Purchase of the subscription online includes domestic shipping to a pickup location. Other delivery options are available in the online form . International subscriptions are shipped via Fedex. The current subscription includes a double volume (77-78). Iyyun was established in 1945 as a Hebrew philosophical periodical by Martin Buber, S. H. Bergman and Julius Guttmann and is published by the S. H. Bergman Center for Philosophical Studies of the Hebrew University of Jerusalem. Iyyun has been rebranded, and as part of this renewal a number of thematic issues are published, aiming to advance contemporary philosophical discourse, primarily in Hebrew, to indicate new paths of thought and lines of original research, and to build bridges between academia and the broader public.‍ Iyyun seeks to give expression to a wide spectrum of writers, and is committed to cultural and ideological pluralism, scholarly excellence, high quality writing, and vitality of thought. This in the belief that philosophical thought has a formative role in local culture, and could be influential in shaping the sociopolitical sphere.

The Roman philosopher Seneca wrote the treatise on anger for his brother Novatus, who was not a philosopher but a statesman. The brother, governor of the province of Asia during the time of Emperor Nero, asked his philosopher brother to help him with practical advice on how to govern better and improve his relationship with his subjects, and in particular how to moderate and restrain anger, a disturbing emotion and sometimes even frightening in its outbursts. Seneca, as is evident from the treatise he wrote, thought that the best way was to prevent the outbreak of anger and the impulse that always accompanies it – to take revenge. The work sheds new light on the universal human emotion that dominates people of all times and generations, describes anger and its consequences, offers suggestions for controlling this harmful emotion with reason, and gives advice for preventing circumstances that may arouse anger and the urge for revenge that stems from it. To illustrate his points, Seneca brings a selection of historical events about the behavior of rulers who can take revenge on their subjects as they please, and about the subjects' methods of survival.

Trusting the Process offers a fresh approach for anyone working or dealing with older individuals by employing new and exciting custom methodologies in psychodrama, particularly for clients with Alzheimer's disease or other forms of dementia. This book offers a general explanation of the use of psychodrama by giving an overview of the therapeutic use of drama in all its forms, clearly explaining the concepts and methods and describing the rationale of every intervention while also following a group over six years with precious documentation of the group process. It addresses the main concerns of those who suffer from dementia - adjusting to a new and changing level of functioning, fostering a sense of belonging, preserving their innate dignity and redefining relationships and roles. This practical guide will help therapists, social-workers, family and other care-givers, teachers and medical professionals working with older clients seeking comfort from the loneliness of old-age and dementia.

In this issue we sought to give expression to the historical dimensions of the philosophical debate on the concept of "identity" as well as to discuss philosophical questions about identity related to this time: What is the place of "selfhood" in an era of rapid change? What is the relationship between personal identity and the consciousness of identity? What is the relationship between psychoanalytic conceptions of identity and the decomposition of the concept of identity in postmodern thought? What role should personal, national, and religious identity play in a multicultural and global world? How should the place of individuation processes – private, social, technological, and environmental – in the establishment of identity be understood? And can philosophical identities be characterized in the struggle for peace, justice, and human rights?

Selected articles from current issue: Amir Banbaji | More Figurative than all Other Songs. A Study of the Pre-Maskilic History of the Hebrew Melitsah Nurit Barnea-Bernheim | ‘Total Love’: The Story of Miriam in ‘The Tale of the Scribe’ by S.Y. Agnon Neta Stahl | ‘How Come I Love the Ugav?’: The Ugav in Uri Zvi Grinberg’s Poetry Roy Greenwald | Kin of Dust: On Al Hakhmot Derakhim by Avot Yeshurun

The Politics is a foundational work of Greek philosophy and a cornerstone of Western political thought. It is an investigation into the nature of the polis (the city-state), which Aristotle defines as a partnership of a certain kind among similar people for the sake of the best attainable life. In this inquiry, Aristotle seeks to determine how a virtuous and flourishing city is constructed and sustained. In Books VII–VIII - presented here for the first time in Hebrew - Aristotle depicts a vivid portrait of the ideal Greek city, and formulates a guide for the establishment of a flourishing city.

Within the Babylonian Talmud are dozens of stories depicting sharp confrontations between the Amoraim, the Talmudic sages. These narratives portray the charged relationships among the sages, the emergence of conflict, and the profound emotional harm that results from it. Why do conflicts among the creators of Talmudic literature occupy such a central literary place? This book examines these stories as a distinct literary corpus. The analysis shows that the conflicts consistently center on one domain: injury to personal honor. They are also marked by a characteristic plot structure, in which conflict develops unintentionally and escalates uncontrollably, leading to a rupture between the characters. Using tools from narrative theory and comparative poetics, the book explores how these stories operate. They draw the reader into a web of misunderstandings and communicative failures, making simple moral judgment difficult. Instead, they direct attention to the inner and interpersonal worlds of the characters, and to the literary construction of the Talmudic study house as a space of mutual dependence and identity formation.

MA‘ARAG: The Israel Annual of Psychoanalysis is a democratic, refereed annual publication, evaluated and edited by academicians, intellectuals in related fields, and clinicians. The journal, dedicated to research in psychoanalytic theory, practice and criticism, is the fruit of the initiative and cooperation of the Sigmund Freud Center for the Study and Research in Psychoanalysis of the Hebrew University, the Israeli Association for Self Psychology and the Study of Subjectivity, Israel Society for Analytical Psychology, Israel Psychoanalytic Society, Clinical Division of the Israel Psychological Association, Israel Institute for Group Analysis, Israel Institute of Jungian Psychology, The Sigmund Freud Chair of Psychoanalysis of the Department of Psychology, The Hebrew University, Tel-Aviv Institute for Contemporary Psychoanalysis, The Winnicott Center in Israel and the New Israeli Jungian Association. From this issue: Anat Tzur Mahalel | "THE STILL-TENDER MEMORY OF CHILDHOOD": SIGMUND FREUD AND WALTER BENJAMIN ON IMAGES OF CHILDHOOD Orit Yushinksy | THE ETHICS OF MEMORY AND FORGETTING Merav Roth | LIVING AFTER DEATH: FROM MELANCHOLIC DEADLOCK TO SYMBOLIC CONTINUITY Yael Khenin | CONTAINMENT CREATED THROUGH SPIRAL MOTION: THE COMPLEX INTERACTION BETWEEN EXTERNAL AND INTERNAL REALITY IN TIMES OF WAR, LOSS AND TURMOIL Nilly Szor | INSCRIBING PAIN: THE PHENOMENON OF OCTOBER 7 TATTOOS AS AN EXPRESSION OF PERSONAL AND COLLECTIVE TRAUMA Michal Bat Or | PSYCHOANALYTIC THOUGHTS ON WRAPPING AS A PSYCHIC MOVEMENT IN ART AND ART THERAPY IN THE CONTEXT OF COLLECTIVE TRAUMA Basmat Klein | "MEMORY FREEZE-FRAMES": ON PHOTOGRAPHY AND PSYCHIC PROCESSING Tammuz Aflalo | THE HOME NESTING METAPHOR: PHANTASY, THE UNCANNY, AND THE PSYCHIC POSITION Shai Levinger and Nurit Perl | REFLECTIONS ON TRANSFORMATIVE PROCESSES OF THE SELF IN PSYCHOANALYTICALLY-ORIENTED MUSIC THERAPY Alon Roe | THE ROLE OF MOVEMENT IN ESTABLISHING THE DISTINCTION BETWEEN INTERNAL AND EXTERNAL IN FREUD

Simon Bernfeld (1860–1940) was one of the most popular Jewish European writers of the early twentieth century. A prolific bestselling author in a broad range of fields of history and Jewish studies, and a pivotal figure in the renaissance of Jewish national culture. His oeuvre encompassed dozens of books, hundreds of essays, and thousands of daily columns published in Hebrew and German. Yet despite his vast influence, Bernfeld remained outside the mainstream. His prominent presence until the late 1920s stands in stark contrast to his subsequent obscurity. This gap prompts for an examination of whether his “forgetting” was deliberate and connected to the historical narrative he sought to promote. His political views, expressed in his sermons as a modern rabbi in Belgrade, in his polemic essays criticizing both the rabbinate and the Zionist Congress, were similarly marginalized. On The Margins: A Biography of Simon Bernfeld unfolds a biography woven into the history of the Jewish intelligentsia circles in Galicia, his birthplace, and Berlin, where he lived for many years until his death. His correspondence with a wide array of figures reviles the emergence of Hebrew mass media and a national canon. Through spatial and cultural analysis, exploring themes of Jewish imperial relations and intra-European migration, the book maps the Jewish intellectual networks of Galicia and the Pale of Settlement, examining their impact on the formation of Jewish cultural and intellectual power centers at the turn of the nineteenth and twentieth centuries.

Few texts have left a mark on history as profound as The Communist Manifesto . First ‎published in 1848, this brief yet explosive work by Karl Marx and Friedrich Engels became ‎one of the most influential texts in the formation of modern society and the modern self. It ‎ignited revolutions, inspired political movements, and provoked fear, resistance, and ‎enduring controversy, while offering a powerful framework for understanding the economic ‎and social forces that continue to shape our world.‎ But The Communist Manifesto is more than a political program. It is a striking work of ‎philosophical and moral reflection, grappling with the human condition in a world defined ‎by perpetual change—a world of capitalism, restless desire, and the drive toward ceaseless ‎innovation. Read anew, the Manifesto emerges as a mirror of our present moment, ‎challenging us to rethink freedom, justice, and the transformative power of ideas.‎ This book offers a fresh introduction to The Communist Manifesto and its place in the ‎history of ideas. Through close reading and conceptual analysis, it seeks to restore the ‎text’s vitality—not as a document of the past, but as a living invitation to reflect on the ‎present and imagine our collective future.‎

In the philosophical and psychological tradition, the concept of imagination is associated, first and foremost, with the human mind’s ability to intend and depict to itself objects that are not directly present before it. In contrast to sensory perception, imagination is often linked to a spectrum of mental states—such as fantasy, hallucination, and dream—that are freed from the burden of factuality and the logic of what is possible within its bounds. Such states are typically of interest because of the creative—sometimes anomalous—potential they hold, even though they are generally understood as secondary additions to the project of human knowledge. Imagination—in all its material expressions—not only presents us with spaces of unrealized possibilities but even with ones that cannot be realized at all in reality, and in this sense, they are beyond reality, "outside," or "above" the real. Thus, in its literal sense, imagination is surrealism. Once we recognize the imagination’s potential to challenge the existing order, it is no longer possible to think of reality and imagination as two entirely separate domains, and the question of the interaction between them becomes more pressing and clear.

Martin Buber aroused passionate, often contradictory opinions, both regarding his personality and his thought. Gershom Schocken, editor of Haaretz , said that one day he was walking with S. Y. Agnon: "We were walking around Talpiot and I asked him what his attitude was towards Buber. Agnon stopped in his walk and said: 'I want to tell you something. There are people about whom you have to decide once: do you love them or do you hate them. I decided to love Buber.'" Buber's philosophical and theological writings, including the famous I and Thou , have contributed greatly to religious and Jewish thought, as well as to biblical studies, political theory, and Zionist thought. In this new biography, Paul Mendes-Flor situates Buber's legacy at the crossroads between the intellectual and cultural life of German Jewry and European life in the first half of the twentieth century. This is the first full biography of the groundbreaking modern Jewish philosopher. The book is organized around several key events in his life, such as his mother suddenly abandoning him when he was three years old—a formative trauma that left Buber with a lasting sense of sensitivity to the fragility of human relationships and the need to nurture them with what he would later call "dialogical attention."