Commedia dell’arte, originating in Italy and proliferating on European stages from approximately 1650 to 1750, is one of the most significant and long-lasting phenomena in theatre history; its influence on all performing genres is notable throughout Western Drama to this very day. The new study From Carnival to Theatre: Structure and Chaos in the Commedia Dell'arte provides a comprehensive, deeply-researched study of the development of the genre, the establishment of the first professional troupes in Europe, their organization, their patrons and wide variety of popular and elite audiences. The study traces all aspects of the unique improvised performance: the show's space, dramatic patterns, dramatis personae, acting style, costume and stage design are re-interpreted by the attachment of the commedia dell’ arte to its double roots: the heritage of written literature, and manifestations of popular oral tradition in seasonal festivities. The book explores especially the interaction of the commedia dell'arte with the phenomenon of carnival, in its very existence as an opposition to the social structure within the liminal time and space related to the celebration. Being an authorized event, containing metaphors of annihilating the existent order, in which subversion could be substituted by amusement, the carnivalesque combined time, place and creative means into a new theatrical form: the commedia dell'arte.

Ateret Zekenim is a work of historical research into the lives of several well-known medieval halakhists from France, Germany, and Spain. The primary focus of the book is biographical, and it attempts to resolve difficult questions that have puzzled the scholarly community for many years. Its author seeks to rely on the writings of his predecessors, but he first substantiates that these foundations were properly laid and that he is not adding to an edifice that is destined to collapse. Thus, for example, the author re-examines the story of Rabbi Asher b. Yeḥiel (Rosh)’s migration from Germany to Spain in the early 14th century, a migration that had a dramatic impact on the culture of Sephardi and Ashkenazi Jewry alike. Is the scholarly consensus – according to which Rosh meticulously planned his flight to distant Toledo, in an entirely different cultural realm, over the course of two decades – correct? After methodical examination of the sources, a very different story emerges. Rosh, and with him the Ashkenazi halakhic tradition, moved from Germany to Spain at the last moment, when there were no other options.

Rabbi Moses ben Nahman (c. 1194-1267), rabbi, commentator, Kabbalist, and public leader, was one of the most prominent and influential Jewish figures in the Middle Ages. His diverse works reflect the history of Jewish communities in Western Europe in the thirteenth century and particularly the story of his own life. This book seeks to illuminate Nahmanides' works and beliefs, on the background of the challenges during his life. How was his thought formed, and what were its sources? In what stage of his life was he acquainted with the Kabbalah? To what extent was his immigration to Eretz Israel the consequence of Barcelona disputation? This book offers a new – historical-biographical – perspective for understanding Nahmanides' religious and intellectual world.

The dictionary is the fruit of a three-decade long research on the vocabulary distinctive of the contemporary Georgian-Jewish language, and especially its Hebrew component. This research is based on ongoing field work performed in various places in Georgia and in Israel. The vocabulary reflects the uniqueness of the language and culture, and to a large extent also the anthropology and history of the community of Georgian Jews.

In the history of halakhah, the treatment of uncertainty became one of the most complex fields of intense study. In his latest book, Moshe Halbertal focuses on examining the point of origin of the study of uncertainty in early rabbinic literature, including the Mishnah, Tosefta, and halakhic midrashim. The book explores instructions concerning how to behave in situations of uncertainty ranging from matters of ritual purity, to lineage and marriage, to monetary law, and to the laws of forbidden foods. This examination of the rules of uncertainty introduced in early rabbinic literature reveals that these rules were not aimed at avoiding but rather at dwelling in the midst of uncertainty, thus rejecting the sectarian isolationism that sought to minimize a community's experience of and friction with uncertainty.

This research project tries, for the first time, to analyze and compare all the key Spanish Jewish apostates, especially Petrus Alfonsi, Abner of Burgos, Geronimo de Santa Fe, Pablo de Santa Maria and Pedro de la Caballeria. The aim of this research is to understand the ideological background of the mass conversion of the Spanish Jewish community from the perspective of the intellectual elite involved in the conversion itself and not – as has usually been the case in modern scholarship – according to the rabbis who decided to stay Jewish. In the first part of the book, the author explains the impact of the conversion of a part of the Jewish intellectual elite on the Spanish Jewish population. In the second part, he examines the opinion of the various ideological converts regarding Christianity (especially the dogmas of the Trinity and Incarnation). In the third part, he analyzes their criticisms of Judaism. The main conclusion of this research is that there is a very important difference between the various converso intellectuals regarding the essence of Christianity. The conversos who were philosophers or kabbalists before their conversion continued with a similar approach even after their conversion, using their former philosophical/kabbalistic knowledge to try to convince their fellow Jews to convert as they had. The common denominator of the different writings of these apostates is not their opinions on Christianity but rather their similar criticisms of Judaism, and especially with regard to keeping Jewish religious obligations.

Many books have been written about the Baal Shem Tov; his extensive work and influence have drawn the attention of prominent researchers in the past and present. Tsippi Kauffman has a fresh outlook: she does not attempt to reconstruct the historical Baal Shem Tov, but rather to trace reflections of traditions pertaining to his in essays and writings related to Rabbi Nahman of Bratslav, his famous great-grandchild. Rabbi Nahman saw himself not only as a preserver, but also as someone who continued and developed the tradition of the Baal Shem Tov, within struggles in new and different fronts. One of these new fronts was the inner sphere; the dilemmas of self-awareness. The tension between Rabbi Nachman's desire to imitate the Baal Shem Tov, his sense of guilt for not being worthy, and the effort to find a solution for the conflicted psychological state, are ways in which the Baal Shem Tov's figure and traditions shaped his great-grandchild, but also in which the latter shaped the figure of the former in the eyes of generations to come.

Galit Hasan-Rokem | Dov Noy – A Centennial Anniversary Amos Noy | Three Variants of a Riddle and a Solution: In Memory of Dov Noy Few articles in this issue : Avishar Har-Shefi | On the Beginnings of the Hasidic Story Itamar Dagan | Written New Year’s Greetings According to Texts from the Cairo Geniza and Rabbinic Literature Haya Bar-Itzhak z”l | The Dead and the Survivors: Historical Legends about Women during the1648/49 Pogroms as a Female Site of Memory Hanna Cohen-Perez and Esther Schely-Newman | Sainte Laktar (el Guettar) in Tunisia and Israel: Passages through Time and Space Michael Lukin | The Traditional Yiddish Lullaby as an East-Ashkenazi Phenomenon

Samuel ben Hosha‘na was a prolific author of liturgical poetry and a member of the political and religious leadership of the Jewish community of the Land of Israel in the late tenth and early eleventh century CE, yet over the centuries his poetry and his very existence were forgotten by history. He was rediscovered by twentieth-century scholars from manuscripts in the Cairo Geniza. This volume presents all the information known about Samuel's life, and a selection of his poetry, as well as Megillath Miẓrayim, his prose account of a harrowing event that he experienced in Cairo in 1012. The texts are presented in Hebrew, with an English translation on facing pages, and English commentary explaining the poet's allusions.

This book focuses on a cycle of some thirty “praise” stories ( Shvachim ) whose heroes are Rabbi Shmuel the Pious and his son, the famous Rabbi Judah the Pious (died 1217; author of Sefer Hasidim ) – the two main figures of the medieval mystical circle known as Hasidut Ashkenaz. The narrative cycle in praise of these luminaries portrays them as extremely virtuous, as mystics with supernatural knowledge, and as masters of magical practices ( ba’alay shem ). Originating orally in Yiddish, these stories were first written down in Hebrew, the sacred language, and then translated “back” into Yiddish – the more widely understood language of the Ashkenazic community. The book presents all versions of these “praise” narratives, extant in manuscripts and print, both in Hebrew and Yiddish, side by side. A thorough introduction traces the growth of this narrative treasure from its embryonic oral beginnings to its fully developed bilingual written manifestations. A detailed analysis of individual stories sheds light on the cultural mentality of medieval Jewry in general and of Ashkenazic Jewry in particular.

The author of Sefer Emeq Ha-Bakha (The Vale of Tears), Yosef ha-Cohen, was a sixteenth-century Jewish doctor of Spanish origin who lived in Italy. This book was not printed in his lifetime. A few copies of the manuscript copied by hand survived. In this volume, Yosef ha-Cohen collected essays written about pogroms against the people of Israel during the Second Temple period and the loss of political independence in Eretz Israel.

Chronicle of French and Ottoman Kings was written by a sixteenth-century Jewish doctor of Spanish origin living in Italy. According to the writer, his intention was to document the hardships and injustices suffered by Jews in the Diaspora - especially the expulsion of Jews from Spain and France - and include them in the history of the conflict between the French kinds and Ottoman Empire over the rule in "the land of Judea and Jerusalem." In effect, this is a story, set in chronological order, of selected events in world history, similar in structure and content to hundreds of writings published at the time. It was written in fine biblical Hebrew, and as such was aimed at an audience who knew the language and could appreciate the conflict between the French kings and the Ottoman Empire as representing world history.