Shiyu Hong | Change and Continuity in the Degree System of the Adjective in Modern Hebrew Journalism: A Diachronic Study Elnatan Chen | The Relationship between Morphology, Syntax, and Exegesis in Ibn janā ḥ 's Linguistic thought Ori Cohen, Peleg Gorodesky and Yehudit Henshke | Yemenite Hebrew Pronunciation in Contemporary Israel: Covert Phonological Diglossia Eyal Lehmann and Einat Gonen | The Readers Reprimand: Hebrew Speakers' Complaints about the Language of an Online Newspaper

Carnival and Canon examines the emergence and development of the Purim parody, a distinctive genre of Jewish literature that flourished from the Middle Ages onward. Created for the annual celebration of Purim, these humorous works transformed the language and forms of canonical Jewish texts, including the Talmud, the Hebrew Bible, liturgy, and prayer, into playful parodies centered on the festive customs of eating, drinking, and revelry. Situated at the intersection of the sacred and the secular, elite literary culture and popular humor, the genre offers a unique perspective on the cultural life of medieval and early modern European Jewry. The book focuses on the three most influential Purim parodies: Masekhet Purim by Kalonymus ben Kalonymus (1324–1328), and Megillat Setarim together with Sefer Ḥabakbuk by Rabbi Levi ben Gershom (Gersonides, 1332). First printed together in 1513, these works circulated widely in manuscript and print and inspired generations of later Purim parodies. Combining literary analysis with cultural history, the book explores the Jewish and non-Jewish intellectual contexts in which these texts were written, their role in Purim celebrations, and their reception over several centuries. It presents the first comprehensive historical study of a genre that illuminates the dynamic relationship between ritual, humor, and literary tradition.

The Living Symbol explores one of the Zohar’s most distinctive literary and theological features: the symbolic connection between its stories and its teachings about the divine realm. A young woman holding a lamp in a remote inn, travelers crossing dark mountain ranges, a doe crying out in distress, an old man emerging from the desert, all become symbols of processes unfolding within the hidden life of God. The lamp signifies divine love, the doe the suffering Shekhinah, the mountains divine judgment, and the desert the realm of metaphysical evil. Focusing on a wide range of Zoharic narratives, this book examines how everyday realities are transformed into symbols of the divine and how earthly stories intertwine with mystical interpretation. Through close readings of the Zohar’s tales, it reveals the intricate ways in which narrative and theosophy are woven together, linking the human world and the divine, the visible and the hidden. At the heart of the study stands the kabbalistic symbol. The book argues that the symbolic relationship between story and exposition reflects fundamental Zoharic conceptions of reality and offers a fresh perspective on one of the Zohar’s most important literary and religious innovations.

The Book of Comparison between the Hebrew and Arabic Languages ​​(Kitab al-Muwazanah) is the monumental work by Rabbi Yitzhak ben Baron, in which he summarized the achievements of comparative Semitic linguistic scholars in the 10th–11th centuries. Ben Baron, a Renaissance man, was close in Spain at the turn of the 12th century to the spiritual giants Rabbi Moshe ibn Ezra and Rabbi Yehuda Halevi, offers a systematic, in-depth, and innovative analysis of the structural and lexical relationship between Hebrew and Arabic, based on the teachings of Rabbi Yonah ibn Jannah and the traditions of classical Arabic grammar and lexicography. This edition presents for the first time all the remains of the work that have been discovered to date, edited in a critical, translated, and annotated edition, accompanied by a detailed introduction and a profound and extensive "Elucidations" section that sheds new light on Ben Baron's teachings.

Selected articles from current issue: Amir Banbaji | More Figurative than all Other Songs. A Study of the Pre-Maskilic History of the Hebrew Melitsah Nurit Barnea-Bernheim | ‘Total Love’: The Story of Miriam in ‘The Tale of the Scribe’ by S.Y. Agnon Neta Stahl | ‘How Come I Love the Ugav?’: The Ugav in Uri Zvi Grinberg’s Poetry Roy Greenwald | Kin of Dust: On Al Hakhmot Derakhim by Avot Yeshurun

Within the Babylonian Talmud are dozens of stories depicting sharp confrontations between the Amoraim, the Talmudic sages. These narratives portray the charged relationships among the sages, the emergence of conflict, and the profound emotional harm that results from it. Why do conflicts among the creators of Talmudic literature occupy such a central literary place? This book examines these stories as a distinct literary corpus. The analysis shows that the conflicts consistently center on one domain: injury to personal honor. They are also marked by a characteristic plot structure, in which conflict develops unintentionally and escalates uncontrollably, leading to a rupture between the characters. Using tools from narrative theory and comparative poetics, the book explores how these stories operate. They draw the reader into a web of misunderstandings and communicative failures, making simple moral judgment difficult. Instead, they direct attention to the inner and interpersonal worlds of the characters, and to the literary construction of the Talmudic study house as a space of mutual dependence and identity formation.

Among the articles in this issue: Outi Bat-El Foux | On the Importance of Word Edges Roey Gafter | Sub-Phonemic Vocalic Variation in Hebrew: An Acoustic Study with a Social Perspective Lior Laks | Between Ravioli and Raviol: Factors of Vowel Deletion in Loanwords Dorit Ravid, Shai Karasenti & Orit Ashkenazi | Dual Hebrew Nouns in Mother-Toddler Discourse: A Longitudinal Study of Form and Function

Simon Bernfeld (1860–1940) was one of the most popular Jewish European writers of the early twentieth century. A prolific bestselling author in a broad range of fields of history and Jewish studies, and a pivotal figure in the renaissance of Jewish national culture. His oeuvre encompassed dozens of books, hundreds of essays, and thousands of daily columns published in Hebrew and German. Yet despite his vast influence, Bernfeld remained outside the mainstream. His prominent presence until the late 1920s stands in stark contrast to his subsequent obscurity. This gap prompts for an examination of whether his “forgetting” was deliberate and connected to the historical narrative he sought to promote. His political views, expressed in his sermons as a modern rabbi in Belgrade, in his polemic essays criticizing both the rabbinate and the Zionist Congress, were similarly marginalized. On The Margins: A Biography of Simon Bernfeld unfolds a biography woven into the history of the Jewish intelligentsia circles in Galicia, his birthplace, and Berlin, where he lived for many years until his death. His correspondence with a wide array of figures reviles the emergence of Hebrew mass media and a national canon. Through spatial and cultural analysis, exploring themes of Jewish imperial relations and intra-European migration, the book maps the Jewish intellectual networks of Galicia and the Pale of Settlement, examining their impact on the formation of Jewish cultural and intellectual power centers at the turn of the nineteenth and twentieth centuries.

A Guide to Jewish Warsaw 1938 is an extraordinary book, describing a place that no longer exists: Jewish Warsaw was, as is well known, utterly destroyed in World War II. And yet, the book seeks to pretend as if everything is still intact, and it is possible to go on a tour following it or embark on an imaginary journey. Every detail is based on information pertaining to Jewish Warsaw in 1938 from countless sources: newspapers, literature, travel guides, written and oral memoirs, archives, interviews, films, and exhibitions. A Guide to Jewish Warsaw 1938 seeks to reveal the beauty hidden from the eye in the largest Jewish city in Europe before the war. The acquaintance with Jewish Warsaw is made through general and useful introductions, describing its history, its beliefs and opinions, its unique language, and its tastes and smells. At the center of the book are seven walking tours, revealing the city's delights: the antique bookstores on Świętokrzyska Street; the buffet at the Writers and Journalists Association at Tłomacka 13; the "Maccabi" swimming pool and the Bund's sports field; cantorial music at the Great Synagogue and Hasidic melodies in the Modrzyc courtyard in the resort town of Otwock; the summer terrace at the Rubinchik cafe, opening onto Krasiński Garden, "the Jewish Garden"; modern marble sculptures in the cemetery; the "Tel Aviv" cafe on Nowolipie Street; the treasures in the Jewish Museum; courtyards that are a world of their own on Nalewki Street and its surroundings, and much more.

The Italian commedia dell’arte troupes roamed across Europe for two hundred years, captivating wide and diverse audiences. The performances of the commedia dell’arte were improvised, as the actors executed on stage a concise outline of a play, called "scenario". This book presents, for the first time in Hebrew translation, complete scenarios written by one of the greatest men of the Italian Renaissance theater, Flaminio Scala. The scenarios are accompanied by annotations and a comprehensive essay that reviews Scala’s life and work, and presents his scenario as a perfect recipe for comic improvisation. The book will therefore be of interest to theatre enthusiasts and scholars alike, and will provide directors, actors, and acting students with new and refreshing tools for staging comedies.

Muslim beliefs have inspired charitable giving for over fourteen centuries, yet Islamic history has rarely been examined from this perspective. In Charity in Islamic Societies , Amy Singer explains the basic concepts and institutions of Muslim charity: the obligatory annual payment of zakat together with voluntary donations of all sizes, undertaken at every level of society, and across the span of individual lifetimes. Charitable endowments – established by rulers, wealthy individuals, and even those of more modest means – shaped Muslim societies, cultures, and landscapes in ever era. This book demonstrates how historical circumstances, social status, gender, age, and other factors interacted with religious ideals to produce a vast array of charitable practices, from the early days of Islam to the present. Relying on evidence from written texts, buildings, images, and objects to anchor the discussions in each chapter, the author explores the motivations for charity, its impact on the rich and the poor, and the politicization of giving, arguing that the study of philanthropy affords a unique prism through which to examine the past.

In this issue: Diego Rotman | The Sukkah and Its Double: Copies, Variants, and the Stereoscopic Image Shani Tamari Matan | The First Hebrew Dance-Gathering at Kibbutz Dalia (1944): Decoding of an Archival and Choreographic Event Hagar Salamon and Carmela Abdar | Glory of the “Sets”: Praxis and Meaning of Dressing Children in Haredi Families in Israel Ravit Raufman | The October 7 Massacre in Light of the Folktale “The Wolf and Kid”: A Realization of Primal Fantasy Ronni Shaked | Commemoration and Conflict: How the Palestinian Calendar Shapes Identity and Resistance