This wide-ranging book shows how, since the first centuries of the Christian era, gentiles have associated Jews with noise. The study focuses on a “musical libel" - a variation on the Passion story that recurs in various forms and cultures in which an innocent Christian boy is killed by a Jew in order to silence his “harmonious musicality.” In paying close attention to how and where this libel surfaces, Ruth HaCohen covers a wide swath of Western cultural history. The author combines in her analysis the perspectives of musicology, literary criticism, philosophy, psychology, and anthropology, tracing the tensions between Jewish “noise" and idealized Christian “harmony” and their artistic manifestations from the high Middle Ages through Shakespeare, Bach, Wagner, George Eliot, Kafka, Schoenberg and others. She explores testimonies by outsider visitors of synagogues, operas, caricatures, and Nazi movies. Her analysis shows how entrenched aesthetic-theological assumptions have persistently defined European culture and its internal moral and political orientations. Following the publication of the book, the author received two prestigious awards: the Polonsky Award for Creativity and Originality in the Humanities, and the Kinkelday Award from the American Musicological Society for the best book in musicology published in 2011 .

The study of liturgy is intrinsically interdisciplinary and comprises elements of music, drama, theater and devotion that are of great consequence to believers and scholars far and wide. Liturgy is both history and theology, purporting to reflect and propagate values that inform individuals and communities alike, playing a vital role in the construction of sacred and lay memory and identity. As a multi-sensory experience, liturgy maintains a dynamic relationship with the surrounding space and its visual components, including art, artifacts and architecture. The essays in this book examine diverse aspects of liturgy and the arts, and were written by scholars working in the disciplines of musicology, social and cultural history, art history, material culture, and the history of the Jews and Christians in the Middle Ages and beyond. The articles engage in a comparative and interdisciplinary discourse, in order to contextualize the liturgical practices within the production of medieval cultural memory, and within the symbolic traditions expressed through liturgy and the arts. Primary sources include texts, rituals, music and visual media from Western Europe (Christian and Jewish) and the Latin Levant. The study of written, visual and musical constructs identifies the values and ideals conveyed and instilled through Jewish and Christian liturgical commemoration, and explores how these activated the faithful's idea of community and their place within it.

Few articles in this issue: Uri Ehrlich and Vered Raziel-Kretzmer | Prose or Poetry? - Clarifying the Eretz Israel Version of the ‘You Smote’ Passage in the Maʿariv Prayer Avi Shmidman | Did Palestinian Qinnot Serve as Seliḥot in the Babylonian Rite? Michael Rand | Interdigitated Piyyutim and the Principle of Polyphonic Performance in Late Eastern Piyyut Ophir Münz-Manor | Analog Piyyut in a Digital World: Towards Computational Study of Payytanic Literature Eden Hacohen | ‘God has made the one as well as the other’ ‒ Parallels and their Deconstruction in Piyyut Dalet of Yannai’s Qedushta’ot

Korot is devoted to the study of the philosophical, sociological and ethical aspects of the history of medicine and Judaism. The topics covered by the Journal include: medicine in Jewish and Hebrew sources, the history of Jewish physicians, medicine in Palestine and Israel and medicine during the Nazi period. Each volume contains mostly English-language articles, together with some Hebrew contributions (abstracted in English). The "Historical Notes" and "Notes and Events" sections cover recent important developments and events in the above mentioned topics around the world. Each issue also includes several reviews of noteworthy books and contributions to the field. In this issue - Ethics and the Health Professions: Education of the Holocaust and Healthcare.

In the late fifteenth century, many of the Jews expelled from Spain made their way to Morocco and established a dynamic community in Fez. A number of Jewish families became prominent in commerce and public life there. Among the Jews of Fez of Hispanic origin was Samuel Pallache (circa 1550-1616), who served the Moroccan sultan as a commercial and diplomatic agent in Holland until Pallache's death in 1616. In Samuel Pallache , his world is viewed as a microcosm of early modern society, one far more interconnected, cosmopolitan, and fluid than is often portrayed. Pallache's missions and misadventures took him from Islamic Fez and Catholic Spain to Protestant England and Holland. Through these travels, the authors explore the workings of the Moroccan sultanate and the Spanish court, the Jewish communities of Fez and Amsterdam, and details of the Atlantic-Mediterranean trade. At once a sweeping view of two continents, three faiths, and five nation-states and an intimate story of one man's remarkable life, Samuel Pallache is history at its most compelling.

Kobez Al Yad , an annual of the Mekize Nirdamim Society, is a forum for the publication from manuscript sources of ancient texts in Jewish studies that are shorter than book-length. Among the articles in this issue: Dan Greenberger | An Essay on the Ten Commandments attributed to R. Saadia Gaon Haggai Mazuz | Ma'aśeh Mehmeṭ: Re-examination and Critical Edition Gad Freudenthal and Hannah Kasher | Kalonymus ben Kalonymus rebukes Joseph Ibn Kaspi Pinchas Roth | A Collection of Rulings from Medieval Montpellier Eliezer Schlossberg | The Commentary of R. Avraham ben Shelomo the Yemenite on the Book of Zephaniah: A Critical Edition

The book describes the Copernican Revolution, initiated by the publication of On the Revolution of the Heavenly Spheres by Copernicus until it was accepted by the Scientific Community. The book follows the dramatic turns of the plot of the struggle for scientific truth, along with the conflict between the church and Galileo. Finally, the book brings the modern proofs for the Copernican model, including the very recent discoveries of extra-solar planets.

The 33 essays in this book, most of which were published during 1965-1970 in La Stampa , are the diary Natalia Ginzburg never wrote. The essays depict everyday life, its randomness and chaos. Through them she discusses her own self, her literary passions, the thoughts she has while listening to music, watching an opera or a comedy, reading a book or newspaper, or while observing her children and grandchildren. She touches upon subjects like the loneliness of childhood, the dreariness of old age, the belief and disbelief in god. These essays portray an extraordinary portrait of the author as shy, quiet and fragile, but also as determined and aware of the significance of words. Mai devi domandarmi expresses the unique literary quality in Ginzburg's writing, which oscillates between autobiographical and testimonial.

By 1917 the European war seemed to be endless. Both sides in the fighting looked to new weapons, tactics and ideas to break a stalemate that was itself destroying Europe. In the German government a small group of men had a brilliant idea: why not sow further confusion in an increasingly chaotic Russia by arranging for Vladimir Ilyich Lenin, the most notorious of revolutionary extremists, currently safely bottled up in neutral Switzerland, to go home? Catherine Merridale's Lenin on the Train recreates Lenin's extraordinary journey from harmless exile in Zürich, across a Germany falling to pieces from the war's deprivations, and northwards to the edge of Lapland to his eventual ecstatic reception by the revolutionary crowds at Petrograd's Finland Station. With great skill and insight Merridale weaves the story of the train and its uniquely strange group of passengers with a gripping account of the now half-forgotten liberal Russian revolution and shows how these events intersected. She brilliantly uses a huge range of contemporary eyewitnesses, observing Lenin as he travelled back to a country he had not seen for many years. Many thought he was a mere 'useful idiot', others thought he would rapidly be imprisoned or killed, others that Lenin had in practice few followers and even less influence. They would all prove to be quite wrong.

The book takes the reader on a journey of discovery ranging from the planets of our solar system to stars and distant solar systems in the Milky Way, our home galaxy, and beyond to the ends of the universe. It proposes a reader-friendly introduction to astrophysics and the physics of stars and planets, accompanied by over one hundred illustrations. The book explains concepts, distances and phenomena from other worlds, very different from our everyday experience. Throughout its journey through the universe the book introduces the science of astrobiology: the search for biological life in space. It also accompanies the course "Astrobiology and Life in the Universe" presented by the author and recorded for the benefit of the public in the "Cornerstones" program of the Hebrew University. The book deals with topics that have received widespread media coverage in recent years, such as NASA's research missions to Mars and their Kepler and James Web space telescopes. While the Kepler mission led in 2010-2015 to a breakthrough in discovering numerous worlds suitable for life outside the Solar System, James Web, whose launch is expected in 2021, will provide to humanity for the first time the ability to detect signs of life in these worlds.

Elijah the Prophet is a remarkably impressive figure whose life is full of dramatic moments: the decree to stop the rain, the fierce tension with King Ahab and Queen Jezebel, the war on idolatry which had its climax on Mount Carmel with the killing of the prophets of Baal, God’s revelation at Horeb, the ascent to heaven in a chariot of fire, etc. These episodes sparked the imagination of readers and commentators, thinkers and artists, who continued to study the figure of Elijah throughout the generations. The book Until Elijah Comes: The Portrayal of Elijah the Prophet in Tannaitic Literature is an examination of Elijah’s multi-faceted character as reflected in Tannaitic sources, the earliest stratum of rabbinic literature. Adiel Kadari presents an in-depth analysis of the major issues related to Elijah the Prophet in the intellectual world of the sages, such as the principles and limits of halakhic discourse, messianism and eschatology, religious and political zealotry, the phenomenon of prophecy and the question of its persistence in the post-biblical era, and the relationship to history, religious piety and asceticism. The analysis of Elijah in this volume is rooted in philological studies concerning the origin and transmission of the text, and branches out to an examination of ideological aspects and worldviews. The synthesis of various approaches employed in the study of rabbinic literature yields a rich and variegated discourse. The book’s various chapters reveal the tremendous importance of Elijah in the eyes of the sages, as well as the exegetical and ideological struggles over the shaping of his image.

Life crises present before the person experiencing them an opportunity to embark on a philosophical journey that is not detached from everyday life. This book provides philosophical guidance which could help a person define their own basic questions, as well as support in the process of creative, autonomous, critical and authentic development of a newly generated world view. It aims to enable a person to realize ideas from the history of human thought and to make their life more meaningful.