Articles: Haim Weiss | ‘From That Hour the Doom Was Sealed’: On Class Reversals in the ‘Legends of Destruction’ Vered Tohar | ‘Rabbi Hanina and the Frog’: An Ancient Ashkenazi story Adapted for Children by Asher Barash Lital Lieberman-Avital | ‘Take the Illness and Give the Medicine’: Removal by Salt – Traditional Women’s Healing Practice on a Socio-Cultural Borderline Yuval Harari | Wonders and Sorceries in Yeruham: A Magical-Political Rashomon Dalia Marx | Welcoming the Sabbath in the Kibbutzim: Secular Religiosity Narmina Abdulaev | Narration Surfing: Folklore Published on the Internet and Its Analysis Shany Kotler-Fux | ‘Hitler-Pants’ Parodies: Folklore in Israel’s Virtual Sphere Reviews: Aharon Maman | [Review of:] Yosef Tobi and Tsivia Tobi, Judeo-Arabic Literature in Tunisia, 1850–1950, Detroit, MI: Wayne State University Press, 2014, 367 pp. Jacqueline Laznow | [Review of:] Tsivia Tobi, From Bride to Daughter-in-Law: The World of Jewish Women in Southern Tunisia and Its Reflection in Popular Literature, Jerusalem 2016, 344 + [iv] pp. [Hebrew] Tzila Zan-Bar Zur | [Review of:] Idit Pintel-Ginsberg, The Angel and the Tcholent: Food Representations in Folktales, Haifa 2016, 176 pp. [Hebrew] English Abstracts

Bearing Witness to the Witness examines the different methods of testimony given by trauma victims and the ways in which these can enrich or undermine the ability of the reader to witness them. Years of listening to both direct and indirect testimonies on trauma have lead Dana Amir to identify four modes of witnessing trauma: The “metaphoric mode”, the “metonymic mode,” the “excessive mode”, and the “Muselmann mode.” The author thus demonstrates the importance of testimony in understanding the nature of trauma, and therefore how to respond to trauma more generally in a clinical psychoanalytic setting. In order to follow these four modes of interaction with the traumatic memory, the various chapters of the book present a close reading of three genres of traumatic witnessing: Literary accounts by Holocaust survivors, memoirs (situated between autobiographic recollection and fiction) and ‘raw’ testimonies given by Holocaust survivors. Since every traumatic testimonial narrative contains a combination of all four modes with various shifts between them, it is of crucial importance to identify the singular combination of modes that characterize each traumatic narrative, focusing on the specific areas within which a shift occurs from one mode to another. Such a focus is extremely important, as illustrated and analysed throughout this book, to the rehabilitation of the psychic metabolic system which conditions the digestion of traumatic materials, allowing a metaphoric working through of traumatic zones that were so far only accessible to repetition and evacuation.

Replacing Myself with Myself is the fifth selection of Michael Handelzalts's weekly columns, written and published in the Haaretz newspaper between June 2005 and November 2008. Anchoring his amused musings in the headlines, he ponders, among other things, on the kind of fruit with which the Snake and Eve had tempted Adam in the Garden of Eden, on the virtues of good spirit, and on other matters, most of them highly immaterial. A selection of his columns, Histoires d’en lire, was published in French in 2001 by Gallimard.

Music, which speaks in the language of tones, tends to elude attempts at a description in words. Precisely for this reason, perhaps, it has always posed a great challenge to authors, who have been writing musical works and performances throughout the generations. Contrary to what might be expected, literature is far from unanimous in praising music. Frequently, it assigns it dark powers and presents it as dangerous. This two-volume study is the most massive attempt yet to survey the moment musicaux (musical moments) of world literature. Volume I contains a thematic mapping of some 250 literary representations of music; volume II offers an in-depth analysis of 30 of them .

One of the world's most celebrated scholars, Stephen Greenblatt has crafted both an innovative work of history and a thrilling story of discovery, in which one manuscript, plucked from a thousand years of neglect, changed the course of human thought and made possible the world as we know it. Nearly six hundred years ago, a short, genial, cannily alert man in his late thirties took a very old manuscript off a library shelf, saw with excitement what he had discovered, and ordered that it be copied. That book was the last surviving manuscript of an ancient Roman philosophical epic, On the Nature of Things , by Lucretius—a beautiful poem of the most dangerous ideas: that the universe functioned without the aid of gods, that religious fear was damaging to human life, and that matter was made up of very small particles in eternal motion, colliding and swerving in new directions. The copying and translation of this ancient book-the greatest discovery of the greatest book-hunter of his age-fueled the Renaissance, inspiring artists such as Botticelli and thinkers such as Giordano Bruno; shaped the thought of Galileo and Freud, Darwin and Einstein; and had a revolutionary influence on writers such as Montaigne and Shakespeare and even Thomas Jefferson.

This study of the Parable of the Three Rings is the first full account in Hebrew of the history and the literary and allegorical origins of the parable, as well as of its reception from the early Middle Ages to the Early Modern period. The study provides evidence for the non-Western origins of the parable, which are known mostly through its Western European renderings in Lessing's Nathan the Wise and Boccaccio's Decameron . In some of its versions, the parable contains the idea of religious relativism. This idea was often accommodated in its particular cultural and religious surroundings, but at other times negated and altered to suit the preferences of the other narrators and audiences. Whether the original, relativist, possibly tolerant, message were upheld or not – makes the history of the parable more intriguing to modern readers. The study of the parable tracks the religious idea -- presented in various allegorical forms -- back to its Muslim origins. It also reveals the Eastern origins of the parable's literary framework. The discussion follows the evolution of the parable and its entrance into Catholic Europe, analyzing it contextually and with reference to prevalent contemporary religious ideas among Muslims, Jews, and Christians between the eighth and the sixteenth centuries . A Hebrew translation of Avishai Margalit's “The Ring: On Religious Pluralism” provides a logical-philosophical perspective on the idea of religious pluralism .

Argonautica (the voyage of the ship Argo), is a Hellenistic epic poem by Apollonius of Rhodes written in the third century BCE. It is one of the few remaining epic poems of ancient Greece, recounting the adventures of Jason and the Argonauts who sailed aboard the Argo to Colchis in order to retrieve the Golden Fleece. Much importance has been attributed to this work owing to its artistic qualities and complex narrative. Argonautica has had an immense influence on prominent Roman and modern writers alike, including Ovid, Virgil, and Robert Graves. The Hebrew translation retains the original meter of the work and accurately reflects the content and spirit of the original Greek.

ARITCLES Arnon Azmon - Editing and Meaning in Pesikta de-Rav Kahana, Pesikta Rabbati and Midrash Tanhuma on ‘Vayehi Beyom Chalot Moshe’ (Num 7:1) Yuval Fraenkel - The Hand-Leaning Controversy: Controversy and Authority Noam Samet - ‘The Wise Shall Inherit Glory’ (Prov 3:35) - The Redaction of the Sugya on Human Dignity Rachel Hitin-Mashiah and Tamar Lavi - Two Supplications (בקשות) by Rabbi Yedidya Monsoñego Amir Banbaji - The Maskilim as ῾Defenders of the Text’: A Third Paradigm of Jewish Enlightenment Tamar Salmon-Mack - The Weakening of the Parents’ Home and the Development of Other Kinship Relations in Epistolary Hebrew Literature in the 19th century Einat Baram Eshel - The Story of the Flood and its Representations in Hebrew Children’s Literature Shira Stav - Be My Mother and Brother: Rachel and Bialik Lilach Nethanel - Zalman Shneour’s Book of Wanderings Haya Shacham - ‘The World is a Riddle but the Riddle is a World’ Tal Holz - Slave of Time: The Work of Mourning in Israeli Holocaust Literature of the ‘1948 Generation’

This book examines a particular aspect of the hatred of women in nineteenth and twentieth century Russian literature. A man is involved in a romantic relationship with a woman. He feels he is superior to the woman and almost divine, deserving the woman's admiration or even worship. But instead of demonstrating her esteem and respect toward him, she treats him as if he were inferior to her. He feels humiliated and despised by the woman. He feels castrated by her, because she behaves like a man and assigns him the role of a woman. He wishes to restore his own self-respect and avenge himself on her for the bad feelings she gives him. He wants to murder her, and if it is not in his power to hurt her, he harms himself. He becomes an alcoholic, mentally ill or commits suicide. The book discusses the works of Fyodor Dostoyevsky, Lev Tolstoy, Anton Chekhov, Michail Zoschenko, Yuri Trifonov, Nikolai Leskov, Ivan Turgenev, Alexandr Kuprin, Michail Bulgakov, Boris Vasilyev, Vasily Grossman, Valentin Rasputin, Sergei Dovlatov, Yiri Nagibin, Yuri Polyakov, Galina Tcherbakova, Dina Rubina, Lyudmila Ulitzkaya, Lyudmila Petrushevskaya and Irina Grekova.