On Friday, March 11, 1026, Yoshiyahu, the only son of the Dayan of the Jewish community in Gaza City, Rabbi Yeshua HeHaver berrebi Nathan, passed away suddenly at the age of six. The bereaved father, who found it difficult to console himself, wrote a comprehensive Qedushta in memory of his son. The Qedushta is a set of piyyutim that was recited during the Amida of Shacharit on Shabbat, and was written according to fixed rules. The father conformed to the technical rules of the form of the Qedushta, but infused unique content into the piyyutim: He expressed in them his great pain and illustrated it with his repeated cries, and also included detailed descriptions of his son, who studied Torah all day. On the other hand, he also tried to deal with his grief in traditional ways, out of faith in God who brought this disaster upon him because of his sins. In one passage he even gave a list of bereaved fathers mentioned in the Bible, starting with Adam, who mourned his son Abel, and tried to convince himself that he was no better than they. The Qedushta was discovered in the Cairo Genizah almost in its entirety, in a unique manuscript which is the author’s autograph, its pages scattered among various libraries. These pages were discovered bit by bit over decades. In this book, all the parts of the Qedushta that have come down to us are printed together for the first time, accompanied by a commentary and a detailed introduction. The introduction discusses the unique contents of the Qedushta and the methods of its design. Rabbi Yeshua’s Qedusuta is compared to the works of several contemporary poets who dealt with disasters: on the one hand, to poems written in Spain, most notably the laments of Rabbi Samuel HaNagid over the death of his brother; and on the other hand, to the poems of Rabbi Samuel the Third, written in the wake of the pogrom against the Jews of Egypt, in which he was arrested and saved at the last moment from execution; and a man named Abraham HaCohen, who wrote piyyutim while imprisoned due to a financial dispute. In light of these comparisons, the purpose of the Qedushta is also discussed, with an attempt to clarify whether it was intended to be recited in public prayer, and when such a prayer could have taken place. Furthermore, the Qedushta is a fascinating human document, full of fatherly love and pain over loss. The struggle to cope with bereavement, unfortunately, is not over. The fact that these events took place a thousand years ago in Gaza also takes on special significance in these days.

This book contains one hundred and ninety-two written and oral responses by Rabbi Yaakov ben Meir, better known as "Rabbenu Tam," which were not included in the responses section of Sefer Ha-Yashar , compiled by his students. The first introductory chapters will be devoted to a concise presentation of his character, family, the stages of his life, and his teachers, while the other chapters will discuss his responses, their recipients, the sources in which the responses were found, the edition, and its contribution. At the top of each reply is a short introduction that discusses the main contents of the reply and points out historical and other aspects that arise from it.

Among the medieval liturgical manuscripts from Ashkenaz, the Nuremberg Mahzor takes a special place. Its size, its extraordinary selection of piyyutim and piyyut commentaries, and its lavish decoration that differs from the model used for many mahzorim in southern Germany make it a spectacular object. This aroused curiosity and interest, as reflected by those who are known to have viewed the manuscript, including Emperor Leopold I (1658–1705), who visited the Nuremberg Municipal Library in 1658, and several 17th and 18th century Christian scholars who wrote about the treasures of Nuremberg. In the 19th century, several Jewish scholars studied the manuscript in Nuremberg, among them Leopold Zunz from Berlin and Rabbi Isaak Meier Eppstein from Jerusalem, culminating in the detailed study and description by Nuremberg rabbi Bernhard Ziemlich (1884–1886). Salman Schocken had hoped to acquire the manuscript already in 1934 and succeeded in adding it to his collection in 1951. The fact that during its 56-year stay at the Schocken Library in Jerusalem the Mahzor was rarely exhibited and not easily accessible to scholars and the wider audience shrouded the manuscript in mystery.

In the past, prayers in the synagogue were adorned with many liturgical poems, piyyuṭim, in all the various Jewish communities, both on the major festivals and on many Sabbaths over the course of the year. Manuscripts preserve thousands of piyyuṭim, only some of which are familiar today, and some of which have never been published until our generation. This book collects more than two hundred piyyuṭim, which the Jews of Ashkenaz (German-speaking lands) and Northern France used to recite on wedding Sabbaths and Sabbaths on which circumcisions occurred. Dozens of poets wrote piyyuṭim for these festive occasions. Most of the piyyuṭim were written by German or French poets (between the eleventh and fourteenth centuries), but some of them were written by poets in the Land of Israel, Italy, or Spain. Some of the compositions were written in honor of lifecycle celebrations occurring in the families of the poets themselves. Aside from the major popular genres of Ashkenazic piyyuṭ (yoẓer, ofan, and zulat, in the blessings surrounding the morning Shema), the corpus in this volume also contains representatives of many unusual genres of piyyuṭ; this prominently demonstrates that on Sabbaths of family celebrations, the poets of Ashkenaz and Northern France wanted to include piyyuṭim in many different positions in the liturgy, more varied than usual. Especially prominent is the large unit of piyyuṭim that were recited surrounding the bridegroom’s ‘aliyya to the Torah: reshut (“invitation”) poems for the bridegroom and his groomsmen to go up for their ‘aliyyot, songs in honor of the bridegroom after his ‘aliyya, poems surrounding the reading of Ve’avraham Zaqen (a passage from the Torah that is read in honor of the bridegroom — today only in Sephardic synagogues, but in the past also in Ashkenazic), and Mi Shebberakh poets blessing the bridegroom after his ‘aliyya. Some of the poems are in Aramaic. The book includes also piyyuṭim that were recited (not specifically on the Sabbath) at the actual wedding and circumcision rituals, and piyyuṭim designated for the Grace After Meals of the festive meals in honor of the wedding and circumcision. The Ashkenazic poets were extremely learned, and they included large amounts of material from the lore (aggada) of the Talmud and Midrash. The late Prof. Jonah Fraenkel was the one that gathered the piyyuṭim for the Sabbaths of the year recited in the Ashkenazic and Northern French communities, as a continuation of his series of Ashkenazic maḥzorim for the Three Festivals and those for the High Holidays edited by Dr. Daniel Goldschmidt. This volume of Piyyuṭim for Wedding and Circumcision Sabbaths is the first in a series whose purpose is to publish all piyyuṭim for all Sabbaths that were recited in the lands of Ashkenaz and Northern France. Dr. Gabriel Wasseman, a scholar of piyyuṭ, completed Fraenkel’s work on this volume, indicating textual variants from many dozens of manuscripts, and writing a detailed commentary on the piyyuṭim. He also wrote a long introduction to the volume, which, among other things, offers a birds’-eye view of all the piyyuṭim, organized into their specific genres, and traces the development of the customs of reciting these piyyuṭim in the various communities over the course of centuries. Avraham Fraenkel added chapters to the introduction, which present a description of the customs of weddings and of circumcisions in Ashkenaz and Northern France, on the basis of books of minhagim (“customs”) and prayerbooks from the Ashkenazic and Northern French communities.

Kobez Al Yad , an annual of the Mekize Nirdamim Society, is a forum for the publication from manuscript sources of ancient texts in Jewish studies that are shorter than book-length. The articles in this issue: Shulamit Elizur | Rahitim and Siluk for Yom Kippur about the revelation of God to Elijah at Horeb Dan Greenberger and Y. Zvi Stampfer | ' On the Obligation of Prayer ' by Rav Saadia Gaon Eli Gurfinkel | The Reason for the Shew-Bread Table and the Candelbara ( Menora ) from Rabbi Samuel Ibn Tibon Yossef Elizur | Rabbi Joseph Hayyun's Commentary on the Book of Zephania Yohanan Kapah | Rabbi Joseph Hayyun's Commentary on the Book of Haggai Yaron Nisenholz | The Proclamations of the Great Rabbinical Court of Prague in the 18 th Century

Prayer in Israel is not only a personal and occasional expression of man's relationship with his God, but a complete way of life, organized around a set of daily prayers, on weekdays, on Shabbat and on holidays. But many questions hover around the genesis of this system: When was it designed? At what stages? What is the relationship between its different parts and between its different ways - blessing, reading and prayer? What is the difference between public prayer and individual prayer? Extensive literature has already been written on the history of the prayer, but since the main design of the prayer emerged from the Talmudic literature - Tanna'im and Amora'im - it is essential to place the study of the prayer on the basis of a detailed analysis of the Talmudic material, according to the ways of updated Talmudic science. From this a reliable picture of the prayer in Israel may be drawn from within the literature of the Sages. This essay seeks to present basic chapters from this task.

Sabbatian Songs of Faith: Ritual, Community, and Interreligious Encounters in the Late Ottoman Empire unveils the hidden world of the Ma’aminim—followers of the 17th-century Jewish messianic figure, Sabbatai Tzvi. After Tzvi’s dramatic conversion to Islam in 1666, many of his followers returned to mainstream Judaism. However, a dedicated group followed in his footsteps, converted to Islam, and established a new path, blending Sabbatian, Jewish, and Islamic elements within a distinct Ottoman-Sephardi cultural framework. For centuries, the Ma’aminim maintained secrecy, forming distinct communities (known as the Dönme) and playing a multifaceted role in Jewish and Ottoman histories. This book sheds new light on their social life and esoteric traditions through a comprehensive, interdisciplinary analysis of previously mostly unexamined mystical manuscripts in Ladino, Hebrew, and Ottoman Turkish. It explores their sacred songs, radical theology, rituals, folklore, and musical practices as reflections of communal reality and developments. By placing the Ma’aminim within a broader historical and cross-cultural perspective, Sabbatian Songs of Faith offers fresh insights into religious transformation, intercommunal exchanges, and the interplay between faith, ritual, and popular culture in the late Ottoman world and beyond.

Rabbi Eleazar be-Rabbi Qilar was the most prominent and prolific poet during the heyday of Hebrew liturgical poetry in Eretz Israel: between the sixth and eight centuries ACE. Some of the thousands of poems he wrote was preserved in the Ashkenaz, France and Italy machzorim, while a small part is recited in synagogues even today. This book compiles all his poems that survived for all prayers, with an attempt reproduce the full compositions.

Selected articles from current issue: Arnon Atzmon | ‘He Who Seeks Out Good: This is David’: The Opening Unit of Midrash Psalms as an Introduction to the Book of Psalms David Sabatto | ‘Thus, I Received it From the House of My Father’s Father’. The Sources and Structuring of the Legend of Yehonatan, Moses’ Grandson Ido Hevroni | Turning the Hearts of the Children to Their Parents: The Education of R. Elazar Son of R. Shimon (Pesiqta de Rab Kahana 11) Omri livnat | ‘Samuel, The Son of Labrat Has Died’: Between Manuscript and Edition, Between Panegyric and Lampoon

How might a poem acquire divine forgiveness? Ariel Zinder’s book Arise and Sing follows medieval Jewish poets from Iraq and al-Andalus as they seek answers to this pressing question. The book presents close readings of liturgical poems (piyyutim) written in the 10th and 11th centuries, and brings them into contact with contemporary literary theory as well as modern philosophical discussions of the possibility of forgiveness.

Kobez Al Yad , an annual of the Mekize Nirdamim Society, is a forum for the publication from manuscript sources of ancient texts in Jewish studies that are shorter than book-length. The articles in this issue: Omri Livnat | From Masorah to Poetry, from Poetry to Masorah: on Saadia Gaon’s ‘Ohel Mekhon Binyanay’ Simcha Emanuel | A Collection of Laws from the German ' Genizah' Amir Boas | Kodesh Kodashim – An Annotated Critical Edition with an Introduction Noam Lev-El | ’Questions to the Sages of the Land of Israel’: Kabbalistic Responsa from the Mid-Sixteenth Century—Introduction and Edition

The book Registers of Ashkenazi Communities in Italy from the 18th Century presents a scientific edition of three files documenting customs in Ashkenazi communities in the north of Italy in the 18th century, from Trieste, from Mantua and Padova, with an introduction and indices. The world of Halacha in Italy, starting from the beginning of the Rishonim period, was influenced by different centers, and was not an independent center. Ashkenazi Judaism had a decisive influence on Italy beginning in the 13th century. Files documenting customs of Ashkenazi communities existed already in the 11th century and continued to be written throughout the generations in the Ashkenazi communities. However, files documenting the customs of Ashkenazi communities on Italian soil were relatively few. The book before us hence makes up a little for this lack. It is true that the writing of files documenting customs is an Ashkenazi phenomenon, we have found it among Ashkenazi people in all generations, but in the 17th-18th centuries, which are documented by the files before us, the Jewish communities in Ashkenaz and in Italy were subject to the influence of important historical processes, such as heated rabbinic polemics, the beginning of the Enlightenment, the French Revolution and its cultural and political effects and the emancipation processes. These processes had a profound impact on the Jewish world and we find echoes of this impact in the custom files as well. The certificates published here were written at a unique historical, cultural and religious junction, and have great significance in all these fields.