Trusting the Process offers a fresh approach for anyone working or dealing with older individuals by employing new and exciting custom methodologies in psychodrama, particularly for clients with Alzheimer's disease or other forms of dementia. This book offers a general explanation of the use of psychodrama by giving an overview of the therapeutic use of drama in all its forms, clearly explaining the concepts and methods and describing the rationale of every intervention while also following a group over six years with precious documentation of the group process. It addresses the main concerns of those who suffer from dementia - adjusting to a new and changing level of functioning, fostering a sense of belonging, preserving their innate dignity and redefining relationships and roles. This practical guide will help therapists, social-workers, family and other care-givers, teachers and medical professionals working with older clients seeking comfort from the loneliness of old-age and dementia.

Selected articles from current issue: Amir Banbaji | More Figurative than all Other Songs. A Study of the Pre-Maskilic History of the Hebrew Melitsah Nurit Barnea-Bernheim | ‘Total Love’: The Story of Miriam in ‘The Tale of the Scribe’ by S.Y. Agnon Neta Stahl | ‘How Come I Love the Ugav?’: The Ugav in Uri Zvi Grinberg’s Poetry Roy Greenwald | Kin of Dust: On Al Hakhmot Derakhim by Avot Yeshurun

Within the Babylonian Talmud are dozens of stories depicting sharp confrontations between the Amoraim, the Talmudic sages. These narratives portray the charged relationships among the sages, the emergence of conflict, and the profound emotional harm that results from it. Why do conflicts among the creators of Talmudic literature occupy such a central literary place? This book examines these stories as a distinct literary corpus. The analysis shows that the conflicts consistently center on one domain: injury to personal honor. They are also marked by a characteristic plot structure, in which conflict develops unintentionally and escalates uncontrollably, leading to a rupture between the characters. Using tools from narrative theory and comparative poetics, the book explores how these stories operate. They draw the reader into a web of misunderstandings and communicative failures, making simple moral judgment difficult. Instead, they direct attention to the inner and interpersonal worlds of the characters, and to the literary construction of the Talmudic study house as a space of mutual dependence and identity formation.

MA‘ARAG: The Israel Annual of Psychoanalysis is a democratic, refereed annual publication, evaluated and edited by academicians, intellectuals in related fields, and clinicians. The journal, dedicated to research in psychoanalytic theory, practice and criticism, is the fruit of the initiative and cooperation of the Sigmund Freud Center for the Study and Research in Psychoanalysis of the Hebrew University, the Israeli Association for Self Psychology and the Study of Subjectivity, Israel Society for Analytical Psychology, Israel Psychoanalytic Society, Clinical Division of the Israel Psychological Association, Israel Institute for Group Analysis, Israel Institute of Jungian Psychology, The Sigmund Freud Chair of Psychoanalysis of the Department of Psychology, The Hebrew University, Tel-Aviv Institute for Contemporary Psychoanalysis, The Winnicott Center in Israel and the New Israeli Jungian Association. From this issue: Anat Tzur Mahalel | "THE STILL-TENDER MEMORY OF CHILDHOOD": SIGMUND FREUD AND WALTER BENJAMIN ON IMAGES OF CHILDHOOD Orit Yushinksy | THE ETHICS OF MEMORY AND FORGETTING Merav Roth | LIVING AFTER DEATH: FROM MELANCHOLIC DEADLOCK TO SYMBOLIC CONTINUITY Yael Khenin | CONTAINMENT CREATED THROUGH SPIRAL MOTION: THE COMPLEX INTERACTION BETWEEN EXTERNAL AND INTERNAL REALITY IN TIMES OF WAR, LOSS AND TURMOIL Nilly Szor | INSCRIBING PAIN: THE PHENOMENON OF OCTOBER 7 TATTOOS AS AN EXPRESSION OF PERSONAL AND COLLECTIVE TRAUMA Michal Bat Or | PSYCHOANALYTIC THOUGHTS ON WRAPPING AS A PSYCHIC MOVEMENT IN ART AND ART THERAPY IN THE CONTEXT OF COLLECTIVE TRAUMA Basmat Klein | "MEMORY FREEZE-FRAMES": ON PHOTOGRAPHY AND PSYCHIC PROCESSING Tammuz Aflalo | THE HOME NESTING METAPHOR: PHANTASY, THE UNCANNY, AND THE PSYCHIC POSITION Shai Levinger and Nurit Perl | REFLECTIONS ON TRANSFORMATIVE PROCESSES OF THE SELF IN PSYCHOANALYTICALLY-ORIENTED MUSIC THERAPY Alon Roe | THE ROLE OF MOVEMENT IN ESTABLISHING THE DISTINCTION BETWEEN INTERNAL AND EXTERNAL IN FREUD

Simon Bernfeld (1860–1940) was one of the most popular Jewish European writers of the early twentieth century. A prolific bestselling author in a broad range of fields of history and Jewish studies, and a pivotal figure in the renaissance of Jewish national culture. His oeuvre encompassed dozens of books, hundreds of essays, and thousands of daily columns published in Hebrew and German. Yet despite his vast influence, Bernfeld remained outside the mainstream. His prominent presence until the late 1920s stands in stark contrast to his subsequent obscurity. This gap prompts for an examination of whether his “forgetting” was deliberate and connected to the historical narrative he sought to promote. His political views, expressed in his sermons as a modern rabbi in Belgrade, in his polemic essays criticizing both the rabbinate and the Zionist Congress, were similarly marginalized. On The Margins: A Biography of Simon Bernfeld unfolds a biography woven into the history of the Jewish intelligentsia circles in Galicia, his birthplace, and Berlin, where he lived for many years until his death. His correspondence with a wide array of figures reviles the emergence of Hebrew mass media and a national canon. Through spatial and cultural analysis, exploring themes of Jewish imperial relations and intra-European migration, the book maps the Jewish intellectual networks of Galicia and the Pale of Settlement, examining their impact on the formation of Jewish cultural and intellectual power centers at the turn of the nineteenth and twentieth centuries.

The Two Mekhiltot on the Jethro Portion (Exodus 18) is, in a sense, a complement to Menahem Kahana's previous book, The Two Mekhiltot on the Amalek Portion . The book is based on new text editions of Mekhilta d'Rabbi Ishmael and Mekhilta d'Rabbi Shimon ben Yochai on the Jethro portion. It includes a systematic and detailed commentary on the exegeses of the Mekhiltot, shedding new light on many exegeses – their literal meaning, their real and historical context, and the worldviews reflected in them. The book reviews the previous editions of The Two Mekhiltot on the Jethro Portion and presents the important contribution of fragments from the Cairo Geniza that were discovered after the previous editions were published. It compares the traditions of the two Mekhiltot in their language, style, and content, and establishes the insight that in the Jethro portion, as in the Amalek portion, the tradition of Mekhilta d'Rabbi Ishmael generally takes precedence.

A letter written during the destruction of the communities of Galicia in the spring of 1943 by Solomea Ochs, née Luft, found among the possessions of a Wehrmacht general and later featured in an exhibition in contemporary Berlin, transforms in the hands of historian Ram Ben-Shalom into a wide-ranging documentary novel. Solomea's letter, in her own handwriting, describes not only the horrors of the massacre and extermination but also touches on the depths of humiliation and devastation felt by the Jews kneeling before their killers. This is the voice of mighty force of nature that has been silenced; something stronger than poetry and lamentation, even if it will surely be remembered alongside the great Jewish laments of the Middle Ages and Bialik's "Upon the Slaughter." Ram Ben-Shalom discovered that this letter is none other than a letter from his aunt to her family before her murder, and that the letter was kept in the drawer of his father's desk at their home in Tel Aviv. From here, a complex search journey emerged, with surprising dimensions that accumulate into a picture of distinctly epic proportions. With craftsmanship, Ben-Shalom weaves a story that is at once a poetics of life, a cultural critique, and an unparalleled delicate analysis of the depths of the selfhood of Israeli Judaism.

MA‘ARAG: The Israel Annual of Psychoanalysis is a democratic, refereed annual publication, evaluated and edited by academicians, intellectuals in related fields, and clinicians. The journal, dedicated to research in psychoanalytic theory, practice and criticism, is the fruit of the initiative and cooperation of the Sigmund Freud Center for the Study and Research in Psychoanalysis of the Hebrew University, the Israeli Association for Self Psychology and the Study of Subjectivity, Israel Society for Analytical Psychology, Israel Psychoanalytic Society, Clinical Division of the Israel Psychological Association, Israel Institute for Group Analysis, Israel Institute of Jungian Psychology, The Sigmund Freud Chair of Psychoanalysis of the Department of Psychology, The Hebrew University, Tel-Aviv Institute for Contemporary Psychoanalysis, The Winnicott Center in Israel and the New Israeli Jungian Association. From this issue: Dana Amir | “ALL LANGUAGES OVERLAP OR SPILL INTO EACH OTHER”: ON REVENGE, PARDON AND FORGIVENESS Raanan Kulka | SELFOBJECT PSYCHOLOGY: ETHICS OF TRANSFORMATION Anat Tzur Mahalel | THE EDGE OF BREAKDOWN: SIGMUND FREUD AND WALTER BENJAMIN ON HISTORY AND REMEMBRANCE Naomi Govreen | MIRROR, MIRROR ON THE WALL: A LITERARY AND PSYCHOANALYTICAL INVESTIGATION OF THE FEMALE SUBJECTIVE EXPERIENCE IN MIDLIFE – SNOW WHITE’S MOTHER AS A CASE STUDY Anat Baram | WAKING UP FROM A DAYDREAM: REFLECTIONS ON CLINICAL WORK WITH PATHOLOGICAL DAYDREAMING Itzhak Benyamini | THE MOSES COMPLEX: FROM THE EMERGENCY CONDITION OF EUROPEAN JEWRY IN FREUD’S TIME TO THE INSCRIPTION OF THE REAL OF LACAN Orna Reuven | “BENEATH THE DESPAIR AND BEHIND THE LONELINESS WE ARE BOTH STILL HERE”: ANALYSIS OF A PERVERSION Chana Ullman | WITNESSING AND ITS IMPLICATIONS IN PERSONAL AND COLLECTIVE MEMORY

The economy of symbolic goods is at the heart of Pierre Bourdieu's sociology. In Le marché des biens symboliques , published in 1971, Bourdieu lays the foundation for his theory of the conditions of production and distribution of cultural products. This text is of crucial importance for understanding his later writings on artistic fields and cultural practices. Against the illusion that artworks are independent from social conditions, Bourdieu reminds us that these are the results of a production process that involves not only the individual artist or writer, but a whole system of intermediaries (galleries, publishers, etc.) and institutions of consecration (criticism, prizes, academies, etc.). However, in contrast to the Marxist approach, which reduces works to a "reflection" of class relations, Bourdieu argues that the fields of cultural production enjoy relative autonomy. In this text, Bourdieu constructs the concept of the field for the first time systematically, using Max Weber's concept of legitimacy and his sociology of religion: the symbolic value of cultural works is based on trust and the accumulation of symbolic capital. Bourdieu also combines the concept of the field here for the first time with other concepts that he was developing then - "reproduction," "symbolic violence," "habitus." Drawing on art historians and on examples from empirical research he was conducting, the text also proposes a socio-historical study of the conditions for the emergence of the fields of art and literature as relatively autonomous worlds.

In The Taste of Hidden Things Sara Sviri weaves a tapestry in which Sufi motifs and images are highlighted: the perfume of Attar's and Rumi's poetry, the boldness of Ibn al-Arabi's mystical speculation, the ecstatic experiences and dreams of old and modern seekers, and the richness of the Naqshbandi masters, past and present. A special place is given to al-Hakim at-Tirmidhi, a ninth century mystic from Central Asia. Many passages from his work, including his wife’s teaching dreams, are published here for the first time in Hebrew.

The book offers a new reading of Israeli prose written primarily in the 1980s and 1990s. During these decades, Hebrew literature freed itself from the aspiration to address a general (male) audience and began cultivating a new, more diverse readership. This audience was constructed through the direct address of literary texts to their readers. For women, who are often culturally directed to identify with the position of the (seemingly) passive listener of the story rather than the protagonist, this strategy offers a vital mode of engagement. Through close readings of contemporary Hebrew literature—including works by Orly Castel-Bloom, Yoel Hoffmann, Lea Aini, Yuval Shimoni, and Eda Zoritte—the book reclaims this position and demonstrates how it can be both productive and active.

This is a groundbreaking book in the field of inner biblical allusion. Using methodologies from the field of literary studies the book examines the Song Ha'azinu (Deut 32) and the Book of Isaiah and uncovers the fascinating connections between the two. The recognition of this relationship sheds new light on the subject of inner biblical allusion, the Song Ha'azinu and the Book of Isaiah.