Chronicles is a historiographical work narrating the history of Israel. The first part focuses on the period until the end of King David's reign. The anonymous author, presumably one of the Jerusalem Kohanim of the Second Temple period, who wrote the work during the late Persian period or early Hellenistic period. He structured his book by employing the earlier Bible books and re-writing them, in addition to materials that preceded him, and others he conceived; all according to his theological perspective.

Chronicles is a historiographical work narrating the history of Israel. The second part continues with Solomon through the Edict of Cyrus. The anonymous author, presumably one of the Jerusalem Kohanim of the Second Temple period, who wrote the work during the late Persian period or early Hellenistic period. He structured his book by employing the earlier Bible books and re-writing them, in addition to materials that preceded him, and others he conceived; all according to his theological perspective.

In this issue: Ronit Nikolsky and Reuven Kiperwasser | Three Tales of Kings: Independent Traditions in Exempla of the Rabbis (Sefer Maasiot) Yair Lorberbaum | Rabbi Yom-Tov Asevilli’s Book of Rememberance : Philosophy, Kabbalah, Halakhah Eugene D. Matanky | Studying Kabbalah in Solomon Alqabeṣ’s and Moses Cordovero’s Circle: Sephardic Pilpul, Propositions, and Yeshivah Study

This book investigates Ezekiel's restoration program and the way he describes Israel's future restoration. In addition to new readings of the prophecies and an evaluation of the influence of biblical and Mesopotamian literature on the prophet's message, the book deals with the exiles' daily life, their ideologies, and the way they perceived the exile and its theological role in the history of the People of Israel.

Midrash Eicha Zuta is a midrash Aggadah with a unique structure, which originates from the fact that it was created by conjoining two different midrashim : the first an exegesis that includes drashot of the first three verses of the Book of Lamentations, and the second an exegesis that includes drashot on verses from Nevi'im and Ketuvim.

The Twelve Prophets volume of the the Hebrew University Bible Project presents a diplomatic editio maior of the text of the Hebrew Bible, based upon the Aleppo Codex, with variants from other textual testaments recorded in a system of apparatuses. The readings collated in the edition are culled from a broad variety of sources, including the ancient translations (Greek Septuagint and revisions, Latin Vulgate, Syriac Peshitta, Aramaic Targum Jonathan), Dead Sea Scrolls, biblical quotations in rabbinic literature, Genizah fragments, a broad array of medieval Hebrew manuscripts representing the Masoretic text, up to Jacob Ben-Hayyim’s Second Biblia Rabbinica of 1524-25. This extensive documentation reflects the attested transmission history of the biblical text, covering a period of almost two millennia.

Preludes is the story of the composer and conductor Noam Sheriff (1935-2018), whose life was dedicated to art and music almost from the moment he could think of it. In the first person Sheriff recounts a personal initiation story, which begins in the small Tel Aviv of the days of the British Mandate and the divided Jerusalem of the first years of the State of Israel, followed by the most renown and magnificent concert halls in Israel and around the world. In doing so, he describes some of the personalities who stood at the heart of world of music: Leonard Bernstein, Gary Bartini, Paul Ben-Haim, Arik Einstein and others. This is a story of pioneering musical activity, part of an enterprise of building Israeli culture. This is also the story of an artist who, looking back from a sober, unapologetic and unselfish perspective - recounts his achievements, doubts and personal and artistic choices.

This volume presents a selection of excepts (in the original Arabic and with a Hebrew translation) from the Eretz-Israeli Sefer Horayat Haqore , written by the prominent Karaite scholar Abū al-Faraj Hārūn ibn al-Faraj (also known as Aaron of Jerusalem), in the first half of the 11th century. The selected excerpts represent issues often discussed in the biblical orthoepy discipline, which has two components: grammatical theory and cantillation theory.

Selected articles from current issue: Arnon Atzmon | ‘He Who Seeks Out Good: This is David’: The Opening Unit of Midrash Psalms as an Introduction to the Book of Psalms David Sabatto | ‘Thus, I Received it From the House of My Father’s Father’. The Sources and Structuring of the Legend of Yehonatan, Moses’ Grandson Ido Hevroni | Turning the Hearts of the Children to Their Parents: The Education of R. Elazar Son of R. Shimon (Pesiqta de Rab Kahana 11) Omri livnat | ‘Samuel, The Son of Labrat Has Died’: Between Manuscript and Edition, Between Panegyric and Lampoon

In this issue: Moti Benmelech | From the Sambatyon to Tiberias: An Unknown Version of ‘MaꜤaseh Akdamut’ Rella Kushelevsky | Affinities between Orality and Literacy in Medieval Folktales in Western Europe: ‘The Tale of a Rich Man who used to seat Himself among the Poor’ David Manrique | Yohanan ben Zakkai meets Vespasianus: A Study of Midrashic History according to ‘MeꜤam Loez’ by Argüete Zeev Kitsis | The Baal Shem Tov’s Neighbor in the Garden of Eden ‒ A story from ‘Once There Was a Hasidic Man’ and its Connection to the Hasidic-Israeli Identity

The collection was compiled on the author's eightieth birthday, and includes all the articles he has written on the study of Talmudic literature throughout fifty years of research. The articles have not been revised other than corrected citations. The two volumes are divided into seven subjects. The first volume includes articles dealing with (1) Mishnah; (2) Jerusalem Talmud; (3) Babylonian Talmud. The second volume includes articles dealing with (4) Eretz Israel and Babylon; (5) Mishnaic Hebrew; (6) Geonim and Rishonim; (7) various topics.

How might a poem acquire divine forgiveness? Ariel Zinder’s book Arise and Sing follows medieval Jewish poets from Iraq and al-Andalus as they seek answers to this pressing question. The book presents close readings of liturgical poems (piyyutim) written in the 10th and 11th centuries, and brings them into contact with contemporary literary theory as well as modern philosophical discussions of the possibility of forgiveness.