Something crucial and quite unprecedented happened to kabbalah in the sixteenth and seventeenth centuries. Though it had previously been considered a highly secretive and esoteric tradition, its practitioners began to spread its doctrines throughout the Jewish world with missionary zeal. Their goal was ambitious: no less than the remodelling of the religious and ethical attitudes of the entire Jewish population, a reformation of Judaism. Few aspects of Jewish life and religious practice were not changed as a result of the spread of kabbalah. These innovations originated mainly in the city of Safed in Galilee. They were introduced by kabbalistic adepts, but would not have gained broad acceptance if they had not made sense to people in terms of their everyday lives. The kabbalistic corpus that emerged should thus be interpreted not just as the elaboration of a secretive literary tradition, but as a response to the needs of Jewish society in its manifest historical context. In addition, Roni Weinstein argues, these kabbalistic innovations were partly a response to changes in the Catholic world-view, revealing an intimate link with Counter-Reformation Catholicism that is explored here for the first time. The religious and political changes taking place in contemporary Ottoman settings also contributed to these changes. The effect of these developments on Jewish culture was nothing short of revolutionary, deeply affecting people’s lives at the time and also laying the foundations for change in future generations. Yet they were not presented as revolutionary: the early modern kabbalists understood that they would only succeed in spreading their message if they presented their doctrines as the natural continuation of what went before. Weinstein’s sociological reading of mystical texts encompasses a number of methodological innovations, including the need to consider the impact of the non-Jewish environment in the fashioning of Jewish texts. He sees the emergence of ‘Jewish modernity’ as the result of developments that were intrinsically Jewish rather than as a response to outside influences during the Enlightenment; controversially, he therefore places its origins in the Mediterranean world of the late sixteenth century rather than in eighteenth-century Berlin. His argument is based on a wide range of Jewish sources—including theological tracts, kabbalistic and ethical literature, hagiographies, mystical diaries, halakhic rulings and responsa, and community and confraternal regulations—as well as the testimonies non-Jewish travellers, and Catholic religious literature. This stimulating new reading of the development of kabbalistic texts and practices opens a new chapter in the understanding of Jewish modernity. The Hebrew edition of this book was awarded the Goren-Gottstein Prize for the Best Book in Jewish Thought 2010–2012.

Rashi w as the first Biblical Commentator in Northern France/Ashkenaz to compose a comprehensive commentary to the Book of Proverbs , and this commentary has survived in 55 manuscripts scattered in libraries throughout the world. For the first time we present a critical edition of this commentary to Proverbs. This critical edition is based on MS New York JTS Lutzki 778 . Variant readings from six other accurate manuscripts, the two earliest printed editions, and three later printed editions appear in the apparatus of variants . The edition also contains a “super-commentary” in which difficult words & sections in need of clarification are explained. The editor searched for Rashi’s sources - both those explicitly stated and those not . Preceding the critical edition is an introduction which analyzes important topics such as: interpolations to the commentary , Rashi’s exegetical approach, language & syntax and the Jewish-Christian debate.

A qedushta is a series of piyyutim for the ‘Amida prayer, which is expanded in honor of the recitation of the Qedusha, and includes many complex components. Its origins are in the Land of Israel, in the fourth or fifth century. We first see it as a constructed composition with set, complex, rules in the work of the poet Yannai, who lived in the mid-sixth century, the teacher of Rabbi El‛azar berabbi Qillir (who is known popularly as “the Qallir”). The qedushta, as it appears in the hundreds of compositions by Yannai and his followers, conceals many secrets: mysterious strings of biblical verses accompany its first components; a fixed biblical verse concludes the third component, followed by the strange words “El Na”; then comes a fourth component, whose structure is free, and always concludes, for some reason, with the word “Qadosh”; the fifth component in Yannai’s compositions is the ‘asiriya, a poem constructed of a truncated alphabetical acrostic from only aleph to yud, followed by a prayer beginning “El Na Le‘olam Tu‘aratz” – and it is unclear why this prayer appears here; then there is a group of poems called rahitim, which are written, for some reason, in unique, stereotypical structures. These are only a fraction of the various strange features of the qedushta’ot of Yannai and the other poets. The discussions in the book are dedicated to suggesting solutions to all these questions, and to others, and involve uncovering fragments of qedushta’ot that preceded Yannai; by examining these texts, they excavate the literary remains to construct a model of the gradual development of the qedushta over time, from its origins until it reached its complex structure in the days of Yannai and Rabbi El‛azar berabbi Qillir. The book is intended first and foremost for scholars, but it will also enable people interested in piyyut and its history from outside the world of academia to gain exposure to a great corpus of early piyyutim, among which are several stunningly beautiful gems, which are being published here for the first time.

The purpose of this volume, like its predecessor, is to uncover fragments of important Hebrew works hidden in the “European Genizah”. Thousands of pages of Hebrew manuscripts have been discovered in this “Genizah”, which is scattered in hundreds of libraries and archives throughout Europe and even beyond. In the late medieval and early modern eras, these pages were used to bind books and as folders of archival documents. The nine works published herein are from a variety of genres: Biblical exegesis, Talmud commentary, halakhic literature, and liturgical interpretation. They appear in this volume in chronological order, from earliest to latest. The most significant of the works is also the work whose discovery required more effort than all of the others; it appears in the first chapter of the book. This work was written in ninth or tenth-century Palestine. It reveals valuable information on the history of halakhah in Palestine of that era, and also teaches a great deal about how Palestinian Traditions made their way to the European continent.

Journeys of the Soul: Concepts and Imageries of Paradise in Medieval Kabbalah covers the most decisive period in the history of Jewish speculation about the Garden of Eden. At the heart of the book is a thorough analysis of the compositions written by medieval kabbalists and other esotericists dedicated to that ultimate locus of retribution. Alongside their concrete and abstract portraits of the Garden, these works discuss its relationship to the Godhead and the role it plays in personal eschatology, anthropology, and psychology. The book examines trends within the interpretive history of the biblical Paradise in medieval Jewish thought more generally, and in medieval kabbalistic literature in particular. The notion of gradations or distinct sites within the Garden of Eden is explored in light of its possible influences, and the appearance of the Garden of Eden within kabbalistic psychology is considered in light of thirteenth-century theosophical doctrines. A lengthy treatment is devoted to those works which delineate the architectonic structure of the supernal Garden and depict the visual appearance of the earthly temples (hekhalot) of the lower Garden, while mapping them onto the structurally complex interrelationships within the Godhead. Within this context, the book treats a number of textual conundrums concerning the very development of the kabbalistic canon, including the appearance of the Zohar. Throughout the book, the author also investigates scientific paradigms, legendary traditions, and theological polemics in the religious literature of the period concerning the appearance and structure of the Garden of Eden. Similar exegeses, shared traditions, and a common conceptual foundation of the eschatological Paradise are identified in the kabbalistic literature, alongside echos of the Jewish apocrypha, Rabbinic literature, and Hekhalot texts. Dr. Avishai Bar Asher has been awarded the Matanel Prize for the best book in Jewish Thought published during the years 2018-2019.

The philosophy of Levinas has developed over nearly sixty years. Its evolution can be subdivided into three main stages: Following the pre-war writings, the period 1945-1961 lead to the book Totalité et Infini, in which the ethical thought of Levinas takes a first accomplished form. During the last stage, whose central opus is Autrement qu’être (Otherwise than Being), his thought both radicalized and opened up to multiple horizons. Indeed, Levinas is not merely an academic philosopher ignorant of other movements of thought that mark his century. This book aims to show how the stages of Levinas’s strictly philosophical thought is expressed with regard to politics, Judaism, and Christianity.

The question of the manner in which the Tannaitic and Amoraic literature was passed on, orally or in writing, is of great importance in determining the basic cultural and historical facts in the world of the Sages, in understanding the development of the Oral Law and in the formation of its literature. In Jacob Sussman's revolutionary study, this complex subject was re-examined based on a thorough and profound study of various Talmudic sources, while comparing them with external, time-based evidence, published for the first time in Talmud Studies in 2004. It is published again in this book, along with detailed indices for source texts and various topics discussed therein.

Every work on Jewish thought and law since the twelfth century bears the imprint of Maimonides. A. N. Whitehead’s famous dictum that the entire European philosophical tradition ‘consists of a series of footnotes to Plato’ could equally characterize Maimonides’ place in the Jewish tradition. The critical studies in this volume explore how Orthodox rabbis of different orientations—Shlomo Aviner, Naftali Zvi Yehudah Berlin (Netziv), Kalonymus Kalman Shapira, Joseph Kafih, Abraham Isaac Kook, Aaron Kotler, Joseph Soloveitchik, and Elhanan Wasserman—have read and provided footnotes to Maimonides in the long twentieth century. How well did they really understand Maimonides? And where do their arguments fit in the mainstream debates about him and his works? Each of the seven core chapters examines a particular approach. Some rabbis have tried to liberate themselves from the influence of his ideas. Others have sought to build on those ideas or expand them in ways which Maimonides himself did not pursue, and which he may well not have agreed with. Still others advance patently non-Maimonidean positions, while attributing them to none other than Maimonides. Above all, the essays published here demonstrate that his legacy remains vibrantly alive today.

This extraordinary commentary by an anonymous late twelfth-century northern French exegete interprets the Song of Songs solely according to its plain meaning as a story of two young lovers and their developing relationship. The exegete pays attention to every detail of the text, offering many enlightening insights into its meaning, all the while expanding upon the 'way of lovers' – the ways that young people in love go about their lovemaking. The French background of the exegete is made clear by many references to knights, coats of arms, weapons, chivalry, and of course, wine drinking, as well as numerous glosses in Old French. The edition is accompanied by an extensive introduction which analyzes the various exegetical, literary, and linguistic features of the text.

This issue contains the following essays : Guy D. Stiebel | ʻBurns Like Fireʼ - Mustard and Viniculture in Roman Palestine Jonathan Vardi | Song-Cycles in the Dīwān of Samuel Ha-Nagid Hillel Ben-Sasson | Transgressions and Punishments. The Special Contribution of Rabenu Yonah Gerondi’s Shaʿarei Teshuvah Kedem Golden | Addenda to the Poetry of Yosef Ben Tanḥum Hayerushalmi Avishai Bar-Asher | ‘Berikh Shemehʼ: The History of an Anonymous Aramaic prayer that Found its Way into Sefer ha-Zohar and the Prayer Book