Martin Luther, the initiator of the Protestant Reformation, presents the principles of his theological and political theory in the four treatises before us. In the first essay from 1917, also known as Ninety-Five Theses , Luther condemns the Catholic custom of selling plenary indulgences, already expressing insinuated criticism against the Catholic Church and Pope for their pretentions attempts to mediate between the believer and God. In the three essays he wrote in 1520, Luther undermines the foundations of the Catholic Church and its medieval development. This approach had a tremendous influence on all countries that later became Protestant.

An emphasis on education has long been a salient feature of the Jewish experience. The pervasive presence of schools and teachers, books and libraries, and youth movements, even in an environment as tumultuous as that of nineteenth- and twentieth-century eastern Europe, is clear from the historical records. Historians of the early modern and modern era frequently point to the centrality of educational institutions and pursuits within Jewish society, yet the vast majority treat them as merely a reflection of the surrounding culture. Only a small number note how schools and teachers could contribute in dynamic ways to the shaping of local communities and cultures. This volume addresses this gap in the portrayal of the Jewish past by presenting education as an active and potent force for change. It moves beyond a narrow definition of Jewish education by treating formal and informal training in academic or practical subjects with equal attention. In so doing, it sheds light not only on schools and students, but also on informal educators, youth groups, textbooks, and numerous other devices through which the mutual relationship between education and Jewish society is played out. It also places male and female education on a par with each other, and considers with equal attention students of all ages, religious backgrounds, and social classes. The essays in this volume span two centuries of Jewish history, from the Austrian and Russian empires to the Second Republic of Poland and the Polish People’s Republic. The approach is interdisciplinary, with contributors treating their subject from fields as varied as east European cultural history, gender studies, and language politics. Collectively, they highlight the centrality of education in the vision of numerous Jewish individuals, groups, and institutions across eastern Europe, and the degree to which this vision interacted with forces within and external to Jewish society. In this way they highlight the interrelationship between Jewish educational endeavours , the Jewish community, and external economic, political, and social forces.

This is a major, unprecedented study of the Soviet partisan movements' intelligence activity in 1941-1945, and its impact on the outcome of the war between the Soviet Union and Nazi Germany. It contributes significantly to the understanding of the Soviet intelligence culture and practice during WWII, as well as to the study of the Holocaust, which is provided with clear well-documented evidence of the Soviet leadership's knowledge about the extermination of the local Jews by the Nazis and their supporters.

Un véritable courant de vie parcourt ces pages que Perspectives consacre au cinéaste Marcel Ophuls. La vie, le vivant dominent. Il n’est pas étonnant qu’une des contributions de ce numéro s’intitule “Liberté, vitalité, spectacle” (Sophie Brunet). Dès lors, la division du volume s’est faite d’elle-même: 1-Un homme vivant; 2-Une oeuvre vivante. Au départ, le portrait d’un homme se dessine. Dans une “interview imaginaire.” On savoure son franc-parler, non que l’on adhère à toutes ses idées – en particulier en ce qui concerne Israël – mais on admire l’aisance et la liberté totale qui anime ses propos. Le comportement professionnel du cinéaste, son comportement tout court, trouvent leur place dans cette première partie. Parfois même, l’homme est saisi dans le feu de l’action. Les grands problèmes qui occupent le coeur et la pensée d’un homme de notre temps se retrouvent dans la seconde partie du volume. Là encore, au plus près de la vie . Le cinéaste interpelle les spectateurs lorsqu’il traite de la Shoah, de l’Occuption, ou de la Résistance, de la place que ces sujets tiennent dans la mémoire d’un Français ou d’un Allemand. On s’interroge avec le cinéaste : se doit-il d’être objectif? Mais “dès le début de sa carrière, remarque Pierre Beylot, un style documentaire original fondé sur la parole de témoignage et le montage des sources dont il assume de plus en plus ostensiblement le caractère subjectif” marque son oeuvre. C’est dire aussi que souvent le regard s’attarde sur le traitement esthétique des sujets abordés. Ecoutons François Niney:“Cette remise en question de nos manières de voir et de nos dilemmes, à la fois politiques et personnels, par le jeu et le poids des mots, différencie radicalement le documentaire selon Marcel, du panel d’opinions tel que l’expose en permanence l’étal médiatique”. L’important est que son public réfléchisse. Il s’agit, selon Valérie Carré, de “mettre en mouvement la réflexion du spectateur”. Qu’attendre de l’avenir? Encore une oeuvre surprenante? Vincent Lowy, à l’écoute, note: “Boulimique de projets virtuels, l’infatigable MO junior annonce déjà les quatre titres d’ […] improbables best-sellers…” [futurs romans policiers }. Il convient enfin de souligner le rôle déterminant qu’a joué Stéphane Kerber dans l’élaboration de ce numéro de Perspectives. Nos vifs remerciements vont à lui. Laissons-lui maintenant la parole.

Ever since its emergence in the thirteenth-century , Jewish Kabbalah, and most prominently – the Book of Zohar, has captured the hearts of Jewish as well as non-Jewish readers. Significant interest in Kabbalah is evident in the Renaissance, when various Christian Scholars accepted the traditional Jewish narrative, according to which the corpus of medieval Jewish Kabbalah is the Oral Law given to Moses on Mount Sinai. The sixteenth century is rightfully considered the golden age of this kind of Christian interest in Jewish Kabbalah. During this period a group of scholars, high-rank priests, and secular rulers were familiar with Kabbalistic notions, some of these Christians read the Kabbalistic treatises, whether in their original versions or in translation, some even composed commentaries or translated them into Latin, and most important - they incorporated Kabbalistic notions into their own theological and messianic conceptions. Among Kabbalistic writings, most of these thinkers' attention was drawn to the Zohar, and some of them attempted to translate parts of it into Latin. The first comprehensive, though not complete Latin translation of the Zohar was composed by the French orientalist and mystic Guillaume Postel in the middle of the 16th century. Postel was a prolific and original thinker, who developed an elaborate messianic theological schema, which he based upon Kabbalistic notions. Convinced, as he was, that the Zohar is the perfect and ultimate expression of his own messianic concepts, he embarked on his life project – producing a Latin translation and commentary on the Zohar. This fascinating commentary on the Zohar never appeared in print nor was it ever translated into any language. In Judith Weiss's On the Conciliation of Nature and Grace substantial parts of Postel's Commentaries on the Zohar are presented in the original Latin vis a vis her Hebrew translation, accompanied by introductions and notes, elucidating Postel's unique perception of the Zohar and the Kabbalah.

Walter (1887-1966) and his son Moshe (1922-2017) Wolf, both born in Hamburg, had very unusual life stories. Their autobiographies coalesce and intertwine in this powerful book - the father recounts his Jewish-bourgeoisie childhood in Germany, his military service with the German forces during World War I, his work as a banker and the building of his family; he tells of his escape from Nazi Germany and his new life in the United States. Meanwhile, his son pursues his point of view, continuing the family story from the moment he arrived in Israel, describing his own choices - working the land and joining the British Army in the war against Germany. This outstanding tale enriches even further the fascinating, multi-faceted image of German Jewry, offering a path, now more relevant than ever, into contemporary Israeli society.

The Carved Wooden Torah Arks found in eastern Europe from the seventeenth to nineteenth centuries were magnificent structures, unparalleled in their beauty and mystical significance. The work of Jewish artisans, they dominated the synagogues of numerous towns both large and small throughout the former Polish-Lithuanian Commonwealth, inspiring worshipers with their monumental scale and intricate motifs. Virtually none of these superb pieces survived the devastation of the two world wars. Bracha Yaniv’s pioneering work therefore breathes new life into a lost genre, making it accessible to scholars and students of Jewish art, Jewish heritage, and religious art more generally. Making use of hundreds of pre-war photographs housed in local archives, she develops a vivid portrait of the history and artistic development of these arks, the scope and depth of her meticulous research successfully compensating for the absence of physical remains. In this way she has succeeded in producing a richly illustrated and comprehensive overview of a classic Jewish religious art form. Professor Yaniv’s analysis of the historical context in which these arks emerged includes a broad survey of the traditions that characterized the local workshops of Lithuania, Belarus, and Ukraine. She also provides a detailed analysis of the motifs carved into the Torah arks and explains their mystical significance, among them representations of Temple imagery and messianic themes—and even daring visual metaphors for God. Fourteen arks are discussed in particular detail, with full supporting documentation; appendices relating to the inscriptions on the arks and to the artisans’ names will further facilitate future research. This seminal work throws new light on long-forgotten traditions of Jewish craftsmanship and religious understanding.

Chaim Waxman, the pre-eminent sociologist of contemporary Orthodoxy, is one of the keenest observers of American Jewish society. Having written on various aspects of this subject over the past forty years, he now revisits his earlier work in the light of recent developments. His familiarity with the entire spectrum of the Orthodox world combined with his deep knowledge of halakhah and his rigorous command of statistical and demographic data enables him to articulate distinctive perspectives on the issues that he addresses. His focus is not only on the various directions in which Orthodox practice is moving but also on how this affects the community as a whole. Waxman’s range is wide. After reviewing the socio-economic changes in American Orthodox communities and examining the reasons for them, he goes on to consider the political patterns of contemporary American Orthodox Jews. Demographic changes are also explored, particularly those relating to family life. Moving to the communal level, he discusses the increasing Americanization of Orthodox Jews, taking special note of how developments in Orthodoxy in Israel are having an increasing impact on American norms as contact between the two communities grows. In illustration of how Orthodoxy is adapting to modernity, he then presents a detailed discussion of halakhic developments, particularly regarding women’s greater participation in ritual practices and other areas of communal life. He shows that the direction of change is not uniform: there is both greater stringency and greater leniency, and he discusses the many reason for this both in the Jewish community and in the wider society. Relations between the various sectors of American Orthodoxy over the past several decades are also considered. The result is a comprehensive analysis from an acknowledged expert that will be of interest to everyone concerned with developments within American Orthodoxy and with the sociology of religion more generally.

The ‘Jewish mother’ figure is a hallmark of Jewish culture, one which appears in the works of rabbis, artists, poets, and activists across time and place. While depictions of mothers and motherhood abound in Jewish writings, they vary significantly according to social context. These representations therefore offer important insights into the Jewish cultural imagination, and the ways in which writers resort to the figure of the Jewish mother to comprehend and construct their world. The contributors to this volume highlight the complex network of symbols and images associated with Jewish mothers and motherhood as well as the vast array of social, historical, and cultural patterns that characterizations of mothers reflect. Each essay treats the topic from a specific perspective, spanning from mother--daughter relationships in the Talmud to depictions of mothers in twentieth-century American Jewish children’s literature. Collectively, they present a provocative examination of the ways mothers shape and problematize Jewish identity. This volume seeks to give the figure of the mother a new and enhanced place at the heart of Judaism: not only as a central figure in family life, but also as a key agent in the transmission of Jewish religion and culture.

AMILAT se honra en presentar el séptimo volumen de su serie Judaica Latinoamericana , que incluye una amplia selección de los trabajos presentados en la Sección América Latina del XV Congreso Mundial de Estudios Judaicos (Jerusalén 2009), por investigadores establecidos en las Américas e Israel, especializados en diversas disciplinas de las humanidades y las ciencias sociales. El volumen enfoca una variedad de temas pertenecientes a las experiencias históricas, sociales y culturales del judaísmo en América Latina, tanto respecto de lo que poseen en común como en cuanto a sus diferencias debidas a los diversos contextos nacionales. A ello se suman renovadoras propuestas metodológicas, necesarias en vista de fenómenos socio-culturales recientes originados en la globalización y el transnacionalismo, que se proyectan hacia el futuro de las investigaciones en el área.

Given the availability of literal commentaries to the Bible, including those of Rashi, R. Joseph Kara, Samuel Ben Meir (Rashbam), R. Abraham Ibn Ezra and others, one of the key questions that vexed R. Joseph Bekhor Shor and his contemporaries was whether there was a need for yet another additional Bible commentary. The argument put forward here suggests that R. Joseph Bekhor Shor chose a path that combined continuity and innovation. The fluid movement between the familiar and the novel is the main contribution of R . Joseph Bekhor Shor's exegesis. While remaining committed to the traditional approach to interpretation, R. Joseph Bekhor Shor succeeded in paving new pathways and introducing original methods that had not previously been developed by his predecessors . This book serves as a vital tool for researchers of the Bible commentaries of Northern France, for those who study the teachings of R. Joseph Bekhor Shor and for all who enjoy studying the Bible and its commentaries .

The heroes of this book are the rabbis of small and medium-sized communities in Eastern Europe. Who were these rabbis? What were their training processes? Did they get their job because of their scholastic or rhetorical skills, because of their family ties, or because they had the capital to buy this position? Did they win "permanence" or was the threat of dismissal constantly hovering over their heads? How were their terms of employment and wages determined, and what was their economic situation? Were they perceived as spiritual leaders? What was their relationship with the community's power centers? How did they navigate between their duties as halakhic authorities and their desire to engage in learning and teaching? The book attempts to answer these questions based on an examination of the world of over a thousand rabbis. Click here for the English edition, published by De Gruyter in collaboration with Magnes Press