detached from the complex and fraught relations between Christianity and Judaism, and who see him as symbolizing the suffering artist. The book examines the different directions taken by Israeli artists in portraying the figure of Jesus, and proves the extent of this phenomena and its ever present importance.

A groundbreaking work, this book brings together philosophy of science and language, conceptual dynamics and the Babylonian Talmud. The work asks: what philosophy of natural language lies at the basis of the Halakhic dynamic in the Amoraic discourse of the Talmud? Calling upon two post-Wittgenstein philosophies, the book undertakes a search for a philosophical account of the discursive culture that appears in the Talmud. It unearths the normative infrastructure that lies at its core. Thus, this study articulates what can be termed the Talmudic philosophy of language. On the other hand, it reveals the limits and weaknesses of central philosophical frameworks in coping with a profound traditional discourse like the Talmud, in which the past has a deep and integral role in the present, while at the same time, the present has its own natural and creative dynamic.

Free choice has been one of the main philosophical issues throughout the ages. The Essence of Choice in Medieval Jewish Philosophy offers a comprehensive analysis of the views of medieval Jewish philosophers on this topic. It presents various perspectives on the problem of free choice in philosophy in general and in Jewish philosophy in particular: Does free choice really exist, or is it an illusion? What is the attitude of the medieval philosophers toward what the Bible and the Sages have to say about free choice? Does Judaism have a substantive position on philosophical questions? What power can free a person from causal determinism? The book discusses at length the opinions of twenty-one philosophers, from Al- Muqammis in the ninth century to Rabbi Joseph Albo in the fifteenth. This engagement with many philosophers demonstrates the richness of Jewish philosophy and the multiplicity of opinions in it, as well as how historical changes, such as the transition from Arabic to Hebrew, affect philosophical thought. On the basis of his historical analysis, the author argues that there is no fundamental Jewish position on the question of free choice and that one can find support in the religious texts for every philosophical view.

Dr. Amitai Mendelsohn investigates the various appearances of the figure of Jesus in Israeli art as a significant, multifaceted and ever-present phenomenon. Through works by prominent artists from different generations, it discusses in depth the evolving attitudes of Jewish, Zionist pre-state, and Israeli art towards Jesus, from the second half of the nineteenth century until today: from artists laboring "In the shadow of the Cross" to artists who saw Jesus as a symbol of the rebirth of the Jewish people in the land of Israel, and artists whose engagement with Jesus is detached from the complex and fraught relations between Christianity and Judaism, and who see him as symbolizing the suffering artist. The book examines the different directions taken by Israeli artists in portraying the figure of Jesus, and proves the extent of this phenomena and its ever present importance.

Strasbourg, Paris, Jerusalem - The Renewal of French Jewish Thought Le renouveau dont il est question dans ce 23e numéro de Perspectives porte sur la pensée juive française au lendemain de la Seconde Guerre mondiale et au cours des années qui suivirent. Trois villes : Strasbourg, Paris, Jérusalem furent les foyers actifs de ce renouveau et s’illustrèrent avec des penseurs comme Jacob Gordin, Levinas, André Neher ou Manitou-Léon Askénazi. Hommage leur est rendu dans la première partie de ce volume tandis que la seconde présente quelques-uns de leurs héritiers.

The Pensées is simply the compelling "Thoughts" of mathematician, physicist, and religious thinker Blaise Pascal. Originally intending to publish a book defending Christianity, Pascal died before he could complete it. The thoughts and ideas for his book were collected and compiled, posthumously, and then published as the Pensées. Pascal's thoughts are as powerful as they are comprehensive. He discusses with great wonder and beauty the human condition, the incarnation, God, the meaning of life, revelation, and the paradoxes of Christianity. He passionately argues for the Christian faith, using both argumentation and his famous "Wager." His ideas and arguments are sometimes developed and intricate, at other times, abrupt and mysterious.