The Roman philosopher Seneca wrote the treatise on anger for his brother Novatus, who was not a philosopher but a statesman. The brother, governor of the province of Asia during the time of Emperor Nero, asked his philosopher brother to help him with practical advice on how to govern better and improve his relationship with his subjects, and in particular how to moderate and restrain anger, a disturbing emotion and sometimes even frightening in its outbursts. Seneca, as is evident from the treatise he wrote, thought that the best way was to prevent the outbreak of anger and the impulse that always accompanies it – to take revenge. The work sheds new light on the universal human emotion that dominates people of all times and generations, describes anger and its consequences, offers suggestions for controlling this harmful emotion with reason, and gives advice for preventing circumstances that may arouse anger and the urge for revenge that stems from it. To illustrate his points, Seneca brings a selection of historical events about the behavior of rulers who can take revenge on their subjects as they please, and about the subjects' methods of survival.

In this issue we sought to give expression to the historical dimensions of the philosophical debate on the concept of "identity" as well as to discuss philosophical questions about identity related to this time: What is the place of "selfhood" in an era of rapid change? What is the relationship between personal identity and the consciousness of identity? What is the relationship between psychoanalytic conceptions of identity and the decomposition of the concept of identity in postmodern thought? What role should personal, national, and religious identity play in a multicultural and global world? How should the place of individuation processes – private, social, technological, and environmental – in the establishment of identity be understood? And can philosophical identities be characterized in the struggle for peace, justice, and human rights?

The Politics is a foundational work of Greek philosophy and a cornerstone of Western political thought. It is an investigation into the nature of the polis (the city-state), which Aristotle defines as a partnership of a certain kind among similar people for the sake of the best attainable life. In this inquiry, Aristotle seeks to determine how a virtuous and flourishing city is constructed and sustained. In Books VII–VIII - presented here for the first time in Hebrew - Aristotle depicts a vivid portrait of the ideal Greek city, and formulates a guide for the establishment of a flourishing city.

Few texts have left a mark on history as profound as The Communist Manifesto . First ‎published in 1848, this brief yet explosive work by Karl Marx and Friedrich Engels became ‎one of the most influential texts in the formation of modern society and the modern self. It ‎ignited revolutions, inspired political movements, and provoked fear, resistance, and ‎enduring controversy, while offering a powerful framework for understanding the economic ‎and social forces that continue to shape our world.‎ But The Communist Manifesto is more than a political program. It is a striking work of ‎philosophical and moral reflection, grappling with the human condition in a world defined ‎by perpetual change—a world of capitalism, restless desire, and the drive toward ceaseless ‎innovation. Read anew, the Manifesto emerges as a mirror of our present moment, ‎challenging us to rethink freedom, justice, and the transformative power of ideas.‎ This book offers a fresh introduction to The Communist Manifesto and its place in the ‎history of ideas. Through close reading and conceptual analysis, it seeks to restore the ‎text’s vitality—not as a document of the past, but as a living invitation to reflect on the ‎present and imagine our collective future.‎

In the philosophical and psychological tradition, the concept of imagination is associated, first and foremost, with the human mind’s ability to intend and depict to itself objects that are not directly present before it. In contrast to sensory perception, imagination is often linked to a spectrum of mental states—such as fantasy, hallucination, and dream—that are freed from the burden of factuality and the logic of what is possible within its bounds. Such states are typically of interest because of the creative—sometimes anomalous—potential they hold, even though they are generally understood as secondary additions to the project of human knowledge. Imagination—in all its material expressions—not only presents us with spaces of unrealized possibilities but even with ones that cannot be realized at all in reality, and in this sense, they are beyond reality, "outside," or "above" the real. Thus, in its literal sense, imagination is surrealism. Once we recognize the imagination’s potential to challenge the existing order, it is no longer possible to think of reality and imagination as two entirely separate domains, and the question of the interaction between them becomes more pressing and clear.

Martin Buber aroused passionate, often contradictory opinions, both regarding his personality and his thought. Gershom Schocken, editor of Haaretz , said that one day he was walking with S. Y. Agnon: "We were walking around Talpiot and I asked him what his attitude was towards Buber. Agnon stopped in his walk and said: 'I want to tell you something. There are people about whom you have to decide once: do you love them or do you hate them. I decided to love Buber.'" Buber's philosophical and theological writings, including the famous I and Thou , have contributed greatly to religious and Jewish thought, as well as to biblical studies, political theory, and Zionist thought. In this new biography, Paul Mendes-Flor situates Buber's legacy at the crossroads between the intellectual and cultural life of German Jewry and European life in the first half of the twentieth century. This is the first full biography of the groundbreaking modern Jewish philosopher. The book is organized around several key events in his life, such as his mother suddenly abandoning him when he was three years old—a formative trauma that left Buber with a lasting sense of sensitivity to the fragility of human relationships and the need to nurture them with what he would later call "dialogical attention."

Iyyun was established in 1945 as a Hebrew philosophical periodical by Martin Buber, S. H. Bergman and Julius Guttmann and is published by the S. H. Bergman Center for Philosophical Studies of the Hebrew University of Jerusalem. Iyyun has been rebranded, and as part of this renewal a number of thematic issues are published, aiming to advance contemporary philosophical discourse, primarily in Hebrew, to indicate new paths of thought and lines of original research, and to build bridges between academia and the broader public.‍ Iyyun seeks to give expression to a wide spectrum of writers, and is committed to cultural and ideological pluralism, scholarly excellence, high quality writing, and vitality of thought. This in the belief that philosophical thought has a formative role in local culture, and could be influential in shaping the sociopolitical sphere. The articles in this volume: On the Possibility of Universal Love | Sharon Krishek The Creative Force of Desire in Classical Indian Thought | Nir Feinberg Modality and the Limits of Sense in Spinoza’s Metaphysics | Yogev Zusman A Kantian Approach to Aesthetic Methodology: 'Manner' instead of 'Method' | Moran Godess-Riccitelli Finding One’s Way in Language in Wittgenstein’s Later Thought | Oren Roz Film and the Flow of Life: Toward the Non-Human | Orna Raviv Naïveté and Liberation in the Philosophy of Education: A Conversation with Zeev Degani | Ori Rotlevy Review Probing the Discontents of Identity On Jacob Golomb’s Identity and Its Discontents | Warren Zev Harvey Notes on Contributors

A Ramble in the Hive is an eco-philosophical text that deals with the relationship between humans and honeybees from the dawn of humanity to the present day, interlinking mythology, folklore, literature, art and science from different historical periods. A Ramble in the Hive works as both popular science and philosophy, combining a study of the history of beekeeping and its multitude of inventions, with a philosophical and poetic view of the human encounter with honeybees as reflected in the imagination of our culture. It suggests approaching the hive as an archetype of living mythology that works on our collective imagination. A Ramble in the Hive presents the planetary honeybee crisis as a fascinating window through which to observe wide-ranging ecological issues. How did the honeybee get such a lofty and critical role – holding responsibility for both the future of humanity and the earth? What do the bees tell us in their current state? This book is an attempt to answer these questions.

In the 1940s, Erwin Schrödinger attempted to tackle the eternal question "What is Life?" from the perspective of the "naïve physicist." The result is this short book, which has influenced generations of scientists, sparked much controversy and become a classic. What Is Life? appears in Hebrew for the first time, accompanied by an epilogue by Prof. Avshalom Elitzur, who demonstrates to what extent Schrödinger's insights are relevant eighty years after the first publication of the essay.

Gottfried Wilhelm Leibniz (1646-1716) was a polymath of Renaissance culture. His 1710 Essais de Théodicée , the longest work published in his lifetime, was a final and concluding phase in his life-long theological-philosophical journey. It constituted a milestone in the diplomatic and intellectual effort to restore the religious and political peace in Europe, and is, above all, a key philosophical work.

In 1980, the Italian publisher Einaudi wanted to publish a series of personal anthologies of its authors. Primo Levi quickly arose to the challenge and submitted La ricerca delle radici ( The Search for Roots ): thirty excerpts from thirty masterpieces of world literature, accompanied by thirty short introductions he wrote. Every such introduction is a brilliant commentary on the work, and a reflection of Primo Levi himself - as a kind of self-portrait, in which the painter produces his collage from materials created by others. These excepts - published for the first time in Hebrew - reveal some of the important ethical and aesthetic influences on Primo Levi and his work. Levi quotes from Job, Lucretius, Rabelais‏, Babel, Shalom Aleichem, de Saint-Exupéry and more, but also from Darwin's On Origin of Species and even from Practical Organic Chemistry. Thus, it is possible to trace his extensive and diverse, humanistic and scientific education, the roots from which his unique literary work grew.