Replacing Myself with Myself is the fifth selection of Michael Handelzalts's weekly columns, written and published in the Haaretz newspaper between June 2005 and November 2008. Anchoring his amused musings in the headlines, he ponders, among other things, on the kind of fruit with which the Snake and Eve had tempted Adam in the Garden of Eden, on the virtues of good spirit, and on other matters, most of them highly immaterial. A selection of his columns, Histoires d’en lire, was published in French in 2001 by Gallimard.

This volume presents twelve scholarly chapters by Prof. Ilan Eldar, discussing ancient Hebrew vocalization methods and reading traditions (pronunciation and configuration) among Jewish communities, especially among ancient Ashkenazi communities. These chapters have been published over the years as separate essays, and are compiled here for the first time. This volume contains the following chapters: Chapter 1: The Palestino-Tiberian Vocalization Chapter 2: The Vocalization of the Passover Haggada in Mahzor Vitry Chapter 3: The Sources of the Hebrew Reading Traditions in the Middle Ages Chapter 4: The Research of Oral Reading Traditions of Hebrew Chapter 5: The Hebrew Reading Traditions of the Baghdadi Community Chapter 6: Doublets in the Language Traditions of Hebrew Chapter 7: The Pre-Ashkenazi Reading Tradition Chapter 8: The Sources of Ashkenazi Reading Tradition Chapter 9: Vocalization Systems and Pronunciation Traditions of Hebrew Chapter 10: The Contribution of Prof. Shlomo Morag to the Study of the Hebrew Language Heritage of the Yemenite Jews Chapter 11: Neologisms in the Piyyutim of the Ashkenazi Mahzorim Chapter 12: Post-Biblical Forms in the Ashkenazi Tradition as Reflected by the Vocalization of the Worms Mahzor

Music, which speaks in the language of tones, tends to elude attempts at a description in words. Precisely for this reason, perhaps, it has always posed a great challenge to authors, who have been writing musical works and performances throughout the generations. Contrary to what might be expected, literature is far from unanimous in praising music. Frequently, it assigns it dark powers and presents it as dangerous. This two-volume study is the most massive attempt yet to survey the moment musicaux (musical moments) of world literature. Volume I contains a thematic mapping of some 250 literary representations of music; volume II offers an in-depth analysis of 30 of them .

MA'ARAG: The Israel Annual of Psychoanalysis is a democratic forum for psychoanalytic research, practice, and criticism published through the initiative and cooperation of the Sigmund Freud Center for Study and Research in Psychoanalysis of the Hebrew University, Israeli Association for Self Psychology and the Study of Subjectivity, Israel Society for Analytical Psychology, Israel Psychoanalytic Society, Israel Institute for Group Analysis, Tel-Aviv Institute for Contemporary Psychoanalysis, and the Israel Association for Psychoanalytic Psychotherapy. This issue contains the following essays: Hila Elyakam and Devora Rosner-Wachs | THE ROLE OF THE BODY EN ROUTE TO BUILDING THE BIONIAN CONTAINER: INTEGRATING SOMATIC EXPERIENCE AND PSYCHODYNAMIC PYCHOTHERAPY Dana Amir | STUDIUM AND PUNCTUM IN PSYCHOANALYTIC WRITING Dana Amir | THE ‘NEWSPEAK’ OF THE PERPETRATOR: REFLECTIONS ON THE PHENOMENON OF SCREEN CONFESSIONS Dorit Ashur | FREUD AS “MIDWIFE TO THE SOUL”: THE RESTORATION OF MATERNAL SEMIOTIC PROFUSION IN H.D.’S ANALYSIS WITH FREUD Micha Weiss | ETHICAL PRESENCE IN THE PSYCHOANALYTIC ENCOUNTER: APOLOGY AS A POSSIBILITY Naomi Teller | TWO POEMS: TO CONTAIN DESIRE Moshe Landau | ON TRANSFORMATION FROM CHAOS AND BECOMING TO RHYTHM AND MENTALIZATION, AND THE RHYTHM IN THE TRANSFORMATION PROCESS FROM ‘O’ TO ‘K’ Rivka Matzner | PSYCHOANALYTIC CONSIDERATIONS ON THE MEETING POINT BETWEEN THE LURIANIC CONCEPT OF “LIGHTS AND VESSELS” AND BION’S CONCEPT OF “CONTAINER-CONTAINED” Ruth Netzer | ‘LISTEN TO HER’: POEMS ON THE ANALYST-PATIENT RELATIONSHIP Gila Ofer, Batya Shoshani and Michael Shoshani | WHEN ONE PLUS ONE EQUALS ONE: THE VICISSITUDES OF CHOSING BETWEEN TRUTH AND BLINDNESS IN THE OEDIPAL MYTH, AND THE FILM “INCENDIES” Gal Kachman | SILENT GRAVES AND TRANSIENT LIFE: ON SUBJECTIVITY AND MELANCHOLY IN THE WRITINGS OF ABRAHAM AND TOROK Victor Rubinov | THE CAPACITY FOR SUBJECTIVITY Merav Roth | TEARING UP THE LETTER AND THE URGE TO GET RID OF THE OBJECT Alejandra Sternschein | MY LANGUAGE, MY SPEECH, AND MY EXPRESSION: REFLECTIONS ON MULTIPLE LANGUAGES IN THE PSYCHIC SPACE OF THE ANALYTIC PROCESS Ofer Shinar Levanon | BETWEEN THE PSYCHOANALYTIC AND THE ARTISTIC ENCOUNTER: REFLECTIONS ON THE SHARED WORK OF THE COMPOSER YONI RECHTER AND THE POETS AVRAHAM HALFI, DAHLIA RAVIKOVITCH AND ELI MOHAR

This collection, already translated to many languages around the world, now appears in Hebrew for the first time. The Art and Science of Dance/Movement Therapy has proven to be a useful collection that explains the basic concepts of dance/movement therapy, written by practicing clinicians from several countries and perspectives. It develops these concepts into an understanding of practices, which are illustrated through case studies. The topics cover a range of human needs including children and oncology, problems such as eating disorders, brain trauma, psychiatric problems, dementia and more. Integral to the practice are systems of observation, understanding of cultural differences and research, which are also discussed. The breadth and depth will be of interest to those already practicing as well as to those new to the field or in related disciplines including education.

The eighteen studies presented here originated in a symposium held at Yale in 2014, attended by scholars from Europe, Israel, and North America. The papers approach the subject of Mishnaic Hebrew from many different angles and directions, including grammar, from morphology to syntax to pragmatics; the relationship between the literary dialect and epigraphic evidence; manuscripts; questions of language contact, lexicography, social history, and medieval traditions; and the problem of translating Mishnaic Hebrew into modern languages. The contributors to this volume are among the leading scholars in the field and the collection represents both the current state of research and the cutting edge of future work. This volume includes the following essays: Chanan Ariel | Deviations from Mishnaic Hebrew Moshe Bar-Asher | Problems in the Description of the Morphology of Mishnaic Hebrew Elitzur A. Bar-Asher Siegal | Towards a Reconsideration of the Tense-Aspect-Mood System of Tannaitic Hebrew Gabriel Birnbaum | Phonological and Morphological Studies in MS Antonin 262 (Mishnah Seder Teharoth) Steven E. Fassberg | The Language of the Bet Amar Papyrus in Light of Other Judean Desert Documents Steven D. Fraade | The Innovation of Nominalized Verbs in Mishnaic Hebrew as Marking an Innovation of Concept Aaron Koller | The Social and Geographic Origins of Mishnaic Hebrew Aharon Maman | Rabbinic Hebrew in the Eyes of Medieval Hebrew Philologists Emmanuel Mastey | Cases of Semantic Variation in Mishnaic Hebrew: The Verbs hillek and qaras Michael Ryzhik | The Language of the Mishnah from the Late Manuscripts to the Printed Editions Bernard Septimus | The Face of Shame: Between Palestinian Blushing and Babylonian Blanching Rivka Shemesh-Raiskin | Towards a Description of Halakhic Give-and-Take Conversations in the Mishnah Nurit ShovalDudai | Identical Lemmata of Greek and Latin Loanwords in the Historical Dictionary of the Hebrew Language: Classes and Criteria Ruth Stern | The Noun haluq and Its Variant Forms in Rabbinic Hebrew Daniel Stokl Ben Ezra | The Mishnah into French: Translation Issues Ofra Tirosh-Becker | The Relative Pronoun Se- Rabbinic Hebrew as Reflected in Karaite Sources Doron Ya'akov | The Relation between Maimonides and the Yemenite Tradition in Mishnaic Hebrew Alexey (Eliyahu) Yuditsky | qosin and qorpayot To view the other volumes please press here

This volume contains the following essays: Yitzhak Avishur | Names of Jewish Holidays in Hebrew, Aramaic, and Arabic Ilan Eldar | The Hebrew of Dutch Sepharadim in Seventeenth Century Amsterdam David M. Bunis | The Iberian Judeo-Arabic Roots of the Ladino Bible-Translation Tradition Joshua Blau | Remarks on the Biblical Dictionary of David Alfasi Joshua Blau and Joseph Yahalom | The Typology of Palestinian Vocalization Systems Preserved in Manuscripts from the Last Quarter of the First Millennium Dror Ben-Arié | Miqneh Abram of Abraham de Balmes: A New Reading of a Sixteenth Century Hebrew Grammar in the Light of Hebrew and Latin Treatises Nasir Basal | On the Comparison between Languages in Tafsīr al-̓Alfāẓ by ̓Abū al-Faraj Hārūn: Comparisons to Rabbinic Hebrew and Aramaic Moshe Bar-Asher | The Limitations of Orthography, Script, and Morphology: A Problem of Mishnaic Hebrew Grammar Elitzur Bar-Asher | Siegal Rhetorical Questions in Jewish Babylonian Aramaic Yochanan Breuer | Rabba and Rava, ’Abba and ’Ava - Spelling, Pronunciation, and Meaning Chanoch Gamliel | Lexical Definitions in Menaḥem’s Maḥberet and Rashi’s Commentary Santiago García-Jalón | Manuscripts that Preceded the Introductiones of Alfonso de Zamora Aron Dotan | The Double Pronunciation of the Ancient Resh Jonathan Howard | Hebrew, Aramaic, Greek: The List of Languages in Me’or ‘Ayin and the Transmission of Diqduqe ha-Miqra Yehudit Henschke | On the Language of the Musta‘arabi Jews of Peqi‘in: between Jewish Arabic and Local Arabic – A Look at the Names of the Holidays Doron Yaakov | Remarks on a Verbal Form in the Yemenite Tradition of Mishnaic Hebrew Geoffrey Khan | The Pronunciaton of Dageš in the Tiberian Tradition of Biblical Hebrew Asher Laufer | Contemporary Realizations of Qameṣ: The Pronunciation of Qameṣ before a Ḥaṭef-Qameṣ José Martinez Delgrado | The Making of Accumulative Lists in the Maḥberet of Menaḥem ben Saruq Hananel Mirsky | The Maḥberet Menaḥem According to the Critical Edition of Sáenz-Badillos Yosef Ofer | Two Masoretic Notes about Words Vocalized with a Qameṣ and Their Metamorphosis Steven E. Fassberg | Perfect Third Masculine Singular בעו and Related Forms in Samaritan Aramaic Yona Sabar | Hebrew in the Shadow of Neo-Aramaic: Mizraḥi Hebrew as Reflected in the Report of a Kurdish Hakham Traveling in Kurdistan in 1932 Moshe Kahan | The Transformation of Ellipsis from an Exegetical Rule to a Logical Theorem in Kaspi’s Work Michael Ryhzik | Orthographic Differences between Orders of the Mishnah in MS Kaufmann Yael Reshef | Distinctive Lexical Features in the Written Hebrew of the Revival Period Ora (Rodrigue) Schwarzwald | The Common Denominator Principle in the Formation of Israeli Hebrew Joseph Chetrit | Representations of the Jewish Community and Communal Ethos: A Socio-Pragmatic and Linguistic Analysis of a Hebrew Elegy by R. Shemuel Haliwa (Meknes, 1790) Joseph Tedghi | Neologism and Rare Forms in the Spiritual Works of the Sages of Morocco Ofra Tirosh-Becker | Hebrew and Judeo-Arabic of Bar Mitzva Homilies from Ghardaïa English Abstracts

The Stage as a Temporary Home : On Dzigan and Shumacher's Theater (1927-1980) has been designated as the winner of the prestigious Shapiro Award for 2019 for the best book in Israel Studies The Stage as a Temporary Home takes us through the fascinating stages in the life and career of the duo Shimen Dzigan and Isroel Shumacher , over the course of half a century - from the beginning of their work at the Ararat avant-garde Yiddish theater in Łodz, Poland, and to their Warsaw theater, where they produced bold, groundbreaking political satire. The book further discusses their wanderings through the Soviet Union during the Second World War and their attempt to revive Jewish culture in Poland after the Holocaust, and finally describes their arrival in Israel, first as guest performers and later as permanent residents. Despite the restrictions on Yiddish actors in Israel, the duo insisted on performing in their own language and succeeded in translating the new Israeli reality into unique and timely satire. In the 1950s, they voiced a political and cultural critique of a kind that was not heard on any of the Hebrew stages. After they parted ways, and following the death of Shumacher in 1961, Dzigan continued to perform on his own and with other Israeli artists until his death in 1980 . The book is based on rare recordings, transcriptions, programs, personal diaries, letters, photographs, oral testimonies, and critical articles, all of which come together to create the first critical portrait of this extraordinary duo. The book also examines their art, the connection between theater and politics, and the complex relationship between majority culture and minority language . The study includes several valuable indexes: of titles of programs and plays, of the artists who participated in them, of writers and the drafts they wrote, of actors and the programs in which they participated, and a general name index. The book also includes a facsimile of the manuscript Der Nayer Dybbuk [The New Dybbuk]. Click here for the English edition, published by De Gruyter in collaboration with Magnes Press

One of the world's most celebrated scholars, Stephen Greenblatt has crafted both an innovative work of history and a thrilling story of discovery, in which one manuscript, plucked from a thousand years of neglect, changed the course of human thought and made possible the world as we know it. Nearly six hundred years ago, a short, genial, cannily alert man in his late thirties took a very old manuscript off a library shelf, saw with excitement what he had discovered, and ordered that it be copied. That book was the last surviving manuscript of an ancient Roman philosophical epic, On the Nature of Things , by Lucretius—a beautiful poem of the most dangerous ideas: that the universe functioned without the aid of gods, that religious fear was damaging to human life, and that matter was made up of very small particles in eternal motion, colliding and swerving in new directions. The copying and translation of this ancient book-the greatest discovery of the greatest book-hunter of his age-fueled the Renaissance, inspiring artists such as Botticelli and thinkers such as Giordano Bruno; shaped the thought of Galileo and Freud, Darwin and Einstein; and had a revolutionary influence on writers such as Montaigne and Shakespeare and even Thomas Jefferson.