Bearing Witness to the Witness examines the different methods of testimony given by trauma victims and the ways in which these can enrich or undermine the ability of the reader to witness them. Years of listening to both direct and indirect testimonies on trauma have lead Dana Amir to identify four modes of witnessing trauma: The “metaphoric mode”, the “metonymic mode,” the “excessive mode”, and the “Muselmann mode.” The author thus demonstrates the importance of testimony in understanding the nature of trauma, and therefore how to respond to trauma more generally in a clinical psychoanalytic setting. In order to follow these four modes of interaction with the traumatic memory, the various chapters of the book present a close reading of three genres of traumatic witnessing: Literary accounts by Holocaust survivors, memoirs (situated between autobiographic recollection and fiction) and ‘raw’ testimonies given by Holocaust survivors. Since every traumatic testimonial narrative contains a combination of all four modes with various shifts between them, it is of crucial importance to identify the singular combination of modes that characterize each traumatic narrative, focusing on the specific areas within which a shift occurs from one mode to another. Such a focus is extremely important, as illustrated and analysed throughout this book, to the rehabilitation of the psychic metabolic system which conditions the digestion of traumatic materials, allowing a metaphoric working through of traumatic zones that were so far only accessible to repetition and evacuation.

Replacing Myself with Myself is the fifth selection of Michael Handelzalts's weekly columns, written and published in the Haaretz newspaper between June 2005 and November 2008. Anchoring his amused musings in the headlines, he ponders, among other things, on the kind of fruit with which the Snake and Eve had tempted Adam in the Garden of Eden, on the virtues of good spirit, and on other matters, most of them highly immaterial. A selection of his columns, Histoires d’en lire, was published in French in 2001 by Gallimard.

This volume presents twelve scholarly chapters by Prof. Ilan Eldar, discussing ancient Hebrew vocalization methods and reading traditions (pronunciation and configuration) among Jewish communities, especially among ancient Ashkenazi communities. These chapters have been published over the years as separate essays, and are compiled here for the first time. This volume contains the following chapters: Chapter 1: The Palestino-Tiberian Vocalization Chapter 2: The Vocalization of the Passover Haggada in Mahzor Vitry Chapter 3: The Sources of the Hebrew Reading Traditions in the Middle Ages Chapter 4: The Research of Oral Reading Traditions of Hebrew Chapter 5: The Hebrew Reading Traditions of the Baghdadi Community Chapter 6: Doublets in the Language Traditions of Hebrew Chapter 7: The Pre-Ashkenazi Reading Tradition Chapter 8: The Sources of Ashkenazi Reading Tradition Chapter 9: Vocalization Systems and Pronunciation Traditions of Hebrew Chapter 10: The Contribution of Prof. Shlomo Morag to the Study of the Hebrew Language Heritage of the Yemenite Jews Chapter 11: Neologisms in the Piyyutim of the Ashkenazi Mahzorim Chapter 12: Post-Biblical Forms in the Ashkenazi Tradition as Reflected by the Vocalization of the Worms Mahzor

Music, which speaks in the language of tones, tends to elude attempts at a description in words. Precisely for this reason, perhaps, it has always posed a great challenge to authors, who have been writing musical works and performances throughout the generations. Contrary to what might be expected, literature is far from unanimous in praising music. Frequently, it assigns it dark powers and presents it as dangerous. This two-volume study is the most massive attempt yet to survey the moment musicaux (musical moments) of world literature. Volume I contains a thematic mapping of some 250 literary representations of music; volume II offers an in-depth analysis of 30 of them .

MA'ARAG: The Israel Annual of Psychoanalysis is a democratic forum for psychoanalytic research, practice, and criticism published through the initiative and cooperation of the Sigmund Freud Center for Study and Research in Psychoanalysis of the Hebrew University, Israeli Association for Self Psychology and the Study of Subjectivity, Israel Society for Analytical Psychology, Israel Psychoanalytic Society, Israel Institute for Group Analysis, Tel-Aviv Institute for Contemporary Psychoanalysis, and the Israel Association for Psychoanalytic Psychotherapy. This issue contains the following essays: Hila Elyakam and Devora Rosner-Wachs | THE ROLE OF THE BODY EN ROUTE TO BUILDING THE BIONIAN CONTAINER: INTEGRATING SOMATIC EXPERIENCE AND PSYCHODYNAMIC PYCHOTHERAPY Dana Amir | STUDIUM AND PUNCTUM IN PSYCHOANALYTIC WRITING Dana Amir | THE ‘NEWSPEAK’ OF THE PERPETRATOR: REFLECTIONS ON THE PHENOMENON OF SCREEN CONFESSIONS Dorit Ashur | FREUD AS “MIDWIFE TO THE SOUL”: THE RESTORATION OF MATERNAL SEMIOTIC PROFUSION IN H.D.’S ANALYSIS WITH FREUD Micha Weiss | ETHICAL PRESENCE IN THE PSYCHOANALYTIC ENCOUNTER: APOLOGY AS A POSSIBILITY Naomi Teller | TWO POEMS: TO CONTAIN DESIRE Moshe Landau | ON TRANSFORMATION FROM CHAOS AND BECOMING TO RHYTHM AND MENTALIZATION, AND THE RHYTHM IN THE TRANSFORMATION PROCESS FROM ‘O’ TO ‘K’ Rivka Matzner | PSYCHOANALYTIC CONSIDERATIONS ON THE MEETING POINT BETWEEN THE LURIANIC CONCEPT OF “LIGHTS AND VESSELS” AND BION’S CONCEPT OF “CONTAINER-CONTAINED” Ruth Netzer | ‘LISTEN TO HER’: POEMS ON THE ANALYST-PATIENT RELATIONSHIP Gila Ofer, Batya Shoshani and Michael Shoshani | WHEN ONE PLUS ONE EQUALS ONE: THE VICISSITUDES OF CHOSING BETWEEN TRUTH AND BLINDNESS IN THE OEDIPAL MYTH, AND THE FILM “INCENDIES” Gal Kachman | SILENT GRAVES AND TRANSIENT LIFE: ON SUBJECTIVITY AND MELANCHOLY IN THE WRITINGS OF ABRAHAM AND TOROK Victor Rubinov | THE CAPACITY FOR SUBJECTIVITY Merav Roth | TEARING UP THE LETTER AND THE URGE TO GET RID OF THE OBJECT Alejandra Sternschein | MY LANGUAGE, MY SPEECH, AND MY EXPRESSION: REFLECTIONS ON MULTIPLE LANGUAGES IN THE PSYCHIC SPACE OF THE ANALYTIC PROCESS Ofer Shinar Levanon | BETWEEN THE PSYCHOANALYTIC AND THE ARTISTIC ENCOUNTER: REFLECTIONS ON THE SHARED WORK OF THE COMPOSER YONI RECHTER AND THE POETS AVRAHAM HALFI, DAHLIA RAVIKOVITCH AND ELI MOHAR

This collection, already translated to many languages around the world, now appears in Hebrew for the first time. The Art and Science of Dance/Movement Therapy has proven to be a useful collection that explains the basic concepts of dance/movement therapy, written by practicing clinicians from several countries and perspectives. It develops these concepts into an understanding of practices, which are illustrated through case studies. The topics cover a range of human needs including children and oncology, problems such as eating disorders, brain trauma, psychiatric problems, dementia and more. Integral to the practice are systems of observation, understanding of cultural differences and research, which are also discussed. The breadth and depth will be of interest to those already practicing as well as to those new to the field or in related disciplines including education.

The eighteen studies presented here originated in a symposium held at Yale in 2014, attended by scholars from Europe, Israel, and North America. The papers approach the subject of Mishnaic Hebrew from many different angles and directions, including grammar, from morphology to syntax to pragmatics; the relationship between the literary dialect and epigraphic evidence; manuscripts; questions of language contact, lexicography, social history, and medieval traditions; and the problem of translating Mishnaic Hebrew into modern languages. The contributors to this volume are among the leading scholars in the field and the collection represents both the current state of research and the cutting edge of future work. This volume includes the following essays: Chanan Ariel | Deviations from Mishnaic Hebrew Moshe Bar-Asher | Problems in the Description of the Morphology of Mishnaic Hebrew Elitzur A. Bar-Asher Siegal | Towards a Reconsideration of the Tense-Aspect-Mood System of Tannaitic Hebrew Gabriel Birnbaum | Phonological and Morphological Studies in MS Antonin 262 (Mishnah Seder Teharoth) Steven E. Fassberg | The Language of the Bet Amar Papyrus in Light of Other Judean Desert Documents Steven D. Fraade | The Innovation of Nominalized Verbs in Mishnaic Hebrew as Marking an Innovation of Concept Aaron Koller | The Social and Geographic Origins of Mishnaic Hebrew Aharon Maman | Rabbinic Hebrew in the Eyes of Medieval Hebrew Philologists Emmanuel Mastey | Cases of Semantic Variation in Mishnaic Hebrew: The Verbs hillek and qaras Michael Ryzhik | The Language of the Mishnah from the Late Manuscripts to the Printed Editions Bernard Septimus | The Face of Shame: Between Palestinian Blushing and Babylonian Blanching Rivka Shemesh-Raiskin | Towards a Description of Halakhic Give-and-Take Conversations in the Mishnah Nurit ShovalDudai | Identical Lemmata of Greek and Latin Loanwords in the Historical Dictionary of the Hebrew Language: Classes and Criteria Ruth Stern | The Noun haluq and Its Variant Forms in Rabbinic Hebrew Daniel Stokl Ben Ezra | The Mishnah into French: Translation Issues Ofra Tirosh-Becker | The Relative Pronoun Se- Rabbinic Hebrew as Reflected in Karaite Sources Doron Ya'akov | The Relation between Maimonides and the Yemenite Tradition in Mishnaic Hebrew Alexey (Eliyahu) Yuditsky | qosin and qorpayot To view the other volumes please press here