This wide-ranging book shows how, since the first centuries of the Christian era, gentiles have associated Jews with noise. The study focuses on a “musical libel" - a variation on the Passion story that recurs in various forms and cultures in which an innocent Christian boy is killed by a Jew in order to silence his “harmonious musicality.” In paying close attention to how and where this libel surfaces, Ruth HaCohen covers a wide swath of Western cultural history. The author combines in her analysis the perspectives of musicology, literary criticism, philosophy, psychology, and anthropology, tracing the tensions between Jewish “noise" and idealized Christian “harmony” and their artistic manifestations from the high Middle Ages through Shakespeare, Bach, Wagner, George Eliot, Kafka, Schoenberg and others. She explores testimonies by outsider visitors of synagogues, operas, caricatures, and Nazi movies. Her analysis shows how entrenched aesthetic-theological assumptions have persistently defined European culture and its internal moral and political orientations. Following the publication of the book, the author received two prestigious awards: the Polonsky Award for Creativity and Originality in the Humanities, and the Kinkelday Award from the American Musicological Society for the best book in musicology published in 2011 .

The study of liturgy is intrinsically interdisciplinary and comprises elements of music, drama, theater and devotion that are of great consequence to believers and scholars far and wide. Liturgy is both history and theology, purporting to reflect and propagate values that inform individuals and communities alike, playing a vital role in the construction of sacred and lay memory and identity. As a multi-sensory experience, liturgy maintains a dynamic relationship with the surrounding space and its visual components, including art, artifacts and architecture. The essays in this book examine diverse aspects of liturgy and the arts, and were written by scholars working in the disciplines of musicology, social and cultural history, art history, material culture, and the history of the Jews and Christians in the Middle Ages and beyond. The articles engage in a comparative and interdisciplinary discourse, in order to contextualize the liturgical practices within the production of medieval cultural memory, and within the symbolic traditions expressed through liturgy and the arts. Primary sources include texts, rituals, music and visual media from Western Europe (Christian and Jewish) and the Latin Levant. The study of written, visual and musical constructs identifies the values and ideals conveyed and instilled through Jewish and Christian liturgical commemoration, and explores how these activated the faithful's idea of community and their place within it.

Few articles in this issue: Uri Ehrlich and Vered Raziel-Kretzmer | Prose or Poetry? - Clarifying the Eretz Israel Version of the ‘You Smote’ Passage in the Maʿariv Prayer Avi Shmidman | Did Palestinian Qinnot Serve as Seliḥot in the Babylonian Rite? Michael Rand | Interdigitated Piyyutim and the Principle of Polyphonic Performance in Late Eastern Piyyut Ophir Münz-Manor | Analog Piyyut in a Digital World: Towards Computational Study of Payytanic Literature Eden Hacohen | ‘God has made the one as well as the other’ ‒ Parallels and their Deconstruction in Piyyut Dalet of Yannai’s Qedushta’ot

For some, on Yom Kippur the fast pace of life stops and the needs of the body seem to fade away, while the person stands before God. On this day, during the time of El'azar Berabbi Qillir the people of the Land of Israel used to stand at the synagogue throughout the entirety of the holy day, listening to the public representatives who prayed and prayed. The material for these long prayers was supplied by the poets, with El'azar Berabbi Qillir at the forefront. He renewed his piyyutim time and time again, presenting to his listeners new and spectacular Kedushtaot meant to replace the former poems. In these works he gave a voice to the audience standing at the doorstep and anticipating redemption. Other than descriptions of prayers and asking for forgiveness, the piyyutim include a variety of themes like the work of the High Priest at the Temple on Yom Kippur; the praise of God and His greatness, often in comparison to the futility of man; and the story of Elijah the Prophet on Mount Carmel and his prayer. The patriarchs are also present in almost all the works, with the angels joining the prayers of humans. This is only a taste of the astounding wealth found in the piyyutim in the book.

The two decades since the last authoritative general history of Dutch Jews was published have seen such substantial developments in historical understanding that new assessment has become an imperative. This volume offers an indispensable survey from a contemporary viewpoint that reflects the new preoccupations of European historiography and allows the history of Dutch Jewry to be more integrated with that of other European Jewish histories. Historians from both older and newer generations shed significant light on all eras, providing fresh detail that reflects changed emphases and perspectives. In addition to such traditional subjects as the Jewish community’s relationship with the wider society and its internal structure, its leaders, and its international affiliations, new topics explored include the socio-economic aspects of Dutch Jewish life seen in the context of the integration of minorities more widely; a reassessment of the Holocaust years and consideration of the place of Holocaust memorialization in community life; and the impact of multiculturalist currents on Jews and Jewish politics. Memory studies, diaspora studies, postcolonial studies, and digital humanities all play their part in providing the fullest possible picture. This wide-ranging scholarship is complemented by a generous plate section with eighty fully captioned colour illustrations.

The essay that forms the core of this book is an attempt to understand the developments that have occurred in Orthodox Jewry in America in the last seventy years, and to analyse their implications. The prime change is what is often described as ‘the swing to the right’, a marked increase in ritual stringency, a rupture in patterns of behaviour that has had major consequences not only for Jewish society but also for the nature of Jewish spirituality. For Haym Soloveitchik, the key feature at the root of this change is that, as a result of migration to the ‘New Worlds’ of England, the US, and Israel and acculturation to its new surroundings, American Jewry—indeed, much of the Jewish world— had to reconstruct religious practice from normative texts: observance could no longer be transmitted mimetically, on the basis of practices observed in home and street. In consequence, behaviour once governed by habit is now governed by rule. This new edition allows the author to deal with criticisms raised since the essay, long established as a classic in the field, was originally published, and enables readers to gain a fuller perspective on a topic central to today’s Jewish world and its development.

Korot is devoted to the study of the philosophical, sociological and ethical aspects of the history of medicine and Judaism. The topics covered by the Journal include: medicine in Jewish and Hebrew sources, the history of Jewish physicians, medicine in Palestine and Israel and medicine during the Nazi period. Each volume contains mostly English-language articles, together with some Hebrew contributions (abstracted in English). The "Historical Notes" and "Notes and Events" sections cover recent important developments and events in the above mentioned topics around the world. Each issue also includes several reviews of noteworthy books and contributions to the field. In this issue - Ethics and the Health Professions: Education of the Holocaust and Healthcare.

In the late fifteenth century, many of the Jews expelled from Spain made their way to Morocco and established a dynamic community in Fez. A number of Jewish families became prominent in commerce and public life there. Among the Jews of Fez of Hispanic origin was Samuel Pallache (circa 1550-1616), who served the Moroccan sultan as a commercial and diplomatic agent in Holland until Pallache's death in 1616. In Samuel Pallache , his world is viewed as a microcosm of early modern society, one far more interconnected, cosmopolitan, and fluid than is often portrayed. Pallache's missions and misadventures took him from Islamic Fez and Catholic Spain to Protestant England and Holland. Through these travels, the authors explore the workings of the Moroccan sultanate and the Spanish court, the Jewish communities of Fez and Amsterdam, and details of the Atlantic-Mediterranean trade. At once a sweeping view of two continents, three faiths, and five nation-states and an intimate story of one man's remarkable life, Samuel Pallache is history at its most compelling.

Kobez Al Yad , an annual of the Mekize Nirdamim Society, is a forum for the publication from manuscript sources of ancient texts in Jewish studies that are shorter than book-length. Among the articles in this issue: Dan Greenberger | An Essay on the Ten Commandments attributed to R. Saadia Gaon Haggai Mazuz | Ma'aśeh Mehmeṭ: Re-examination and Critical Edition Gad Freudenthal and Hannah Kasher | Kalonymus ben Kalonymus rebukes Joseph Ibn Kaspi Pinchas Roth | A Collection of Rulings from Medieval Montpellier Eliezer Schlossberg | The Commentary of R. Avraham ben Shelomo the Yemenite on the Book of Zephaniah: A Critical Edition

The book describes the Copernican Revolution, initiated by the publication of On the Revolution of the Heavenly Spheres by Copernicus until it was accepted by the Scientific Community. The book follows the dramatic turns of the plot of the struggle for scientific truth, along with the conflict between the church and Galileo. Finally, the book brings the modern proofs for the Copernican model, including the very recent discoveries of extra-solar planets.

The 33 essays in this book, most of which were published during 1965-1970 in La Stampa , are the diary Natalia Ginzburg never wrote. The essays depict everyday life, its randomness and chaos. Through them she discusses her own self, her literary passions, the thoughts she has while listening to music, watching an opera or a comedy, reading a book or newspaper, or while observing her children and grandchildren. She touches upon subjects like the loneliness of childhood, the dreariness of old age, the belief and disbelief in god. These essays portray an extraordinary portrait of the author as shy, quiet and fragile, but also as determined and aware of the significance of words. Mai devi domandarmi expresses the unique literary quality in Ginzburg's writing, which oscillates between autobiographical and testimonial.

Articles in this issue : Hallel Baitner | Sprinkling at the Temple Entrance: A Forgotten Temple Ritual Gideon Libson | Maimonides and the Muslim Theologian Muhammad Al-Ghazali on the Generality of Law and the Doctrine of Distinction Yosseph Schwartz | Maimonides’ Guide of the Perplexed in Jewish and Christian Mysticism: A Chapter in Comparative Historiography Adam Afterman and Ido Pinto | On Apotheosis in the Kabbalah of Rabbi Bahya ben Asher