This is the first comprehensive introduction to India’s history and civilization in Hebrew. It reflects decades of teaching by both authors, often together, at the Hebrew University, as well as long periods of residence in India. The book is structured chronologically, from prehistoric times to the twenty-first century, and includes, within a historical framework, numerous anecdotes, stories, and poems never before translated into Hebrew. Taken together, these are meant to give the lay readers--backpackers, couch travelers, India lovers, and other curious minds - a savory taste of India’s rich cultural menu.

The Hebrew Bible is the cornerstone of Judaism and Jewish culture; as such, it also provides the foundation for the other two monotheistic religions, Christianity and Islam. It is a book that embodied numerous revolutions, the most prominent of which was the Monotheistic Revolution, the replacement of polytheism with the belief in one all-powerful God who both created the world and governs it. Among the other revolutionary ideas that are put forward by the Bible we find the establishment of the Sabbath, the granting of one city — Jerusalem — a monopoly over holiness, the opposition to human kingship, and the moral dimensions of prophecy, to name just a few. Over the centuries and millennia, these revolutionary ideas have continued to attract and inspire readers, believers, interpreters and artists.

The book is concerned with the main trends in Jewish Liturgy during Late Antiquity and its connections and inter relations with Aramaic Targum, Midrash, mysticism, popular beliefs, structure and rhyme patterns as performed amid Late Antique Synagogues in Palestine, as well as the later spread of these fertile products to Southern Italy and then to the rest of Europe. The book discusses the different layers of poets and performers as presented in ancient manuscripts which were preserved in the Cairo Geniza collections and later in European Mahzorim, and the fascinating struggle of survival of the different liturgical cycles.

Articles: Svetlana Natkovich | Maskil and the City: Representations of the Maskilic Subjectivity and Urban Habitus in the Literature of Russian Maskilim, 1862-1888 Natasha Gordinsky | ‘Sideways from Moscow: Uri Nissan Gnessin’s Provincial Writing’ Dina Berduchewsky | Brenner’s London as a Crossroads in the Story of Early Hebrew Modernism Lilach Nethanel | Literary Modernism: The Retreat. Shklov by Zalman Shneour Allison Schachter | Elisheva Bikhovksy’s Novel Side-Streets Representing a Non-national, Minority Hebrew Culture Rafi Tsirkin-Sadan | The Curse of the Forbidden City: Haim Lensky’s St. Petersburg Sonatas and the Images of St. Petersburg in Russian and Hebrew Literature Maya Barzilai | The Lost German City: Berlin of Leah Goldberg

Articles: Yona Sabar | Grandpa Ephraim and Grandpa Menashe: Two Opposite Characters, Based on Personal and Communal Childhood Memories Dov Cohen | ‘The Holy Island of Chios’: New Findings Concerning the Purported Burial Place of R. YaꜤakov ben Asher (BaꜤal Ha-Turim) on the Island of Chios and Pilgrimages to His Gravesite Itamar Drori | Rabbi Israele Costa’s ‘Miḳweh Yisrael’ (1851): The Beginning of the Adapted Jewish Story for Youth Carmela Abdar | Reflections on Magical Texts on Jewelry and Amulets of Jewish Women and Children from Yemen and Habban Tom Fogel | JaꜤle – Yemenite Nostalgia in a Jerusalem Café Jacqueline Laznow | ‘I Recognized the Holidays According to the Food’: Tradition and Memory in the Jewish Community of Argentina Reviews: Eli Yassif | The First Book of Jewish Jokes: The Collection of L. M. Büschenthal, ed. Elliott Oring, Bloomington, IN: Indiana University Press, 2018 Dudu Rotman | Vered Tohar, The Book of Tales, Sermons and Legends. Anthology of Hebrew Stories from the Print Era: An Annotated Edition, Tel Aviv: Hakibbuz Hameuchad 2017, 201 pp.

Something crucial and quite unprecedented happened to kabbalah in the sixteenth and seventeenth centuries. Though it had previously been considered a highly secretive and esoteric tradition, its practitioners began to spread its doctrines throughout the Jewish world with missionary zeal. Their goal was ambitious: no less than the remodelling of the religious and ethical attitudes of the entire Jewish population, a reformation of Judaism. Few aspects of Jewish life and religious practice were not changed as a result of the spread of kabbalah. These innovations originated mainly in the city of Safed in Galilee. They were introduced by kabbalistic adepts, but would not have gained broad acceptance if they had not made sense to people in terms of their everyday lives. The kabbalistic corpus that emerged should thus be interpreted not just as the elaboration of a secretive literary tradition, but as a response to the needs of Jewish society in its manifest historical context. In addition, Roni Weinstein argues, these kabbalistic innovations were partly a response to changes in the Catholic world-view, revealing an intimate link with Counter-Reformation Catholicism that is explored here for the first time. The religious and political changes taking place in contemporary Ottoman settings also contributed to these changes. The effect of these developments on Jewish culture was nothing short of revolutionary, deeply affecting people’s lives at the time and also laying the foundations for change in future generations. Yet they were not presented as revolutionary: the early modern kabbalists understood that they would only succeed in spreading their message if they presented their doctrines as the natural continuation of what went before. Weinstein’s sociological reading of mystical texts encompasses a number of methodological innovations, including the need to consider the impact of the non-Jewish environment in the fashioning of Jewish texts. He sees the emergence of ‘Jewish modernity’ as the result of developments that were intrinsically Jewish rather than as a response to outside influences during the Enlightenment; controversially, he therefore places its origins in the Mediterranean world of the late sixteenth century rather than in eighteenth-century Berlin. His argument is based on a wide range of Jewish sources—including theological tracts, kabbalistic and ethical literature, hagiographies, mystical diaries, halakhic rulings and responsa, and community and confraternal regulations—as well as the testimonies non-Jewish travellers, and Catholic religious literature. This stimulating new reading of the development of kabbalistic texts and practices opens a new chapter in the understanding of Jewish modernity. The Hebrew edition of this book was awarded the Goren-Gottstein Prize for the Best Book in Jewish Thought 2010–2012.

Many Voices in the Prose of Shulamith Hareven by Yael Balaban is the first book-size monograph dedicated to Hareven’s oeuvre. It offers for the first time a deep understanding of Hareven’s fiction, including her early short stories, City of Many Days, and Thirst – the Desert Trilogy . Hareven’s unique voice has been missed by contemporary critics, as both her ideas and her poetics were ahead of her time: She wrote about sexual abuse long before the subject ever entered public discourse; wrote about the “second generation” of Holocaust survivors before the term was established; and created Mizrahi and Arab characters very different from the stereotypic characters in contemporary Hebrew literature. It is time to re-read Shulamith Hareven’s work and discover beautiful stories suffused with moral and social sensitivity and a profound commitment to language and literature .

16 October 1943 is one of the most intense, troubling and spectacular works ever written on a single event in the Holocaust of Europe's Jews. This text embodies a stylistic combination of almost real-time journalism, powerful poetic and emotional literature and a profound philosophical essay on the Nazi's behavioral patterns. Giacomo Debenedetti, a distinguished Jewish-Italian author, journalist, and literary critic and theorist describes in 16 October 1943 the terrors of the raid of the Ghetto of Rome. The story (for it is first and foremost a story) unfolds, with piercing, terrifying language, the deportation of one Jewish community within the Nazi extermination mechanism.

Journeys of the Soul: Concepts and Imageries of Paradise in Medieval Kabbalah covers the most decisive period in the history of Jewish speculation about the Garden of Eden. At the heart of the book is a thorough analysis of the compositions written by medieval kabbalists and other esotericists dedicated to that ultimate locus of retribution. Alongside their concrete and abstract portraits of the Garden, these works discuss its relationship to the Godhead and the role it plays in personal eschatology, anthropology, and psychology. The book examines trends within the interpretive history of the biblical Paradise in medieval Jewish thought more generally, and in medieval kabbalistic literature in particular. The notion of gradations or distinct sites within the Garden of Eden is explored in light of its possible influences, and the appearance of the Garden of Eden within kabbalistic psychology is considered in light of thirteenth-century theosophical doctrines. A lengthy treatment is devoted to those works which delineate the architectonic structure of the supernal Garden and depict the visual appearance of the earthly temples (hekhalot) of the lower Garden, while mapping them onto the structurally complex interrelationships within the Godhead. Within this context, the book treats a number of textual conundrums concerning the very development of the kabbalistic canon, including the appearance of the Zohar. Throughout the book, the author also investigates scientific paradigms, legendary traditions, and theological polemics in the religious literature of the period concerning the appearance and structure of the Garden of Eden. Similar exegeses, shared traditions, and a common conceptual foundation of the eschatological Paradise are identified in the kabbalistic literature, alongside echos of the Jewish apocrypha, Rabbinic literature, and Hekhalot texts. Dr. Avishai Bar Asher has been awarded the Matanel Prize for the best book in Jewish Thought published during the years 2018-2019.

The charm of Agnon’s work lies in an inebriating combination of the funny and the serious, in his famous irony that knocks down every unquestionable certainty and even its very self. Agnon’s humor eludes rhetoric borderlines, does not tolerate confines of a genre and disobeys simple interpretative solutions. In his new book, Roman Katsman suggests a new literary-anthropological method to break down Agnon’s complicated ‘laughter code’—a method based upon the cultural and semiotic interpretation of symbols. His reading of a wide selection of Agnon’s works, including his four major novels, reveals an entire world of his laughter symbols—a world of violence and sacredness, tragic bewilderment and eruption of new possibilities. In this world, arks fly, princes disappear, serpents eat their own tails, angels and demons dance, illusion turns into reality, and other foolish and cruel miracles occur. The research looks for a solution to the riddle: should Agnon's stories be considered serious or ironic, religious or secular, scornful or emphatic, archaic or modernist; or perhaps the reader is intended to swell with pathos or burst into laughter—and how come Agnon always has the last laugh?

Smocza is the biography of a street in Warsaw that was completely destroyed in World War II. The book reveals the story of a Jewish microcosm between two world wars. It is based on historical and literary sources that piece together a multicultural mixture of a society in transition, where orthodox Jews, Bundists, Zionists, shoemakers, tailors, poets, actors, prostitutes, and others lived side by side.

The characters of the Yanuka (the Zoharic Wunderkind) and the Sava (the wise old man), appear in various Zoharic stories, revealing themselves to the sages of the Zohar (Rabbi Shimon Bar Yohai and his disciples). These two figures are among the most meaningful and complex mythical figures in Zoharic literature. The main argument in this work is that the Sava and Yanuka characters are portrayed as the embodiment of God and his Son (and the Messiah). This book is the first attempt to grasp the full extent and depth of these mythical figures and the close ties that exist between them. At the same time, the book reveals an important chapter in the history of Jewish myth and contributes to the understanding of the messianic consciousness that characterizes the stories of the Sava and Yanuka in the Zohar and exposes their hidden and polemical ties with Christianity. The book is currently available as an ebook. A print edition will be available soon.