The Second Commandment’s injunction against making graven images and likenesses resonates in all facets of Jewish visuality throughout the generations. Although Jews have always created and consumed art, the attitude to figural art –anthropomorphic and zoomorphic representations – has oscillated, like a pendulum, between strict prohibition and full permissibility. Figureless Art traces a lesser-known chapter in the history of Jewish art – a period governed by the swing to extreme stringency that left its mark on Late Antique synagogues in the Land of Israel. This anti-figural trend manifested in the avoidance of anthropomorphic and zoomorphic depictions and in the deliberate obliteration of anthropomorphic and zoomorphic figures on stone carvings and mosaic carpets that adorned the synagogues. What is the meaning of this strict trend? Did it emerge from within the Jewish world or was it stimulated, conversely, by external influences? Who was responsible for the effacement of the figures in the synagogues and when did these iconoclastic events occur? This book examines these phenomena through a broad historical, religious, and cultural perspective, based on visual and literary sources from Late Antique and early Muslim Palestine.

Ateret Zekenim is a work of historical research into the lives of several well-known medieval halakhists from France, Germany, and Spain. The primary focus of the book is biographical, and it attempts to resolve difficult questions that have puzzled the scholarly community for many years. Its author seeks to rely on the writings of his predecessors, but he first substantiates that these foundations were properly laid and that he is not adding to an edifice that is destined to collapse. Thus, for example, the author re-examines the story of Rabbi Asher b. Yeḥiel (Rosh)’s migration from Germany to Spain in the early 14th century, a migration that had a dramatic impact on the culture of Sephardi and Ashkenazi Jewry alike. Is the scholarly consensus – according to which Rosh meticulously planned his flight to distant Toledo, in an entirely different cultural realm, over the course of two decades – correct? After methodical examination of the sources, a very different story emerges. Rosh, and with him the Ashkenazi halakhic tradition, moved from Germany to Spain at the last moment, when there were no other options.

This anthology is a collection of stories, written by women at the turn of the twentieth century and published in the Yiddish press at that time. The have been translated to Hebrew for the first time. From its beginning the Yiddish press enabled all levels of society to sound their voices. Women too were quick to meet this challenge, and until the First World War more than ninety of their works were published: novellas, plays, fiction and a wide variety of short stories. This collection of nineteen stories represents this abundance and its unique qualities. It sounds anew the voices of forgotten women authors, who disappeared even from the eyes of critics and researchers: Maria Lerner, Isabella, Rokhl Brokhes, Yente Serdetsky, Salome Perl, Rokhl Feigenberg and others. Their stories open a window to the world of women at a time of dramatic changes in the lives of Jews in the Russian Empire. They portray conflicts between the generations, especially between the authors and their mothers, the dilemmas of love, and the anguished movement between the small town and the big city, between maintaining traditions and breaking free of frameworks. These stories highly enrich our knowledge of Jewish society at that time and are a fundamental expression of the part women played in that society.

Rabbi Moses ben Nahman (c. 1194-1267), rabbi, commentator, Kabbalist, and public leader, was one of the most prominent and influential Jewish figures in the Middle Ages. His diverse works reflect the history of Jewish communities in Western Europe in the thirteenth century and particularly the story of his own life. This book seeks to illuminate Nahmanides' works and beliefs, on the background of the challenges during his life. How was his thought formed, and what were its sources? In what stage of his life was he acquainted with the Kabbalah? To what extent was his immigration to Eretz Israel the consequence of Barcelona disputation? This book offers a new – historical-biographical – perspective for understanding Nahmanides' religious and intellectual world.

The dictionary is the fruit of a three-decade long research on the vocabulary distinctive of the contemporary Georgian-Jewish language, and especially its Hebrew component. This research is based on ongoing field work performed in various places in Georgia and in Israel. The vocabulary reflects the uniqueness of the language and culture, and to a large extent also the anthropology and history of the community of Georgian Jews.

In the history of halakhah, the treatment of uncertainty became one of the most complex fields of intense study. In his latest book, Moshe Halbertal focuses on examining the point of origin of the study of uncertainty in early rabbinic literature, including the Mishnah, Tosefta, and halakhic midrashim. The book explores instructions concerning how to behave in situations of uncertainty ranging from matters of ritual purity, to lineage and marriage, to monetary law, and to the laws of forbidden foods. This examination of the rules of uncertainty introduced in early rabbinic literature reveals that these rules were not aimed at avoiding but rather at dwelling in the midst of uncertainty, thus rejecting the sectarian isolationism that sought to minimize a community's experience of and friction with uncertainty.

This research project tries, for the first time, to analyze and compare all the key Spanish Jewish apostates, especially Petrus Alfonsi, Abner of Burgos, Geronimo de Santa Fe, Pablo de Santa Maria and Pedro de la Caballeria. The aim of this research is to understand the ideological background of the mass conversion of the Spanish Jewish community from the perspective of the intellectual elite involved in the conversion itself and not – as has usually been the case in modern scholarship – according to the rabbis who decided to stay Jewish. In the first part of the book, the author explains the impact of the conversion of a part of the Jewish intellectual elite on the Spanish Jewish population. In the second part, he examines the opinion of the various ideological converts regarding Christianity (especially the dogmas of the Trinity and Incarnation). In the third part, he analyzes their criticisms of Judaism. The main conclusion of this research is that there is a very important difference between the various converso intellectuals regarding the essence of Christianity. The conversos who were philosophers or kabbalists before their conversion continued with a similar approach even after their conversion, using their former philosophical/kabbalistic knowledge to try to convince their fellow Jews to convert as they had. The common denominator of the different writings of these apostates is not their opinions on Christianity but rather their similar criticisms of Judaism, and especially with regard to keeping Jewish religious obligations.

Galit Hasan-Rokem | Dov Noy – A Centennial Anniversary Amos Noy | Three Variants of a Riddle and a Solution: In Memory of Dov Noy Few articles in this issue : Avishar Har-Shefi | On the Beginnings of the Hasidic Story Itamar Dagan | Written New Year’s Greetings According to Texts from the Cairo Geniza and Rabbinic Literature Haya Bar-Itzhak z”l | The Dead and the Survivors: Historical Legends about Women during the1648/49 Pogroms as a Female Site of Memory Hanna Cohen-Perez and Esther Schely-Newman | Sainte Laktar (el Guettar) in Tunisia and Israel: Passages through Time and Space Michael Lukin | The Traditional Yiddish Lullaby as an East-Ashkenazi Phenomenon

This book focuses on a cycle of some thirty “praise” stories ( Shvachim ) whose heroes are Rabbi Shmuel the Pious and his son, the famous Rabbi Judah the Pious (died 1217; author of Sefer Hasidim ) – the two main figures of the medieval mystical circle known as Hasidut Ashkenaz. The narrative cycle in praise of these luminaries portrays them as extremely virtuous, as mystics with supernatural knowledge, and as masters of magical practices ( ba’alay shem ). Originating orally in Yiddish, these stories were first written down in Hebrew, the sacred language, and then translated “back” into Yiddish – the more widely understood language of the Ashkenazic community. The book presents all versions of these “praise” narratives, extant in manuscripts and print, both in Hebrew and Yiddish, side by side. A thorough introduction traces the growth of this narrative treasure from its embryonic oral beginnings to its fully developed bilingual written manifestations. A detailed analysis of individual stories sheds light on the cultural mentality of medieval Jewry in general and of Ashkenazic Jewry in particular.

The author of Sefer Emeq Ha-Bakha (The Vale of Tears), Yosef ha-Cohen, was a sixteenth-century Jewish doctor of Spanish origin who lived in Italy. This book was not printed in his lifetime. A few copies of the manuscript copied by hand survived. In this volume, Yosef ha-Cohen collected essays written about pogroms against the people of Israel during the Second Temple period and the loss of political independence in Eretz Israel.

Chronicle of French and Ottoman Kings was written by a sixteenth-century Jewish doctor of Spanish origin living in Italy. According to the writer, his intention was to document the hardships and injustices suffered by Jews in the Diaspora - especially the expulsion of Jews from Spain and France - and include them in the history of the conflict between the French kinds and Ottoman Empire over the rule in "the land of Judea and Jerusalem." In effect, this is a story, set in chronological order, of selected events in world history, similar in structure and content to hundreds of writings published at the time. It was written in fine biblical Hebrew, and as such was aimed at an audience who knew the language and could appreciate the conflict between the French kings and the Ottoman Empire as representing world history.

‏‏Deganit Berest is one of the prominent Israeli artists active today. Her many artworks span ‎between painting, photography, and installation. Her intricate works trigger and challenge ‎different interpretive moves. This book present eight of them, written by artists, philosophers, ‎curators and other scholars, unfolding a rich and diverse commentary on Berest’s works. In ‎addition to the papers, the book includes fragments written by the artist herself, unveiling ‎another perspective on the artworks, which usually remains hidden: the artist herself meditating ‎about her own works. ‎