This extraordinary commentary by an anonymous late twelfth-century northern French exegete interprets the Song of Songs solely according to its plain meaning as a story of two young lovers and their developing relationship. The exegete pays attention to every detail of the text, offering many enlightening insights into its meaning, all the while expanding upon the 'way of lovers' – the ways that young people in love go about their lovemaking. The French background of the exegete is made clear by many references to knights, coats of arms, weapons, chivalry, and of course, wine drinking, as well as numerous glosses in Old French. The edition is accompanied by an extensive introduction which analyzes the various exegetical, literary, and linguistic features of the text.

This study is the first monograph on the meanings given to the divine name YHWH in the Jewish tradition. It seeks to trace the interplay between the motivation to speak about God and the wish to speak to Him through the meanings given to the name YHWH, in three central stages of Jewish thought: the Hebrew Bible, rabbinic literature, and medieval philosophy and mysticism. From a textual perspective, the current study offers a close reading in a variety of Jewish texts and genres, including the Old Testament, Mishna, Midrash, Philo’s writings, Jewish medieval philosophy, biblical exegesis and various mystical texts . There is hardly an exegetical or contemplative Jewish text that does not in some way deal with the name YHWH. Accordingly, almost every scholarly field related to Judaism discusses it in some capacity. However, despite the immensity of the literature, YHWH and its status as a proper name have not been the focus of a comprehensive scholarly work. None have yet attempted to paint a picture of YHWH’s meaning over a spectrum of periods and genres, while offering conceptual and textual discussion. This study seeks to fill that gap.

Un véritable courant de vie parcourt ces pages que Perspectives consacre au cinéaste Marcel Ophuls. La vie, le vivant dominent. Il n’est pas étonnant qu’une des contributions de ce numéro s’intitule “Liberté, vitalité, spectacle” (Sophie Brunet). Dès lors, la division du volume s’est faite d’elle-même: 1-Un homme vivant; 2-Une oeuvre vivante. Au départ, le portrait d’un homme se dessine. Dans une “interview imaginaire.” On savoure son franc-parler, non que l’on adhère à toutes ses idées – en particulier en ce qui concerne Israël – mais on admire l’aisance et la liberté totale qui anime ses propos. Le comportement professionnel du cinéaste, son comportement tout court, trouvent leur place dans cette première partie. Parfois même, l’homme est saisi dans le feu de l’action. Les grands problèmes qui occupent le coeur et la pensée d’un homme de notre temps se retrouvent dans la seconde partie du volume. Là encore, au plus près de la vie . Le cinéaste interpelle les spectateurs lorsqu’il traite de la Shoah, de l’Occuption, ou de la Résistance, de la place que ces sujets tiennent dans la mémoire d’un Français ou d’un Allemand. On s’interroge avec le cinéaste : se doit-il d’être objectif? Mais “dès le début de sa carrière, remarque Pierre Beylot, un style documentaire original fondé sur la parole de témoignage et le montage des sources dont il assume de plus en plus ostensiblement le caractère subjectif” marque son oeuvre. C’est dire aussi que souvent le regard s’attarde sur le traitement esthétique des sujets abordés. Ecoutons François Niney:“Cette remise en question de nos manières de voir et de nos dilemmes, à la fois politiques et personnels, par le jeu et le poids des mots, différencie radicalement le documentaire selon Marcel, du panel d’opinions tel que l’expose en permanence l’étal médiatique”. L’important est que son public réfléchisse. Il s’agit, selon Valérie Carré, de “mettre en mouvement la réflexion du spectateur”. Qu’attendre de l’avenir? Encore une oeuvre surprenante? Vincent Lowy, à l’écoute, note: “Boulimique de projets virtuels, l’infatigable MO junior annonce déjà les quatre titres d’ […] improbables best-sellers…” [futurs romans policiers }. Il convient enfin de souligner le rôle déterminant qu’a joué Stéphane Kerber dans l’élaboration de ce numéro de Perspectives. Nos vifs remerciements vont à lui. Laissons-lui maintenant la parole.

Kobez Al Yad , an annual of the Mekize Nirdamim Society, is a forum for the publication from manuscript sources of ancient texts in Jewish studies that are shorter than book-length. Contents Avishai Bar Asher Isaac b. Shelomo Ibn Sahula Commentary on Psalms Leore Sachs-Shmueli The Beginning of Sefer Toldot Adam by Joseph of Hamadhan Eric Lawee and Doron Forte The Book of Strictures on Rashi's Torah Commentary Ascribed to Rabad Ofer Elior R.Shalom 'Anabi's Commentary on the Laws of the Foundations of the Torah Yohanan Kapah R. Joseph Hayyun's Commentary on Amos

The characters of the Yanuka (the Zoharic Wunderkind) and the Sava (the wise old man), appear in various Zoharic stories, revealing themselves to the sages of the Zohar (Rabbi Shimon Bar Yohai and his disciples). These two figures are among the most meaningful and complex mythical figures in Zoharic literature. The main argument in this work is that the Sava and Yanuka characters are portrayed as the embodiment of God and his Son (and the Messiah). This book is the first attempt to grasp the full extent and depth of these mythical figures and the close ties that exist between them. At the same time, the book reveals an important chapter in the history of Jewish myth and contributes to the understanding of the messianic consciousness that characterizes the stories of the Sava and Yanuka in the Zohar and exposes their hidden and polemical ties with Christianity. The book is currently available as an ebook. A print edition will be available soon.

Abū Ḥāmid al-Ghazālī’s Mishkat al-Anwar (The Niche of Lights) is justly included in the Hall of Fame of world mysticism as an immortal masterpiece for generations to come. Its subject matter is an arcane mystical interpretation of the Light Verse, sura An-Nur (Qur’an, verse 35), whose text has become a central symbol for the mainstream of Sufi mysticism. The book centres on the light and the mystery of light within a Sufi’s world. Its central importance caused The Niche of Lights to be translated to Hebrew twice in the Middle Ages, and for many generations it provided a source of inspiration in the realm of Judaism for philosophers and Kabbalists alike. This essay has now been re-translated to contemporary Hebrew. This classic inspirational text, a guide for the perplexed of the internal journey to the mystery of Divine Light, is an important, central chapter in the history of human spirituality; and occupies centre stage in the endeavour to establish prophesy, divine inspiration and a new Israeli spirituality.

The book Praise of Fools , which was printed twice - in 1880 and 1910 - is an unusual satire/parody in Hebrew satiric literature. It is intended not only for certain circles or people in the Jewish context, but also has a universal character: it makes fun of and derides a long list of philosophers, writers, intellectuals and scholars a nd others , presenting them as useless, plagiarists and fools. All this i s done in order to supposedly praise ignorance and stupidity and to propose finding within them security and peace. The book accorded to Rubin the title "the Jewish Erasmus," however, the introduction places the book within the extensive European "fool literature".

Birkat Ha-Avoda of Tefillat Ha-Amidah has a long history spanning the Second Temple period to the early Middle Ages. This title follows the different formats of the prayer through the ages, examining a variety of sources: Writings from the Second Temple period, rabbinic texts, Christian texts, early Piyutim, medieval sources, and dozens of Siddurim and excerpts from Siddurim. The comparative study of these sources generates a detailed description of the development of Birkat Ha-Avoda, which sheds light on the history of the regular prayers and Jewish customs.

Articles: Haim Weiss | ‘From That Hour the Doom Was Sealed’: On Class Reversals in the ‘Legends of Destruction’ Vered Tohar | ‘Rabbi Hanina and the Frog’: An Ancient Ashkenazi story Adapted for Children by Asher Barash Lital Lieberman-Avital | ‘Take the Illness and Give the Medicine’: Removal by Salt – Traditional Women’s Healing Practice on a Socio-Cultural Borderline Yuval Harari | Wonders and Sorceries in Yeruham: A Magical-Political Rashomon Dalia Marx | Welcoming the Sabbath in the Kibbutzim: Secular Religiosity Narmina Abdulaev | Narration Surfing: Folklore Published on the Internet and Its Analysis Shany Kotler-Fux | ‘Hitler-Pants’ Parodies: Folklore in Israel’s Virtual Sphere Reviews: Aharon Maman | [Review of:] Yosef Tobi and Tsivia Tobi, Judeo-Arabic Literature in Tunisia, 1850–1950, Detroit, MI: Wayne State University Press, 2014, 367 pp. Jacqueline Laznow | [Review of:] Tsivia Tobi, From Bride to Daughter-in-Law: The World of Jewish Women in Southern Tunisia and Its Reflection in Popular Literature, Jerusalem 2016, 344 + [iv] pp. [Hebrew] Tzila Zan-Bar Zur | [Review of:] Idit Pintel-Ginsberg, The Angel and the Tcholent: Food Representations in Folktales, Haifa 2016, 176 pp. [Hebrew] English Abstracts

Kierkegaard: Between Authentic Faith and Self-Deception approaches Kierkegaard through a refreshing combination of Jewish and non-Jewish philosophies. It deals with Kierkegaard/Hegel's debate and offers valuable insights into questions of self-deception, grace, and Kierkegaard's relation to Judaism and to Jews.

Ta’am HaTe’amim is a messianic treatise in the Hebrew language composed by the Catholic French orientalist and mystic Guillaume Postel (1510-1581). Ta’am HaTe’amim is a relatively unknown Renaissance document, which sheds light on unique intellectual and political stands prevalent among sixteenth-century Catholic reformators . Throughout the treatise, Postel refers to several famous historical issues, depicting them through his own particular perspective, which was based upon a blend of Joachite millenarism, French patriotism and Jewish Kabbalah. In addition, Ta’am HaTe’amim is a rare example of Hebrew writing by an Early Modern Christian Scholar, and it is characterized by remarkable linguistic traits expressing Postel’s theological concepts regarding languages in general and Hebrew in particular.

The struggle between philosophy and theology in the middle ages has been a central topic for historians of ideas. The Clash of Paradigms claims that this struggle can be fully explained by scientific paradigms. Aristotelian and Neoplatonic paradigms in the Jewish world confronted the kalam paradigm at their early stage, and magic and experimental science in the following stage.