The Decisive Decade (1939–1949) examines the encounter between the needs of the Yishuv (the Jewish community in the Land of Israel) and those of North African Jewry. It explores the implications of this encounter for the eventual end of the Jewish presence in North Africa and the period's influence on the patterns that characterized that conclusion. The book analyzes this era through the lenses of decolonization processes, French policy in North Africa, the functioning of Jewish leadership, and—above all—the ways in which North African Jews shaped their own world and future during this time. Topics discussed include: Muslim and French colonial societies and their attitudes toward immigration to the Land of Israel; stages of clandestine immigration ( Ha'apala ); early points of contact between North African Jews, Holocaust survivors, and the Yishuv society; the period's impact on decolonization; the protection of the Jewish population; the roots of the ethnic divide in the Land of Israel; and the shaping of the historical memory of this era.

Carnival and Canon examines the emergence and development of the Purim parody, a distinctive genre of Jewish literature that flourished from the Middle Ages onward. Created for the annual celebration of Purim, these humorous works transformed the language and forms of canonical Jewish texts, including the Talmud, the Hebrew Bible, liturgy, and prayer, into playful parodies centered on the festive customs of eating, drinking, and revelry. Situated at the intersection of the sacred and the secular, elite literary culture and popular humor, the genre offers a unique perspective on the cultural life of medieval and early modern European Jewry. The book focuses on the three most influential Purim parodies: Masekhet Purim by Kalonymus ben Kalonymus (1324–1328), and Megillat Setarim together with Sefer Ḥabakbuk by Rabbi Levi ben Gershom (Gersonides, 1332). First printed together in 1513, these works circulated widely in manuscript and print and inspired generations of later Purim parodies. Combining literary analysis with cultural history, the book explores the Jewish and non-Jewish intellectual contexts in which these texts were written, their role in Purim celebrations, and their reception over several centuries. It presents the first comprehensive historical study of a genre that illuminates the dynamic relationship between ritual, humor, and literary tradition.

They were ordinary people – citizens of Mandatory Israel – Jewish women, children and men who had traveled to visit Poland and with the German occupation were unable to return home. Most of them remained in Poland and became hostages, captured by Nazi Germany, who used them to exchange them for German Templars living in Israel. The Drowning Person Grabs at Straws follows their journeys, the actions taken to rescue them, the many efforts invested by various political elements, and the pressure exerted by the families in the country to return them. Ultimately, in December 1941 and November 1942, about 120 civilians – “uninvolved” – were returned to their homes in Israel, and upon their arrival, they gave testimonies about the fate of the Jews in Poland that shocked the Yishuv. Another hero of the book is the foreign passport. Immediately after the German occupation, Polish Jews believed that a foreign passport could save them. Demand increased in 1943 after the mass murder of the Jews. Those who survived lived under false identities or in hiding. For some, these were shaky solutions, and they hung their lives on foreign papers, mainly from Latin American countries, which were bought for a lot of money. The Germans lured and hunted them down, and concentrated them in a special camp in Bergen-Belsen. Thus, the Jews with foreign passports once again became hostages, until they were murdered. However, not all of them were murdered. Out of 2,500 people, a group of 275 Jews who held British-Eretz Israel passports, and dozens more citizens of the United States and South America, arrived on Liberation Day and were saved. The book won the "Am Ve'olam" prize in the name of the late Bella and Shlomo Bartal for an outstanding book in history.

The story of the migration of German Jews between the two world wars is a multifaceted story that spans different routes and destinations: to the United States, the Land of Israel, Britain, and other places in the world. The book explores this story from a comparative perspective and from the perspective of the immigrants themselves. In this way, the envelope that defines the migration of Jews from Germany as a movement of purely persecuted refugees, as passive objects swept along in the course of history, is unraveled. The book seeks to examine the decisions of migration, its timing, and its destinations, and to illuminate the similarities and differences in the identities of the immigrants at different times and destinations. To this end, it traces the course of immigration from the moment the decision to emigrate was made, the choice of timing and destination, the obstacles and opportunities, to the patterns of adaptation in the destination countries and the role played by immigrant groups in the host countries. This historical perspective places the question of whether the immigration of German Jews created a distinct German Jewish diaspora or whether it marked the end of the German chapter in Jewish history at the center.

At the heart of this book’s ten chapters stands the rich, multifaceted figure of the mother. Are the Jewish mother and the Israeli mother one and the same, or does each have her own distinct identity? What are the enduring and evolving hallmarks of this maternal figure, and how are they reflected in songs in Hebrew and Yiddish? This is a guided journey through the fascinating, dizzying transformations of beloved and half-forgotten songs and melodies. The book's close readings bring these songs to life, offering a window into the worlds of their creators and shedding light on the events and processes that have shaped the Jewish people and Israeli society across the generations. Brimming with information, insights, and delightful curiosities, and accompanied by dozens of illustrations, this book is the fruit of meticulous research, written in clear, fluid, and utterly engaging prose. It is a book every mother will want to read, and that every son and daughter will want to give her as a gift of love.

Prof. Heinrich Mendelssohn was a young student of medicine and zoology in Berlin, where he was born in 1910. When the Nazis came to power, he immigrated to Israel with his family, completed his studies at the Hebrew University in Jerusalem, where he also wrote his doctoral thesis in zoology. Mendelssohn invested great efforts to expand zoological knowledge in Israel, and later became the director of the Zoological Institute, one of the cornerstones of Tel Aviv University. He served as vice president of the university and dean of the Faculty of Natural Sciences. His extensive research earned him the title of "the father of zoology" in Israel and one of the founding fathers of the field of nature conservation. From the beginning of his studies at the Hebrew University of Jerusalem, Mendelssohn kept a journal in which he recorded his observations of flora and fauna throughout the country and neighboring countries. The Journal was recorded in many notebooks from the year of his immigration, 1933, until 1958. He made many drawings of birds and other animals. In his wonderful drawings, he "captured" the character of the subjects and their behavior in a unique way. Many of them accompany the pages of this book. The journals are a document of enormous importance for the study of nature in our country, a basis and source of information that provides contemporary researchers with the possibility of understanding and researching many processes that have occurred since then and to the present day. Those who peruse the book will learn a lot about Mendelssohn's path and will be able to learn firsthand about the character of our rich animal world in the first half of the twentieth century.

A Guide to Jewish Warsaw 1938 is an extraordinary book, describing a place that no longer exists: Jewish Warsaw was, as is well known, utterly destroyed in World War II. And yet, the book seeks to pretend as if everything is still intact, and it is possible to go on a tour following it or embark on an imaginary journey. Every detail is based on information pertaining to Jewish Warsaw in 1938 from countless sources: newspapers, literature, travel guides, written and oral memoirs, archives, interviews, films, and exhibitions. A Guide to Jewish Warsaw 1938 seeks to reveal the beauty hidden from the eye in the largest Jewish city in Europe before the war. The acquaintance with Jewish Warsaw is made through general and useful introductions, describing its history, its beliefs and opinions, its unique language, and its tastes and smells. At the center of the book are seven walking tours, revealing the city's delights: the antique bookstores on Świętokrzyska Street; the buffet at the Writers and Journalists Association at Tłomacka 13; the "Maccabi" swimming pool and the Bund's sports field; cantorial music at the Great Synagogue and Hasidic melodies in the Modrzyc courtyard in the resort town of Otwock; the summer terrace at the Rubinchik cafe, opening onto Krasiński Garden, "the Jewish Garden"; modern marble sculptures in the cemetery; the "Tel Aviv" cafe on Nowolipie Street; the treasures in the Jewish Museum; courtyards that are a world of their own on Nalewki Street and its surroundings, and much more.

The book sheds light on the aims and achievements of the twelve first female members, who served in the first Israeli Knesset, and in particular on the perception of the status of women in the early years of the state. This study examines the heated debates that arose with the legislation of the following laws: the Marriage Age Law; the Income Tax Ordinance, which serves as a mirror of the status of the married woman; the Security Service Law, which can contribute to the understanding of Israeli society; and the Women’s Equal Rights Law of 1951, whose enactment concluded the work of the first Knesset. The influence of this legislation is felt to this day.

Immediately upon the establishment of the State of Israel, Israel welcomed approximately 720,000 as part of the Great Aliyah. More than one third of these newcomers, immigrants and refugees, were housed in immigrant camps and later in transit camps known as maabarot . Some were later removed from them or left on their own accord; others remained in the maabarot for many years, and the maabarot remained within them. In their early years, the maabarot played an important social role and gave rise to new interethnic relations and new identities. Within a short period of time, and in a space intended to serve as a temporary way station, a shared form of existence emerged in the maabarot. It established principles of organization, fostered cooperation that crossed boundaries of ethnic and communal origin, and created communal cohesion that developed despite the limitations imposed by the absorbing establishment. This book reexamines life in the maabarot through a division into three distinct subperiods that reflect profound changes in social composition, in patterns of power, and in the immigrants’ consciousness of identity. The elimination of the heterogeneity that had characterized the social fabric not only changed the status of the residents in the eyes of the state and society, but also narrowed the social and future possibilities that had opened before them. Through an examination of diverse sources, a detailed depiction of everyday life, and a thematic analysis of language, religion, and education, a formative chapter in the social history of Israel is revealed through the world of the immigrants as they themselves shaped it. From a charged encounter among diasporas, social groups, and a harsh, brutal, and impossible daily routine, a society emerges that has until now remained at the margins of historical research.

The Italian commedia dell’arte troupes roamed across Europe for two hundred years, captivating wide and diverse audiences. The performances of the commedia dell’arte were improvised, as the actors executed on stage a concise outline of a play, called "scenario". This book presents, for the first time in Hebrew translation, complete scenarios written by one of the greatest men of the Italian Renaissance theater, Flaminio Scala. The scenarios are accompanied by annotations and a comprehensive essay that reviews Scala’s life and work, and presents his scenario as a perfect recipe for comic improvisation. The book will therefore be of interest to theatre enthusiasts and scholars alike, and will provide directors, actors, and acting students with new and refreshing tools for staging comedies.

Muslim beliefs have inspired charitable giving for over fourteen centuries, yet Islamic history has rarely been examined from this perspective. In Charity in Islamic Societies , Amy Singer explains the basic concepts and institutions of Muslim charity: the obligatory annual payment of zakat together with voluntary donations of all sizes, undertaken at every level of society, and across the span of individual lifetimes. Charitable endowments – established by rulers, wealthy individuals, and even those of more modest means – shaped Muslim societies, cultures, and landscapes in ever era. This book demonstrates how historical circumstances, social status, gender, age, and other factors interacted with religious ideals to produce a vast array of charitable practices, from the early days of Islam to the present. Relying on evidence from written texts, buildings, images, and objects to anchor the discussions in each chapter, the author explores the motivations for charity, its impact on the rich and the poor, and the politicization of giving, arguing that the study of philanthropy affords a unique prism through which to examine the past.

In this issue: Diego Rotman | The Sukkah and Its Double: Copies, Variants, and the Stereoscopic Image Shani Tamari Matan | The First Hebrew Dance-Gathering at Kibbutz Dalia (1944): Decoding of an Archival and Choreographic Event Hagar Salamon and Carmela Abdar | Glory of the “Sets”: Praxis and Meaning of Dressing Children in Haredi Families in Israel Ravit Raufman | The October 7 Massacre in Light of the Folktale “The Wolf and Kid”: A Realization of Primal Fantasy Ronni Shaked | Commemoration and Conflict: How the Palestinian Calendar Shapes Identity and Resistance