Maimonides ends each book of his legal code the Mishneh torah with a moral or philosophical reflection, in which he lifts his eyes, as it were, from purely halakhic concerns and surveys broader horizons. Menachem Kellner and David Gillis analyse these concluding paragraphs, examining their verbal and thematic echoes, their adaptation of rabbinic sources, and the way in which they coordinate with the Mishneh torah ’s underlying structures, in order to understand how they might influence our interpretation of the code as a whole—and indeed our view of Maimonides himself and his philosophy. Taking this unusual cross-section of the work, Kellner and Gillis conclude that the Mishneh torah presents not only a system of law, but also a system of universal values. They show how Maimonides fashions Jewish law and ritual as a programme for attaining ethical and intellectual ends that are accessible to all human beings, who are created equally in the image of God. Many reject the presentation of Maimonides as a universalist. The Mishneh torah especially is widely seen as a particularist sanctuary. This study shows how profoundly that view must be revised.

‏‏Deganit Berest is one of the prominent Israeli artists active today. Her many artworks span ‎between painting, photography, and installation. Her intricate works trigger and challenge ‎different interpretive moves. This book present eight of them, written by artists, philosophers, ‎curators and other scholars, unfolding a rich and diverse commentary on Berest’s works. In ‎addition to the papers, the book includes fragments written by the artist herself, unveiling ‎another perspective on the artworks, which usually remains hidden: the artist herself meditating ‎about her own works. ‎

The Western musical tradition has produced not only music, but also countless writings about music that remain in continuous—and enormously influential—dialogue with their subject. With sweeping scope and philosophical depth, A Language of Its Own traces the past millennium of this ongoing exchange. Ruth Katz argues that the indispensable relationship between intellectual production and musical creation gave rise to the Western conception of music. This evolving and sometimes conflicted process, in turn, shaped the art form itself. As ideas entered music from the contexts in which it existed, its internal language developed in tandem with shifts in intellectual and social history. Katz explores how this infrastructure allowed music to explain itself from within, creating a self-referential and rational foundation that has begun to erode in recent years. A magisterial exploration of a frequently overlooked intersection of Western art and philosophy, A Language of Its Own restores music to its rightful place in the history of ideas.

Man and Nature , the most notable work by A. D. Gordon (1860-1922) was written mostly during the second decade of the twentieth century. It is an original philosophical work, which revolves around the ethics, aesthetics and philosophy of religion. In addition to presenting a comprehensive philosophical theory in Hebrew, Gordon discusses issues which became more and more central in the generations that followed him – like ecology, gender and the rejuvenation of Judaism. By returning to nature Gordon advocates a full life of creation. This new edition contains sections from the Dgania Alef archives, which were omitted from previous editions. In the introduction, the editors describe how the text deviates from the time and place in which it was written, explaining the recent wave of renewed interest in Gordon’s writings.

In the few years after his retirement from public life and before he was sentenced to suicide, the Roman philosopher Seneca wrote the majority of his texts, which included over one hundred letters of wisdom (espistulae morales) sent to his friend Lucilius. These letters are considered the first appearance of literary letters in Roman prose. The letters are philosophical essays written by a very wise and witty old man concluding his life, an autobiography of our spiritual world. The issues that interested Seneca are eternally relevant.

The question of theodicy has preoccupied philosophers and theologians throughout generations. Roughly: If God is moral, how can there be evil in the world? Or: Is the existence of evil not evidence against the existence of a righteous God? This question became the greatest philosophical challenge for the believer, and the main device in the hands of atheists. The question of theodicy also raises a second-order discussion, about the nature of the challenge: Is there a logical contradiction between a moral God and the existence of evil? If not, what sort of tension is this? Can the attributes of God be thought of in a coherent manner? Does the very existence of evil give rise to the challenge, or only the existence of unnecessary evil? The present research addresses Kant’s take on theodicy. It focuses mainly on two Kantian assertions that seem to disaccord with Kant’s theory of freedom: 1. That evil is entrenched in mankind, and 2. That if all-inclusive moral-order is impossible, the moral-law is erroneous. The conclusion, based on close examination of Kant’s argumentation, is that Kant did not exclude theodicy from rational discourse, but rather redefined the challenge enclosed in the question of theodicy.

In his article entitled "Facing Up to the Problem of Consciousness", David Chalmers divides the study of consciousness into two parts: the easy problems and the hard problems. The easy problems are those related to neurological/functional/cognitive processes. In contrast, the hard problem is the study of consciousness which is related to the subjective experience. In recent decades brain researchers have joined the race to understand consciousness. Most of them adopt an approach according to which any advance made in the study of neurological activity is also an advance in the study of consciousness. I contend that the gap between brain activities and the subjective experience cannot be bridged, among other things because consciousness is not confined within the brain. This book hence proposes that consciousness extends from the brain to the body and from only from there does it burst forth into the world. One of the book’s main arguments is that the world itself serves as our best model, without any need for representation or a central control system within our brains. Therefore, to better understand the subjective experience we must examine how human beings are present and act within the world.