The political upheavals, the leadership crisis, and the ideological frustration which the Israeli Labour party went through in the first two decades of the 21st century led it to an unprecedented electoral decline. What happened to the formerly dominant party which established the state? What kind of intrinsic changes did it undergo in the late modernity and due to new sociological generations? What kind of new or old ideological discourses were formed within it? And how can we characterize its renewed ideological discourse? These questions stood at the background of this ethnographic study. The study focuses on young, idealistic activists who joined the Israeli Labour Party during 2006-2009 and asked to promote a social-democratic agenda. The book is based on multi-arena fieldwork and it enables a rare ethnographic reflection on the way macro level political changes take shape and are embodied in interpersonal interactions on the micro level.

Few articles in this issue: Gilad Shapira | Hermenautics as Poetics: The Case of Midrash HaGadol Moshe Shoshan | The Road to Lydda: A Survivor's Story: Rabban Yohanan ben Zakkai's Flight from Jerusalem According to Eicha Rabba 1:5 Richard Hidary | Why Are There Lawyers in Heaven?: Rabbinic Aggadot on the Divine Courtroom Kedem Golden | Solving a Riddle of Judah Halevi Idit Einat-Nov | 'Everybody wants to live': A Literary Reading of the Maqama by Yehuda Al-Harizi, 'The Rooster'

The book traces contested visions and representations of al-Andalus/Sepharad in modern Jewish discourse through an in-depth analysis of the work of Sephardi intellectual network in the turn of the twentieth century Palestine/Land of Israel. Against the backdrop of the tumultuous political and social events of that period, and processes of national, ethnic, and religious partitions, the book explores the ways in which these Sephardi intellectuals fundamentally challenged the nationalistic and monolingual ideologies and looks at their efforts to establish a shared Jewish-Arab society based on a symbolic return to the Sephardi/Andalusian medieval legacy of Hebrew-Arabic bilingualism and a Judeo-Muslim joint cultural heritage. By exploring these contested representations of Sephardi identity and culture the book re-examines some fundamental issues that emerged at the turn of the twentieth century and which still accompany us to this day: the national conflict between Jews and Palestinians, the contacts and splits between Hebrew and Arab culture and the formation of ethnic hierarchies between Ashkenazim and Mizrahim. The book aims to contribute to the growing interest in modern Sephardi and Middle Eastern Jewish history and to broaden the scope of “Jewish studies” beyond the European Jewish experience.

The Western musical tradition has produced not only music, but also countless writings about music that remain in continuous—and enormously influential—dialogue with their subject. With sweeping scope and philosophical depth, A Language of Its Own traces the past millennium of this ongoing exchange. Ruth Katz argues that the indispensable relationship between intellectual production and musical creation gave rise to the Western conception of music. This evolving and sometimes conflicted process, in turn, shaped the art form itself. As ideas entered music from the contexts in which it existed, its internal language developed in tandem with shifts in intellectual and social history. Katz explores how this infrastructure allowed music to explain itself from within, creating a self-referential and rational foundation that has begun to erode in recent years. A magisterial exploration of a frequently overlooked intersection of Western art and philosophy, A Language of Its Own restores music to its rightful place in the history of ideas.

Man and Nature , the most notable work by A. D. Gordon (1860-1922) was written mostly during the second decade of the twentieth century. It is an original philosophical work, which revolves around the ethics, aesthetics and philosophy of religion. In addition to presenting a comprehensive philosophical theory in Hebrew, Gordon discusses issues which became more and more central in the generations that followed him – like ecology, gender and the rejuvenation of Judaism. By returning to nature Gordon advocates a full life of creation. This new edition contains sections from the Dgania Alef archives, which were omitted from previous editions. In the introduction, the editors describe how the text deviates from the time and place in which it was written, explaining the recent wave of renewed interest in Gordon’s writings.

A dialogue between Michal Zmora-Cohen and Moshe Zuckermann on the development of music in the 20th century. While Zmora-Cohen criticized this development, Zuckermann defended it. The discourse has musicological, historical and philosophical aspects.

Contiruptance: Poetical Fluctuations in Naomi Frankel’s Work is the first book dedicated to Frankel's literary work, offering an in-depth reading of her entire fictional oeuvre. The concept of "Contiruptance," which indicates ruptures and continuity, provides insight into Frankel's poetics; suggesting that it may serve to deepen the analysis of the works of other authors.

In his book History, Literature, Critical Theory (2013), the historian Dominique La Capra presented the ways in which the voice of the narrator in the 19th and 20th century novel came to a collapse, which reflects the modern traumatic experience. This study employs this theoretical prism in order to construct a cultural dimension of 20th century Jewish poetics - a dimension in which trauma is reflected in its linguistic representation, but also shapes this same representation. The book offers an understanding of Jewish literature in the 20th century as a far-reaching cultural experience, in which the human figure is not made possible by words, but rather collapses into the animal, the absence, the broken witness, the Muslim, the eastern, the Arab and the queer.