The book offers a new reading of Israeli prose written primarily in the 1980s and 1990s. During these decades, Hebrew literature freed itself from the aspiration to address a general (male) audience and began cultivating a new, more diverse readership. This audience was constructed through the direct address of literary texts to their readers. For women, who are often culturally directed to identify with the position of the (seemingly) passive listener of the story rather than the protagonist, this strategy offers a vital mode of engagement. Through close readings of contemporary Hebrew literature—including works by Orly Castel-Bloom, Yoel Hoffmann, Lea Aini, Yuval Shimoni, and Eda Zoritte—the book reclaims this position and demonstrates how it can be both productive and active.