In his book History, Literature, Critical Theory (2013), the historian Dominique La Capra presented the ways in which the voice of the narrator in the 19th and 20th century novel came to a collapse, which reflects the modern traumatic experience. This study employs this theoretical prism in order to construct a cultural dimension of 20th century Jewish poetics - a dimension in which trauma is reflected in its linguistic representation, but also shapes this same representation. The book offers an understanding of Jewish literature in the 20th century as a far-reaching cultural experience, in which the human figure is not made possible by words, but rather collapses into the animal, the absence, the broken witness, the Muslim, the eastern, the Arab and the queer.

This is the first comprehensive introduction to India’s history and civilization in Hebrew. It reflects decades of teaching by both authors, often together, at the Hebrew University, as well as long periods of residence in India. The book is structured chronologically, from prehistoric times to the twenty-first century, and includes, within a historical framework, numerous anecdotes, stories, and poems never before translated into Hebrew. Taken together, these are meant to give the lay readers--backpackers, couch travelers, India lovers, and other curious minds - a savory taste of India’s rich cultural menu.

The Book of Kings is the most important source of Jewish history in the First Temple Period. This commentary is intended for Hebrew readers – scholars, university students, high school students, their teachers, and Bible lovers. These readers, whose mother tongue is Hebrew, are inherently close to the source language, and can benefit from a deep understanding of the research.

With its five thematic sections covering genres from cantorial to classical to klezmer, this pioneering multi-disciplinary volume presents rich coverage of the work of musicians of Jewish origin in the Polish lands. It opens with the musical consequences of developments in Jewish religious practice: the spread of hasidism in the eighteenth century meant that popular melodies replaced traditional cantorial music, while the greater acculturation of Jews in the nineteenth century brought with it synagogue choirs. Jewish involvement in popular culture included performances for the wider public, Yiddish songs and the Yiddish theatre, and contributions of many different sorts---technical and commercial as well as creative---in the interwar years. Chapters on the classical music scene cover Jewish musical institutions, organizations, and education; individual composers and musicians; and a consideration of music and Jewish national identity. One section is devoted to the Holocaust as reflected in Jewish music, and the final section deals with the afterlife of Jewish musical creativity in Poland, particularly the resurgence of interest in klezmer music. The essays in this collection do not attempt to to define what may well be undefinable---what ‘Jewish music’ is. Rather, they provide an original and much-needed exploration of the activities and creativity of ‘musicians of the Jewish faith’.

This book sheds new light on the history of the sanctity of Jerusalem in Islam. It is noticed already in the Quran which describes Muhammad's vision of a nocturnal journey from the "sacred mosque" (al-masjid al-ḥarām) in Mecca to the "far-off mosque" (al-masjid al-aqṣā) namely, the Temple Mount in Jerusalem. In his night journey to the site of the demolished Temple, Muhammad signaled to his contemporary Jews the course of salvation in which already Moses had led the Children of Israel to their promised land. On the other hand, the Quran praises also the Abrahamic sanctity of Mecca, especially in sūras which reflect the polemical rift with the Jews who eventually refused to recognize Muhammad as their messianic savior. After the death of Muhammad, when the first Muslims came from Arabia to Palestine, their awareness of the Quranic sanctity of al-Masjid al-Aqṣā resurfaced. This book elucidates major aspects of the renewed and growing sanctity of Jerusalem and al-Sham at large, as reflected in the available Islamic traditions. These traditions show also how patterns of the sanctity of Jerusalem were eventually adapted to Mecca in reaction to the growing prestige of Jerusalem, especially during the Umayyad period.

The Habad school of hasidism is distinguished today from other hasidic groups by its famous emphasis on outreach, on messianism, and on empowering women. Hasidism Beyond Modernity provides a critical, thematic study of the movement from its beginnings, showing how its unusual qualities evolved. Topics investigated include the theoretical underpinning of the outreach ethos; the turn towards women in the twentieth century; new attitudes to non-Jews; the role of the individual in the hasidic collective; spiritual contemplation in the context of modernity; the quest for inclusivism in the face of prevailing schismatic processes; messianism in both spiritual and political forms; and the direction of the movement after the passing of its seventh rebbe, Rabbi Menachem Mendel Schneerson, in 1994. Attention is given to many contrasts: pre-modern, modern, and postmodern conceptions of Judaism; the clash between maintaining an enclave and outreach models of Jewish society; particularist and universalist trends; and the subtle interplay of mystical faith and rationality. Some of the chapters are new; others, published in an earlier form, have been updated to take account of recent scholarship. This book presents an in-depth study of an intriguing movement which takes traditional hasidism beyond modernity.

The Yoṣerot of Rabbi Šelomo Suleiman Al-Sinjari for the Annual Cycle of Torah Reading is the earliest and most complete known Cycle of the Yoserot from the first century ACE, written by one of the most prominent Hebrew poets in the ninth century. This edition is based on hundreds of manuscripts originating in the Cairo Geniza. Its comprehensive scientific introduction presents the Yoser systems, discusses questions pertaining to the importance of the piyyutim and their designation, and describes the poet’s style and language. Further discussed in the introduction are early rituals of prayer and Torah reading, both Babylonian and Erez Israeli.

The book deals with challenges to the identity and stability of the State of Israel as a Jewish and democratic state. The first part of the book deals with the challenges that arise from all cultural groups in Israeli society: Arabs, migrant workers, religious Zionists, ultra-Orthodox, traditionalists, Olim from the former Soviet Union, Jews of Ethiopian origin, secular Jews. The second section deals with the ideological challenges that arise from the radical left and the religious and secular nationalist right. The third section deals with the significant issues in which there is a conflict between the Jewish and democratic identity of the State of Israel: the minority status of Arab Israeli citizens; Israeli control of Judea and Samaria; religious and state relations in Israel and the possibility of presenting an outline to strengthen Israel's Jewish and democratic identity at the same time.

The Hebrew Bible is the cornerstone of Judaism and Jewish culture; as such, it also provides the foundation for the other two monotheistic religions, Christianity and Islam. It is a book that embodied numerous revolutions, the most prominent of which was the Monotheistic Revolution, the replacement of polytheism with the belief in one all-powerful God who both created the world and governs it. Among the other revolutionary ideas that are put forward by the Bible we find the establishment of the Sabbath, the granting of one city — Jerusalem — a monopoly over holiness, the opposition to human kingship, and the moral dimensions of prophecy, to name just a few. Over the centuries and millennia, these revolutionary ideas have continued to attract and inspire readers, believers, interpreters and artists.

The Quran is the holy scripture of a religion that has changed the world. It contains the speech of God unto Muhammad the prophet, and through him unto his entire generation -- Idolatrous Arabs, Jews and Christians. This book delineates the major issues which are discovered as one reads through the Quran: How God was revealed to the prophet; in what manner he speaks to him; how he guides the prophet to enlarge the community of believers and face his opponents; how he defines the community of believers; what are the moral and ethical codes which he lays down for them; what is the image of God; what is the religion of Islam which God calls the people to follow; what are the practical ways for expressing the belief in the unity of God; the Abrahamic faith to which one must adhere so as to become a true Muslim. The present book also reviews God's polemics with Jews, Christians and idolaters; the status of the scriptures of the Jews and the Christians; the conditions of war and peace with the unbelievers at large; the descriptions of the resurrection and the day of judgment, as well the colorful descriptions of paradise and hell.

This issue contains the following essays: Assaf and Ishay Rosen-Zvi | Tannaitic Halakhic and Aggadic Methodology Yakir Paz | ‘Binding Crowns to the Letters’ – A Divine Scribal Practice in Its Historical Context Avishai Bar-Asher | Illusion versus Reality in the Study of Early Kabbalah: The Commentary on Sefer Yeṣirah Attributed to Isaac the Blind and Its History in Kabbalah and Scholarship Ariel Zinder | The Siluq in Hebrew Liturgical Poetry from Al-Andalus: New Discoveries Gideon Freudenthal | Maimon the Kabbalist Boris Kleiner | Gradation of the Disjunctive Accents in the Bible Recitation of Jews of Yemen and in Other Jewish Traditions: On the Prosodic Hierarchy in the Recitation Books Received English Abstracts

The book is concerned with the main trends in Jewish Liturgy during Late Antiquity and its connections and inter relations with Aramaic Targum, Midrash, mysticism, popular beliefs, structure and rhyme patterns as performed amid Late Antique Synagogues in Palestine, as well as the later spread of these fertile products to Southern Italy and then to the rest of Europe. The book discusses the different layers of poets and performers as presented in ancient manuscripts which were preserved in the Cairo Geniza collections and later in European Mahzorim, and the fascinating struggle of survival of the different liturgical cycles.