The history of the Jewish communities of these lands-where most of the Jews of Europe and America originated-is often the subject of wooly thinking and stereotypes. Antony Polonsky recreates this lost world in a way that avoids both sentimentalism and the simplification of the east European Jewish experience into a story of persecution and martyrdom. This is an important story whose relevance extends beyond the Jewish world or the bounds of east-central Europe.

The present volume is being published on the sixty-ninth anniversary of the Farhūd, the pogrom committed by religious and nationalist Arabs against the Jews of Iraq on the Jewish holiday of Pentecost (Shavu‘ot), 1–2 June 1941. The Hebrew edition of this book was published in 1992 by the Research Institute of Babylonian Jewry in Or Yehuda, Israel . This volume is a revised version of the Hebrew edition. The title consists of papers on the pogrom and on the events leading up to it which were originally published in English, others which were written in Hebrew and now appear in English for the first time, and documents which have not been previously published, including an updated list of the names of victims of the Farhūd and a map indicating the places in Baghdad where rioters attacked Jews. This book thus provides the English reader with comprehensive and updated information on the Farhūd and constitutes a memorial to the innocent victims killed during these pogroms and whose only crime was that they were Jews.

Penalty and Temptation: Hebrew Tales in Ashkenaz by Rella Kushelevsky , discusses thirteen tales copied in MS. Parma 2295 (thirteenth century, North France). The tales, which originated in Rabbinic Literature and in medieval story compilations from the East, were re-worked and re-formulated in Ashkenaz. A careful reading of these narrative versions, mostly published here for the first time, and an attentiveness to their unique characteristics compared to classic and modern versions, portrays a broad and panoramic view of Ashkenazi culture: concrete depictions of Paradise and Hell, martyrdom as a central value, repentance practices and other central topics in Ashkenazi piety, as well as images of women and religious symbols from the non-Jewish surroundings. The book offers a double perspective: literary, since these narratives are artistic works in every respect, and hermeneutic, since they trigger a multi-participant dialogue. The readings offered in Penalty and Temptation are the result of the interaction between narratives copied in North France – themselves readings of earlier narrative traditions – and the reader, who becomes acquainted with different modes of being while also similar to his or her own. Ashkenaz in this book is not a historical reality but a fictive entity that bestows this reality with significance, and in which the reader takes part in its establishment.

This book is dealing with the uses of the memory of the Resistance and of the Holocaust, born in the wake of the war between the years 1945–1985. Italy is used as a case study for the understanding, shaping and the formation of the new European national identities post World War II. This title focuses on the Italian agenda and is shedding a new light on the process of reconstruction and revitalization (including the rebuilding of national self-identity). The book traces the changes in the character and functions of historical memory during this period when national consciousness was u ndergoing a critical development in its search for unity. It leads to a broader venue of the tensions between the memory of anti-fascist resistance on the one hand and the shameful and disturbing awareness of the fascist past on the other. This is the first attempt of a synthesis of this kind of Italian history that combines all interdisciplinary sources: memoir literature and literary sources in general, historiographic debates as well as political discussions.

The commentary on Chronicles attributed to Rashi is an important commentary and milestone in Jewish exegesis that had never been the subject of thorough and systematic research. In fact, it has been one of the most neglected medieval commentaries. The objective of the book is to fill in this lacuna by examining all aspects of the commentary: the author’s sources and teachers, the nature of the commentary and its exegetical method, the author’s time and place and how he was influenced by his milieu, his linguistic glosses and literary ideas, his worldview, where the commentary fits into the peshat exegesis of the Middle Ages, and its influence on later commentaries on Chronicles. The commentary composed in Germany, ca. 1155. Its anonymous author was strongly influenced by the Jewish exegetes of northern France, especially Rashi and R. Joseph Qara; but there are clear affinities and links to commentaries from other locales as well. The systematic description of the commentary has cast light on other commentaries, too—familiar and unfamiliar—and retrieved allusive details about a forgotten circle of sages whose initial portrait can now be drawn.

What are the things that make a home 'Jewish', materially and emotionally? What it is that makes Jews feel 'at home' in their environment? This is the first book to examine these questions from multiple disciplinary perspectives, including literature, history, anthropology, sociology, psychology, art history, and folk and popular culture, and in doing so it revises our understanding of the lived (and built) past and opens new analytic possibilities for the future. For a Jew, describing a place as ‘home’ conveys connotations of heritage as well as of residence. Additionally, feeling ‘at home’ suggests a sense of comfort in one’s social surroundings. The questions at the heart of this volume are: what things make a home ‘Jewish’, materially and emotionally, and what is it that makes Jews feel ‘at home’ in their environment? The material dimensions are explored through a study of the symbolic and ritual objects that convey Jewishness and a consideration of other items that may be used to express Jewish identity in the home―something that the introduction identifies as ‘living-room Judaism’. The discussion is geographically and ethnically wide-ranging, and the transformation of meaning attached to different objects in different environments is contextualized, as, for example, in Shalom Sabar’s study of {h.}amsa amulets in Morocco and Israel. For diasporic Jewish culture, the question of feeling at home is an emotional issue that frequently emerges in literature, folklore, and the visual and performing arts. The phrase ‘at-homeness in exile’ aptly expresses the tension between the different heritages with which Jews identify, including that between the biblical promised land and the cultural locations from which Jewish migration emanated. The essays in this volume take a closer look at the way in which ideas about feeling at home as a Jew are expressed in literature originating in Brazil, Argentina, and the United States, and also at the political ramifications of these emotions. The question is further explored in a series of exchanges on the future of Jews feeling ‘at home’ in Australia, Germany, Israel, and the United States. Jews at Home is the first book to examine the theme of the Jewish home materially and emotionally from a variety of disciplinary perspectives, including literature, history, anthropology, sociology, psychology, art history, and folk and popular culture. The essays in the collection use the theme of home and the concept of domestication to revise understanding of the lived (and built) past, and to open new analytical possibilities for the future. Its discussion of domestic culture and its relevance to Jewish identity is one with which readers should feel right at home.

This book presents the foreign plants which originate in other countries and have become invaders in Israel.