Ever since its emergence in the thirteenth-century , Jewish Kabbalah, and most prominently – the Book of Zohar, has captured the hearts of Jewish as well as non-Jewish readers. Significant interest in Kabbalah is evident in the Renaissance, when various Christian Scholars accepted the traditional Jewish narrative, according to which the corpus of medieval Jewish Kabbalah is the Oral Law given to Moses on Mount Sinai. The sixteenth century is rightfully considered the golden age of this kind of Christian interest in Jewish Kabbalah. During this period a group of scholars, high-rank priests, and secular rulers were familiar with Kabbalistic notions, some of these Christians read the Kabbalistic treatises, whether in their original versions or in translation, some even composed commentaries or translated them into Latin, and most important - they incorporated Kabbalistic notions into their own theological and messianic conceptions. Among Kabbalistic writings, most of these thinkers' attention was drawn to the Zohar, and some of them attempted to translate parts of it into Latin. The first comprehensive, though not complete Latin translation of the Zohar was composed by the French orientalist and mystic Guillaume Postel in the middle of the 16th century. Postel was a prolific and original thinker, who developed an elaborate messianic theological schema, which he based upon Kabbalistic notions. Convinced, as he was, that the Zohar is the perfect and ultimate expression of his own messianic concepts, he embarked on his life project – producing a Latin translation and commentary on the Zohar. This fascinating commentary on the Zohar never appeared in print nor was it ever translated into any language. In Judith Weiss's On the Conciliation of Nature and Grace substantial parts of Postel's Commentaries on the Zohar are presented in the original Latin vis a vis her Hebrew translation, accompanied by introductions and notes, elucidating Postel's unique perception of the Zohar and the Kabbalah.

Dr. Amitai Mendelsohn investigates the various appearances of the figure of Jesus in Israeli art as a significant, multifaceted and ever-present phenomenon. Through works by prominent artists from different generations, it discusses in depth the evolving attitudes of Jewish, Zionist pre-state, and Israeli art towards Jesus, from the second half of the nineteenth century until today: from artists laboring "In the shadow of the Cross" to artists who saw Jesus as a symbol of the rebirth of the Jewish people in the land of Israel, and artists whose engagement with Jesus is detached from the complex and fraught relations between Christianity and Judaism, and who see him as symbolizing the suffering artist. The book examines the different directions taken by Israeli artists in portraying the figure of Jesus, and proves the extent of this phenomena and its ever present importance.

Dr. Amitai Mendelsohn investigates the various appearances of the figure of Jesus in Israeli art as a significant, multifaceted and ever-present phenomenon. Through works by prominent artists from different generations, it discusses in depth the evolving attitudes of Jewish, Zionist pre-state, and Israeli art towards Jesus, from the second half of the nineteenth century until today: from artists laboring "In the shadow of the Cross" to artists who saw Jesus as a symbol of the rebirth of the Jewish people in the land of Israel, and artists whose engagement with Jesus is detached from the complex and fraught relations between Christianity and Judaism, and who see him as symbolizing the suffering artist. The book examines the different directions taken by Israeli artists in portraying the figure of Jesus, and proves the extent of this phenomena and its ever present importance.

The Pensées is simply the compelling "Thoughts" of mathematician, physicist, and religious thinker Blaise Pascal. Originally intending to publish a book defending Christianity, Pascal died before he could complete it. The thoughts and ideas for his book were collected and compiled, posthumously, and then published as the Pensées. Pascal's thoughts are as powerful as they are comprehensive. He discusses with great wonder and beauty the human condition, the incarnation, God, the meaning of life, revelation, and the paradoxes of Christianity. He passionately argues for the Christian faith, using both argumentation and his famous "Wager." His ideas and arguments are sometimes developed and intricate, at other times, abrupt and mysterious.

Sefer B'rit ha-Menuḥa is an anonymous Kabbalistic book from the late 13th century or the beginning of the 14th century. The content of the book is best described by the alternative name - "The Book of Lights," given to it due to its central descriptions of the journeys of Israel in the desert, and the images of the vowels of the Name of God, that are portrayed as journeys of divine lights. The treatise describes the complete set of divine theosophical and angelologic powers in a coherent system, in order to relate and unite each name of an angel with its source, and to allow magic acts by the application of the full cosmological and divine unity. This eclectic critical annotated edition provides, for the first time, a clear and coherent text from the book's forty four manuscripts and eight previous prints (from 1648 till recent), presents supplements and relics of the book from additional manuscripts, along with an early treatise by the same unknown author - Sefer ha-Gevura (Book of Enhancement) .

The character of the Epistle to the Hebrews differs greatly from all other letters included in the New Testament. It is actually a sermon interpreting numerous biblical verses with the aim to substantiate its unique claim for Jesus' heavenly priesthood. The reliance on biblical proof-texts enables the writer to establish his innovative claims vis-a-vis both the broader Jewish tradition and the competing outlooks existing within the Jesus movement itself. The eight conversations in the book discuss the Epistle's interpretative strategies in order to unearth the worldview of its author and the nature of its target audience.

The content of the articles in this book reflect the diversity of the areas researched by Professor Zev Harvey. The three key subjects covered in this collection are: the first focuses on the teachings of Maimonides, the second- the philosophy of Rabbi Hasdai Crescas and other philosophers in the Middle Ages, while the third includes essays on Jewish philosophers since the beginning of the modern era to the present.

Analysing the political relations between the Kingdom of Poland and the hasidic movement, this book examines plans formulated by the government and by groups close to government circles regarding hasidim, and describes how a hasidic body politic developed in response. Marcin Wodziński demonstrates that the rise of hasidism was an important factor in shaping the Jewish policy of both central and provincial authorities and shows how the creation of socio-political conditions that were advantageous to the hasidic movement accelerated its growth. While concentrating on the dynamic that developed in the Kingdom of Poland, the discussion is informed by a consideration of the relationship between the state and the hasidic movement from its inception in the Polish–Lithuanian Commonwealth. The novelty of this study lies in the fact that, whereas most analyses of political culture concentrate on states and societies with well-established electoral systems of representation, Wodziński focuses on the under-researched area of political relations between a non-democratic state and a low-status community lacking authorized representation. Applying concepts more often associated with cultural history, his analysis draws a distinction between the terms of reference of high-level political debate and the actual implementation of policy middle- and low-level officials. Similarly, in analysing hasidic responses he differentiates between high-level hasidic representations in the state and the grassroots politics of the community. This combination enables a broad contextualization of the whole subject, integrating the social and cultural history of Polish Jewry with that of Polish society in general. 43 text figures, 2 maps

The Zohar is one of the most sacred, authoritative, and influential books in Jewish culture. Many scholarly works have been dedicated to its ideas, its literary style, and the question of its authorship. This book focuses on other issues: it examines the various ways in which the Zohar has been received by its readers and the impact it has had on Jewish culture, including the fluctuations in its status and value and the different cultural practices linked to these changes. This dynamic and multi-layered history throws important new light on many aspects of Jewish cultural history over the last seven centuries. Boaz Huss has broken new ground with this study, which examines the reception and canonization of the Zohar as well as its criticism and rejection from its inception to the present day. His underlying assumption is that the different values attributed to the Zohar are not inherent qualities of the zoharic texts, but rather represent the way it has been perceived by its readers in different cultural contexts. He therefore considers the attribution of different qualities to the Zohar through time, and the people who were engaged in attributing such qualities and making innovations in cultural practices and rituals. For each historical period from the beginning of Zohar reception to the present, Huss considers the social conditions that stimulated the veneration of the Zohar as well as the factors that contributed to its rejection, alongside the cultural functions and consequences of each approach. Because the multiple modes of the reception of the Zohar have had a decisive influence on the history of Jewish culture, this highly innovative and wide-ranging approach to Zohar scholarship will have important repercussions for many areas of Jewish studies.

In the volume Kabbalah, Mysticism and Poetry: A Journey to the End of Vision , top researchers from a variety of disciplines generate a thrilling encounter between Jewish, Christian and Islamic texts, drawing on poetic, religious and mystical interpretation tools in an interdisciplinary feast of aesthetics, literature and poetics on the one hand, and mysticism and theology on the other. In this fascinating, complex, and entangled journey to the end of vision we meet some of the leading authors who made a crucial contribution to human world culture, and who were deeply interested in Kabbalah and mysticism, such as the Zohar Kabbalists, Israel Najara, Shmuel Yosef Agnon, Paul Celan, Jorge Luis Borges, Julia Kristeva, Al-Hallaj, Ibn Arabi, Dante, Cervantes, John Donne, and Marcel Proust.

The feminine divine presence, the Shekhinah, has received detailed description in the Kabbalistic literature from the time of its inception at the end of the 12th century. The present book pursues the tracks of the belief in the Shekhinah and demonstrates that the main motive of the Kabbalists was not to disseminate the belief in Her but rather to restrain and to supervise this belief which had evolved outside the Kabbalists’ sphere or in its margins.

Ram Ben-Shalom offers a detailed analysis of the extent of Jews' exposure to the history of those with whom they lived, and of how they expressed their historical consciousness in encountering them in different contexts. He shows that the Jews in these southern European lands experienced a relatively open society that was sensitive to and knowledgeable about voices from other cultures, and that this had significant consequences for shaping Jewish historical consciousness. The historical consciousness of medieval Jewry has engendered lively debate in the scholarly world. The focus in this book is on the historical consciousness of the Jews of Spain and southern France in the late Middle Ages, and specifically on their perceptions of Christianity and Christian history and culture. In his detailed analysis of Jews’ understanding of the history of the communities they lived among, Ram Ben-Shalom shows that in these southern European lands Jews experienced a relatively open society that was sensitive to and knowledgeable about voices from other cultures, and that this had significant consequences for shaping Jewish historical consciousness. Among the topics that receive special attention are what Jews knew of the significance of Rome, of Jesus and the early days of Christianity, of Church history, and of the history of the Iberian monarchies. Ben-Shalom demonstrates that, despite the negative stereotypes of Jewry prevalent in Christian literature and increasing familiarity with that literature, they were more influenced by their interactions with Christian society at the local level. Consequently there was no single stereotype that dominated Jewish thought, and frequently little awareness of the two societies as representing distinct cultures. This book contributes to medieval Jewish intellectual history on many levels, demonstrating that, in Spain and southern France, Jews of the later Middle Ages evinced a genuine interest in history, including the history of non-Jews, and that in some cases they were deeply familiar with Christian and sometimes also classical historiography. In providing a comprehensive survey of the multiple contexts in which historiographical material was embedded and the many uses to which it was put, it enriches our understanding of medieval historiography, polemic, Jewish-Christian relations, and the breadth of interests characterizing Provencal and Spanish Jewish communities. This fascinating and well-documented study will appeal not only to scholars of Jewish studies and of medieval history and literature, but also to those interested in Christian history and historiography and in the long saga of Jewish-Christian relations.