This book collects rewritten articles and essays by the author related first and foremost, but not exclusively, to the catastrophe of the Holocaust as an epistemic crisis – qualified as a “rupture in civilization”, i.e. the destruction of concepts deeply rooted in a common anthropology of humankind, while focusing on methodological as well as conceptual questions. The composition of the volume runs roughly chronologically along several layers of interpretation – embracing questions of German constitutional law, the formation of Continental expansionist geopolitical thinking, the epistemology of the Holocaust, the assertion and transformation of paradigms of historical interpretation in the second half of the 20th century, especially the turn from social history to memory studies, as well as the turn from a Western- and Eurocentric approaches into the direction of colonial and global history.

This collection of articles deals with the connection between the concept of death and the philosophy of the Halakha. Many would argue that recoil from death and flight from it underlie in every culture, including the Halakha. To understand a culture one must examine its attitude toward death. The articles in this volume and its special symposium on the denial of death follow this assumption by studying what the Halakha has to say on this subject. Three themes that link death and Halakha lie at the heart of the book: the issue of fear of death and the tools for coping with it; the connection between human experience and Halakhic conceptualizations and tools pertaining to the issue of death; and the influence of meta-Halakhic views on Halakhic rulings and thought on the issue of death. This diverse collection presents the voices of the leading scholars and intellectuals in the field; it touches on existential issues whose sources lie in deep Halakhic and philosophic study, from the Sages and Maimonides to the Holocaust and the technological age. The book, whose foundation is the philosophical discourse of the Halakha, constitutes a cornerstone for broad study that encourages additional scholarship. It presents the Halakhic world’s deep insights on the end of life, coping with these moments, and the Halakhic implications of the concept of death, including all its derivatives in the Halakha and the Aggada.

Jewish Studies is published annually by the World Union of Jewish Studies (WUJS) and provides an outlet for the publication of articles, studies, documents and various other contents in Jewish studies. The journal publishes articles in Hebrew and in English, which undergo a review process. It focuses on studies of a methodological-programmatic nature and reviews various areas of Jewish studies. The journal was first published in 1971 under the title 'Newsletter of the World Union of Jewish Studies'. Since 1996 it is published in its current form as Jewish Studies - Journal of the World Union of Jewish Studies. In addition to articles, the journal features a section for recent WUJS news and publications, as well as reviews of new books published in the various fields of Jewish studies. Among the articles in this issue: Yuval Fraenkel | Between Man and Place: The Holy Man and the Temple in Stories about Ḥoni Ha'meagel, and R. Ḥanina Ben Dosa Yosef Marcus | The Status of Persons with Physical Defects in Tannaitic Literature: A New Analysis Michael Avioz | "It is Known that the Stag Eats Snakes": Examining the Scientific Knowledge Drawn Upon by Medieval Jewish Interpretations of Psalms 42 Abraham David | Flavius Josephus's Writings in Sixteenth Century Jewish Historiography: The Case of Shalshelet h-Kabbalh of Gedalyah Ibn Yaḥya Chen Avizohar-Hagay and Yuval Harari | 'For a Woman in Hard Labor': A Compilation of Magic Recipes to Deal with Labor Difficulties

Among the articles in this issue: Yair Lorberbau | On Rules and Reason on Law and Halakhah - A Fresh Conceptual Framework for the Study of the Rationale of the Commandments Shalom Zadik | The Status of the Tormented Heretic according to Rabbi Hsdai Crescas and his Relation to Abner of Burgos Hillel Ben-Sasson | The concept of Repentance in the Zohar Itzhak Brand | Commandments between Man and God and between Man and his Fellow: A Study in the Dualistic Thought of R. Isaac Abarbanel Eliezer Baumgarten and Uri Sfrai | Kabbalah and Marriage Customs in Early Modern Italy Dvir Warshavski | Zot Torat Ha-'Ola : The Belief in the Creation of the World in Rema's Thought

Articles in this issue: Menahem Kahana| 'וכולה מתניתין': Who were the Abbreviators of Mishnayot in the Tannaitic Midrashim? Robert Brody | How many editions of his book Oaths (Kitab al-Ayman) did R. Hayya Publish? Warren Zev Harvey | Did Ibn Gabirol Write Adon 'Olam? Adiel Breuer | Hidushim on Tractate 'Eruvin Attributed to Hame'iri Moshe Yagur | Shaving Hair and Pairing Nails: The Origins and Transmutations of a Unique Rite of Passage in Medieval Judaism

The Intention of the Torah and the Intention of Its Readers surveys how traditional Jewish exegesis throughout the ages has coped with the literary and topical difficulties found in the Torah, in the context of the belief in the Torah’s divine source and sanctity. “All problems stem from expectations.” Readers and exegetes of the Torah throughout the ages supposed, and many continue to suppose, that the Torah is perfect and flawless. They expect the Torah to reflect superior and timeless standards of morality, as well as precise and eternal theological principles. They believe that everything written in the Torah is true, essential, and well thought out. The history of Torah scholarship from the end of the Second Temple period until our day can be conceived of as an uninterrupted continuum of challenges which this unique and, frankly, impossible level of expectations has imposed upon its readers and exegetes. These are glorious attempts to bring the Torah nearer to the time and place of its devotees and to adapt its meaning to theirs. This book is the first attempt of its kind to examine the history of the enterprise of Torah exegesis from a distance. It contains an examination of dozens of key texts from the end of the Second Temple period, from Talmudic and Midrashic sources, dicta of medieval Sages, and the reflections and research penned by scholars of the Enlightenment (Haskalah) and the modern era. A bird’s eye view blurs the details which differentiate between these texts, enabling us to more easily focus upon the similarities; this point of view also allows us to note the central crossroads of change and development which characterize each period. This is an indispensable book for anyone interested in the changing nature of biblical exegesis over the generations.

Philo was the first Jewish philosopher who left behind one of the richest bodies of work from antiquity, yet his personality and intellectual development have remained a riddle. Maren Niehoff presents the first biography of Philo, arguing that his trip to Rome in 38 CE was a turning point in his life. He was exposed then not only to new political circumstances but also to a new cultural and philosophical environment. The Intellectual Biography traces Philo's trajectory from his early days as a Bible interpreter in the Jewish community of Alexandria to his diplomatic and intellectual activity in Rome, when he engaged Roman philosophy. Anticipating Sa'ada Gaon and Maimonides by almost a thousand years, Philo creatively presents Jewish philosophy in the context of contemporary culture and thought.

Charles Perrault’s “Puss in Boots” was published in Paris at the end of the seventeenth century in his collection Stories or Tales from Times Past or, Tales of Mother Goose . Yigal Schwartz reveals how Perrault dresses the story in a new and colorful literary garment woven from the fairy tale and the contemporary story of the court of Louis XIV. Perrault’s story and the fairy tale both conceal and reveal things about each other and cruelly illuminate the nature of crowds and the royal court. Among the folds of this literary garment, a social, cultural, and political crossroads can be found. And what do the cat’s boots conceal? This question has excited Yigal Schwartz since childhood and is what sent him on a unique, sometimes perplexing, and multifaceted quest for “Puss in Boots.” In this in-depth literary study, Schwartz analyzes the well-known tale and determinedly examines each of its details, comparing style and content. Why does the cat wear boots? Why a miller’s son? Why the Marquis of de Carabas? And why the ogre’s castle? Schwartz draws his answers from a wide range of perspectives—those of psychoanalysis, phenomenology, sociology, and literary studies—all of which meet at the roots of the anxiety he identifies at the foundation of the tale: the anxiety involved in concealment, which is at the same time anxiety about the mask but also about what may not be concealed behind it at all.

Pesikta de-Rav Kahana (below: Pesikta ) is arguably the most structurally complex midrashic composition in the landscape of the classic midrashim . The Pesikta was probably composed in fifth century Palestine and consists of sermons on special Sabbath and festival Torah and Haftarah readings. The work was designed to influence the atmosphere of the synagogue during events of calendrical significance and is therefore of great importance for reconstructing the spiritual and cultural encounter that took place between the sages and their synagogue audience. The Pesikta , whose very discovery and reconstruction were beset by multiple obstacles, remains in some ways an unsolved mystery and many questions concerning the context in which it was created continue to occupy scholars to this day. Up until now, the scholarly world has produced only partial and incomplete studies of the Pesikta and its formation. This book, “My Children, Read this Passage Every Year”: Composition and Meaning in Pesikta De-Rav Kahana , is a comprehensive attempt to fill this gap and afford a glimpse into the workshop of the Pesikta's editor.

Articles in this issue: David Henshke | Ma'amadot: A First Stage in the History of Rabbinic Prayer? Hannan Mazeh | Amanos or Ammana: An Emerging Interpretative Tradition and Maimonides' Emendation of the Mishnah Elyashiv Cherlow | The History of the Text of Talmud Yerushalmi: Studies of the Genizah Fragments Yehuda Zvi Stampfer | Sa'adia Gaon's Interpretation of the thirteen Hermeneutical Principles according to the Arabic Source: Commentary, Tendencies, and Unknown Sources

Midrash Aggadat Bereshit is a Midrash for the Book of Genesis, which has a unique structure. It includes 28 units, each composed of three chapters: a Torah chapter - on a verse from Genesis; a Prophets chapter - on a verse from Prophets; and a Ketuvim chapter - on a verse from Psalms. This division reflects the Torah reading at Shacharit on Shabbat, the Haftara that follows, and the reading of Ketuvim during the Shabbat Mincha.

This book examines the nature, methods, and contribution of Jewish feminist art to the various spheres of art, society, and religion and proposes a theoretical framework for its understanding. The Jewish religious feminist art movement has developed since the late 1990s in the two major Jewish centers—the United States and Israel. This is the first book to treat this phenomenon in a broad and systematic manner and discuss its critique of Jewish tradition, Halakha (religious law), and Jewish religious institutions. The works are analyzed in light of Jewish feminist thought and in comparison with religious Jewish feminist activist practices. The main tool for examining the social effect of the art works is analysis of their reception and of the public discussion that followed. Devoted Resistance focuses on the works of a number of prominent women artists who critique the Jewish religious text, establishment, and rituals. The religious text is the subject of the work of Helène Aylon (US, b. 1931), who marked problematic biblical passages with a pink highlighter, and Nechama Golan (Israel, b. 1947), whose work is critical of the Talmudic debate over women as property in the contraction of marriage (kiddushin). Nurit Jacobs Yinon (Israel, b. 1972) and Hila Karabelnikov Paz (Israel, b. 1984) confront the religious establishment and in particular the exclusion of women from the religious court that oversees the ritual immersion of women converts. The work of Andi Arnovitz (born in the US, 1959, immigrated to Israel, 1999) points up the pornographic dimensions of the extreme modesty laws as interpreted by contemporary halakhic decisors. Hagit Molgan (Israel, b. 1972) demonstrates the male structuring of religious laws regarding menstruation, and Mierle Laderman Ukeles (US, b. 1939) breaches the religious taboo by presenting ritual immersion following menstruation as a dignified ritual to be embraced. The combined study of Jewish feminist art created in the United States and in Israel and the comparison of these artists with other feminist artists, both Jewish and non-Jewish, illuminates local contexts, similarities and differences in the development of Jewish feminist art in Israel and in the US, and the influences of globalization, diasporism, and immigration on the art.