Spring Sale
>The Antonines of the  Scriptores Historiae Augustae
More details
Publisher:
Year:
2007
Catalog number :
45-211014
ISBN:
965-493-288-1
Pages:
276
Language:
Weight:
400 gr.
Cover:
paperback

The Antonines of the Scriptores Historiae Augustae

Translation:
Synopsis

This book contains the biographies of the Antonine Caesars (Aelius-Didius Iulianus) from the Manuscript P(alatinus) 899 in the Vatican Library.
The manuscript was already known to men of letters in the late Middle Ages
That its contents are essential to a better understanding of Imperial Rome is conventionally accepted by historians. It was published as early as the first generation of printers (Milano 1475).
The biographies present a wide array of deeds and indecisions in the history of Rome during the IInd century AD. These were actually the days near the.end of the Pax Romana.
The biographies present not only the characters of the Caesars, for they equally reveal the many patterns of Enlightment hovering over Rome during the years of the Antonine patronage.
The tendency to base the life of citizens as well as those of the provincials not on the arbitrariness of imperial bureaucrats but law (Roman Law) inspired by philosophy (Hellenic and Hellenistic) is a remarkable signpost of this period Women were in those days considered more as juridical persons and less under the tutelage of men.
Indeed the Antonines did not abolish slavery, but the attitude towards them more human.
The tolerance these Caesars based on moral principles.aleviated the task of preaching in the name of Christ and winning followers. .
Jews were freed by the Caesars from the danger and oppression of the edicts imposed by Hadrian. Their moderation enabled the Jews in Judaea (recently renamed Palaestina by Hadrian) to come close to a rcovery.
The author of these biograpies had intentionally disguised his name and identity. Nevertheless (relying on internal evidence of his work) it seems most likely that he had compiled the SHA at the turn of the fifth century. Born as a scion of the old Roman aristocracy, the new religion aggresively imposed on Rome did not attract him. He rather felt close to the Rome of the days bygone, of the liberal temper, its literature and thought and freedom of belief. Aiming to avoid a confrontation on unequal terms with the contemporary authorities in Rome, he prefered to present his work under cover of six differerent pseudonyms. All this makes even the literary aspect of his work of greater interest and admiration
Introduced,translated and annotated by David Golan